I love the Warner Brothers musicals from the 1930's. This of course includes beloved classics like 42nd Street, but it also includes overlooked gems like Sweet Music. It amazes me how little talked about Sweet Music is among classic movie fans. It has everything that makes me love these musicals so much. Great songs, lavish looking musical numbers, a great cast (Rudy Vallee, Ann Dvorak, Ned Sparks, Allan Jenkins...) and great humor are all here. Yes, it is a corny and silly movie, but I think we could all use a little more corniness and silliness in our life and this film is very entertaining to boot.
The director of the film is Alfred E. Green. Green was never a director who had a distinctive style or genre. He directed films as diverse as Dangerous, The Gracie Allen Murder Case, Ella Cinders, The Jolson Story, Baby Face, Smart Money and this film. However, he did bring us a list of usually consistently good movies. Most of his films were usually B-movies but this is a rare A-movie for him and he pulls it off very well.
One of the main reasons for this film existing is it's star Rudy Vallee. Rudy Vallee was one of the biggest music stars of this era, and Hollywood was quick to take advantage of his popularity. His first film appearance was in 1929 with the short Radio Rhythm and that same year he would appear in his first feature The Vagabond Lover. He would have a great career as a movie actor as well with films such as The Palm Beach Story, The Bachelor and the Bobby-Soxer, I Remember Mama, and Gold-diggers in Paris, and this film. He would prove he was a great performer whether an actor or a singer. However this film was made to show off Rudy's music. He would often times clown around when performing on stage and that is taken to full advantage here. For instance Rudy does an imitation of radio star Fred Allen during a great comedy song called Outside and there is much slapstick with him and his band on stage. This film truly lets Rudy Vallee show his very likable stage image at its best.
Rudy Vallee isn't the only great thing about film's cast. Especially of note are Ned Sparks and Allan Jenkins (who my fellow Hanna-Barbera lovers might know as the voice of Officer Dibble in Top Cat). Both of these actors played smaller roles in many Warner Brothers musicals. They were always quite funny in those small roles and they are even better in their larger roles here. Their parts in this film are hilarious (Ned Sparks as Ann Dvorak's agent and Allan Jenkins as a nutty publicity agent). Also what works well here is that Ann Dvorak and Rudy Vallee have great chemistry.
The song writers for this film are the great team of Al Dublin and Harry Warren (42nd Street, Gold-diggers of 1933) as well as the team of Sammy Fain and Irving Kahal (Footlight Parade) and another songwriting team of Mort Dixon and Allie Wrubel (Flirtation Walk). One of the highlights of the film is the great ending musical number written by Dublin and Warren.
Critics and audiences both enjoyed the film when it was released, and I am sure many classic film fans will love it today.
-Michael J. Ruhland
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