Movie Review: Squared Love (Miłość do kwadratu)

 

Note: This film can currently be viewed on Netflix.


Michael's Movie Grade: F

A bland and incredibly cliché Polish romantic comedy. 

This movie's storyline is little except for a collection of clichés we have seen in a million romantic comedies before. Truth be told these clichés have also been done a million times better. This is not helped by the fact that this entire film's plot revolves around every character being a complete idiot. The female lead (Adrianna Chlebicka) leads two lives, one as a model and one as a teacher. The difference as a model she wears a wig, no glasses and more revealing clothing. Yet the story centers around no one (except for a third grader (Helena Mazur)) being able to tell the difference between these two even when they spend an extensive amount of time together in both her ways of dressing. If this was carried off in a farcical way it could have worked, but no we are simply supposed to except that nobody would truly recognize any similarities. The character herself has little personality outside of being a good person and therefore never feels real to us. Our male lead (Mateusz Banasiuk) is not much better. While all male leads in a movie like this need to have a bit of a character arc, it should be handled better than this. The arc itself feels incredibly rushed and he seems to have changes in his personality for no reason whatsoever. There is no transition between this personality changes they just kind of occur. Like our female lead this character is equally bland and uninteresting, with the only real difference being that he can be a bit of a jerk at times. Like too many romantic comedies these days, there is often little to no focus on the comedy. This is just as well because its attempts at doing comedy mostly fall flat, though one wishes that this movie could have at least kidded the absurdity of its premise.  

This is a bottom of the barrel romantic comedy all the way.    

Some Must See Movies From the 2010's

With the 2010's coming to a close, I feel it is only appropriate to look back on some of the great movies of this decade. This post will not be a best of list. Rather this is simply me listing some movies from this decade that I really enjoyed.

The Tale of Princess Kaguya (2013, Japan). In my mind this is one of Studio Ghibli's best films and deserves to be mentioned with Spirited Away (2001) and Grave of the Fireflies (1988). This movie is a deceptively simple fairy tale that works on multiple levels. It can be enjoyed simply as a very charming fairy tale or a highly intelligent commentary on how our world defines happiness. The animation is incredible and with films like this, it is easy to wish hand drawn animation could still be the norm. I love how the animation will change to fit the emotional mood of the moment, while never feeling abrupt or distracting. The ending makes me tear up every time.

Lean on Pete (2018, U.S.A.). This is easily one of the most emotionally powerful movies of recent years. Yet this movie never slides into forced sentimentality. That is because this movie is an open and honest depiction of how harsh the world can be, but also the beauty that can be found in other moments. With the lack of warmth in our main character's life it is impossible not to understand or relate to his deep connection with the horse he works with. This movie never follows a conventional path and you will never know what we happen next, but be sure whatever does will hit your emotions hard. Be prepared to cry when you see this movie.

Tokyo Fiancée (2014, Belgium) Possibly one of the most offbeat romantic comedies of the decade and certainly one of the most enjoyable. This movie was based off the real life romance of Amélie Nothomb. Our main character grew up in Belgium but spent her life obsessed with all things Japanese. When she moves to Japan (as a French language tutor), she falls in love with a young man obsessed with all things French. What really makes this movie stand out are Pauline Etienne's incredible performance and the breathtaking shots of Japan. Though its offbeat and often very funny sense of humor doesn't hurt either.

Marie's Story (2014, France). A very heartwarming film about a young woman who is both blind and deaf and a nun who helps change her life. The story may seem familiar but it is told so spectacularly here, you won't care. This is a quiet little movie that requires you to pay attention but rewards you extremely richly when you do.

Spider-Man: Into the Spider Verse (2018, U.S.A.). This animated feature is everything one could wish for in superhero movie. It is extremely fun, it has a great story with some depth, a fantastically original visual style and great characters. More than any other superhero movie I have ever seen this film makes it feel like a comic book come to life. This is not only one of the best animated superhero movies but one of the best superhero movies period.

Captain America: The First Avenger (2011, U.S.A.) and Captain America: The Winter Solider (2014, U.S.A.). You may love or hate the MCU. Personally I love it and these are in my mind the finest movies to come out of it. The first Captain America is a lovely done period piece that is as fun as any MCU movie has ever been. The second is a more dark and serious film set in the modern day. Both are the smartest and best written movies Marvel Studios ever put out.

Parasite (2019, Korea). I would like to say as little about this movie as possible, as it is best to go in knowing as little as possible. Only know that this is one of the finest suspense movies of recent years.

