Hello my friends and happy Saturday morning and happy Halloween. Once again it is time for some spooky cartoons.
Today's spooky cartoon selection begins with our favorite friendly ghost, Casper, in Fright From Wrong (1956).
Next, we join Superman in The Mummy Strikes (1943). This is the 14th out of 17 theatrical cartoon shorts staring the famous DC superhero produced at first by the Fleischer Studios and then its successor Famous Studios.
Now for the silent Felix the cat cartoon, Switches Witches (1927).
Now for a true classic starring Porky and Slyvester, Claws for Alarm (1954). This was the second of two cartoons (both directed by Chuck Jones) featuring Sylvester as the cowardly cat that must protect his owner Porky for murderous mice (the first being Scaredy Cat (1948)). Unlike other appearances of Sylvester, here the cat is treated more like a real cat and has no ability to speak. Chuck Jones would use this basic formula again for Jumpin' Jupiter (1955). That film would again feature Sylvester as a cowardly cat that must protect Porky. However, in that cartoon he would protect his master from a space alien rather than mice. Claws For Alarm would later be used in the feature length compilation movie, Daffy Duck's Quackbusters (1988).
Now it is time for a commercial break.
Now for something completely different here is a completely serious cartoon short of the 1950's, The Tell-Tale Heart (1953). This film is not surprisingly from the UPA studio. The UPA studio at this time sought to move away from the violent slapstick of Warner Brothers or MGM cartoons, or the more realistic "illusion of life" featured in many Disney cartoons. They often experimented with what could be done with the color and design in animated films. These films often experimented with flat backgrounds, purposely limited animation and abstract color schemes that reflect the emotion of a scene rather than what something would really look like. As is true of all cartoon studios that do a lot of experimenting, sometimes it worked and sometimes it didn't. Tell-Tale Heart is one of the most successful and one of the most extreme experiments. Most American audiences at this time had never seen an animated short quite like this and many would never see something like this again. When a 1954 article in Home Movies talking about the Cannes Film Festival got to Disney's Toot, Whistle, Plunk and Boom (1953) winning a prize, the writer had this to say, "It is unpardonable however that Disney should so openly and fully steal the style of the cartoon developed by the most excellent groups of artists, Steven Bosustow's UPA. It was no secret this was the case among those as the festival as UPA is well known and well respected in France. It is a shame that UPA recent and excellent 3D cartoon, The Tell-Tale Heart could not be shown at the festival, for it most certainly won the prize awarded to Disney." This cartoon is placed at 24 in Jerry Beck's book, The 50 Greatest Cartoons.
It's time to attend Betty Boop's Halloween Party (1933). This is pure pre-code Betty at her best with fast paced action, bizarre cartoony gags, an energetic music score and a heck of a lot of charm. The following are two exhibitors' reviews from the Motion Picture Herald. "BETTY BOOP'S HALLOWEEN PARTY: Betty Boop Cartoons—Good cartoon and sound. It's just a toss-up which is the best cartoon, "Mickey Mouse," "Betty Boop" or "Popeye the Sailor," with "Popeye" slightly in the lead.—S. H. Rich, Rich Theatre, Montpelier, Idaho, Town and Rural Patronage." "BETTY BOOP'S HALLOWEEN PARTY: Talkar- toons—Better than the average Betty Boop. Good short for any program. - H. E. Newberry, Y.M.C.A. Theatre, Ware Shores, S.C. Small Town Patronage."
Next comes one of the earliest of Disney's Silly Symphonies, Hell's Bells (1929). What is amazing about this film is that it is animated by only three people. Wilfred Jackson animates the scene introducing the devil and his court, the scene with the devil's band, the pool of lava, the three dancing bats, the devil king applauding and ringing the bell, the imps carrying the bowl of fire to the devil king, the devil feeding the three-headed dog and the devil pursuing the imp. Ub Iwerks (who also directed the cartoon) animates the opening and closing shots, the single dancing bat and the devil king falling from the cliff and being devoured by the flames. Les Clark animates the serpent swallowing the bat, the dragon/cow and the devil threatening an imp. Animation for this film was done from September to October 1929. Its New York opening was at the George M. Cohan on November 10-16. It played along with the feature film, Song of Love (1929). However, its Los Angles opening would have to wait until it played at the Fox Boulevard theatre, February 20-26, 1930. It would play alongside the feature film, The Cock-Eyed World (1929).
Of course, a Halloween tradition for cartoon fans is the Treehouse of Horror episodes of The Simpsons. Here is a delightful segment from the very first Treehouse of Horror.
Thank you for joining me. Come back next week for more animated treasures. Until then may all your tunes be looney and your melodies merry.
Resources Used
Walt Disney’s Silly Symphonies: A Companion to the Classic Cartoon Series by J.B. Kaufman and Russell Merritt
Walt Disney’s Silly Symphonies: A Companion to the Classic Cartoon Series by J.B. Kaufman and Russell Merritt