Moana (2016, U.S.A.). This movie shows Disney animation at its best. Everything is as good as it gets including the songs, the animation, the characters, the story, the action and the pure Disney magic.

Inside Out (2015, U.S.A.). This is easily my favorite Pixar movie. It has everything that is great about Pixar films with none of the faults. Like with all the best movies from this studio, I felt like I traveled to another world. The design work is so perfectly imaginative and detailed that you can easily believe the inside of our mind really looks like this. The characters are fantastic and I like that they even tried to see how far they could push Joy while still making her likable. The story is the finest and most heartfelt to ever come from Pixar and this is the only movie from the studio that has actually made me cry.

Lady Bird (2017, U.S.A.). With just her debut feature, I am willing to accept Greta Gerwig as one of the finest directors of this generation. It is hard to think of any movie in recent years more perfect than Lady Bird. While there have been many movies about young people in their late teens coming of age, I hesitate to think of one that does it as well as this film. This movie is extremely intelligent, perfectly acted and cast, very funny, extremely heartfelt and perfectly directed. If there was a movie this decade I would dare call perfect it is Lady Bird.

Ida (2014, Poland). Movies as beautiful as this come along extremely rarely. This movie is full of pure cinematic magic from beginning to end. Made in black and white, this is one of the best looking films of this decade. The cinematography is perfection, often making one wish black and white movies were still common. However this film is hardly all style and no substance. Director and Co-writer Pawel Pawlikowski revisits his childhood with this movie's story and does it in an incredibly moving and powerful way. No movie buff should go without seeing this brilliant work of art.

Feliz Año Tijuana (2018, Mexico). I came into this movie knowing nothing about it. Little did I except it would be such a moving and powerful film. This movie takes a small simple story a professor who by chance meets an old student in Tijuana at New Years, and turns it into something truly special. This is an independent movie all the way. In fact it was shot without a script, being mostly improvised over six days of shooting. This movie came and left theatres with hardly anybody noticing. However it is truly a great movie and I hope some of you will take the time to seek it out.

-Michael J. Ruhland

Movie Review: Cold War (Zimna wojna)

Michael's Movie Grade: A+


Review: A majestic example of the cinematic art form at its finest.


One of the most unique and powerful elements of cinema as an artform are the images that will forever live in our minds. Cold War offers these images in abundance. Looking at Lukasz Zal's brilliant black and white cinematography, it almost feels like a shame that most modern filmmakers have abandoned black and white. This movie certainly shows that black and white is just as powerful today as it was when it was the norm. It is impossible to imagine this movie in color and in color it certainly would lose a lot. Images that will forever haunt my mind include the above image, Zula (Joanna Kulig) floating through the water with more of her going under little by little, Zula dancing on the bar (which in no doubt was somewhat of a tribute to Jean Luc Goddard's Bande a Part (1964)), a scene in an abandoned church and the final image. However these perfect images do not represent any abnormality, the whole film is perfectly composed visually. Each image is extremely atmospheric adding to an underlying sense of loneliness and tragedy.


Auditorily this movie is equal perfect. The use of music is one of the finest in any movie to come out in recent years (okay... I have not seen every single movie of recent years but out of the ones I have seen). The music used here is extremely varied. It ranges from Polish folk songs to American jazz to classical music from old masters like Chopin and Bach to Bill Haley and His Comets (in a scene that will go down as the ultimate cinematic usage of Rock Around the Clock). Even with the huge difference between musical styles each is used perfectly, adding to the atmospheric and emotional power of each scene. Just as one can not imagine this film in color, one can also not imagine this with any different music. Both are such a part of this film that they can not be separated.

None of this is to say this movie is all style and no substance. The story is often heartbreakingly tragic, yet beautiful at the same time. Our two lovers, whose chances at romance are constantly dashed by the cruel hand of fate, are completely real to us and it was impossible for me not to feel an emotional connection to them. Adding to this definitely was Kulig's brilliantly powerful and human performance as Zula. This was a performance with not a single false note. It is also worth stating that much of the style enhances the story and characters rather than distracts from them. In fact much of the visual beauty and uses of music tell us more about these characters than many movies can do with dialogue.

It seems like it would have been impossible for Polish director, Pawel Pawlikowski to make a movie that wouldn't have seemed like a letdown after his last movie, Ida (2013). However with Cold War he perfectly conducts a film that doesn't let fans of that brilliant work of art down.


-Michael J. Ruhland