Some Cartoons for Saturday Morning #191

 Hello my friends and happy Saturday morning. Once again it is time for some classic cartoons. 

Today's cartoon selection begins with Donald Duck in Bee at the Beach (1950). This short film pits Donald Duck against Spike the bee. Though Spike is a rather forgotten Disney character, this film is not the only time him and Donald went up against each other. Staring with Inferior Decorator (1948) and ending with Let's Stick Together (1952), the two made a series of 7 shorts centered around the two fighting. Bee at the Beach would make its TV debut on the Walt Disney Presents episode, This is Your Life, Donald Duck (1960).

Next comes Sylvester and Tweety in Catty Cornered (1953). In this cartoon Tweety is kidnapped by gangster Rocky. Rocky was a character who was only used by director Friz Freleng. He had earlier been the villain in the Daffy Duck cartoon, Golden Yeggs (1950). Most cartoon fans associate Rocky with his dumb partner in crime Mugsy. However this cartoon was made before the character was created. Mugsy first appeared in the Bugs Bunny short, Bugs and Thugs (1954). This short would later be edited into the feature-length compilation film, The Looney Looney Looney Bugs Bunny Movie (1981). 

Next comes the 6th Hoot Kloot film, Stirrups and Hiccups (1973). This short film is a play on the story of Dr. Jeckel and Mr. Hyde. 

Next is Willie Whopper in Insultin' the Sultan (1934).  Willie Whopper was the second starring character to come out of Ub Iwerks' own cartoon studio. The first character is Flip the Frog, who did not prove to be that popular and had to be replaced. Unfortunately, Willie did not catch on with audiences either and his movie career only lasted 13 short films. Before leaving to make cartoons for his own studio, Ub had worked at Disney playing an incredibly important role in the Disney shorts of the 1920's and early 30's. He even played a large role in the creation of Mickey Mouse. After his own studio work did not pan out, he returned to Disney where he would do special effects work on many of the Disney's best feature films. The following is an exhibitor's review from the Motion Picture Herald, "Insultin' the Sultan: Willie Whopper - This is a good cartoon comedy that pleased all who saw it. Willie is not so popular here, but with better story material he will improve and the patrons will be pleased. Running Time, 9 minutes. - J.J. Medford, Orpheum Theatre, Oxford, N.C. General Patronage." 

It is time for a commercial break. 

Next is Cubby Bear in The Nut Factory (1933). This is one of my favorite Cubby Bear films.

 
Now for the second Casper the Friendly Ghost cartoon, There's Good Boos To-night (1948). Though many of the Casper cartoons aimed for sentiment, few of them were as effective as this short film. The film's ending is surprisingly quite touching. 

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After the success of The Pink Panther (1964) and A Shot in the Dark (1964), Mirisch Films was interested in a third Inspector Clouseau movie. Unfortunately, director Blake Edwards and star Peter Sellers both declined. The studio still wished to make another film and cast Alan Arkin as Inspector Clouseau and put Bud Yorkin in the director's chair. The result was Inspector Clouseau (1968) and was definitely one of the weakest Pink Panther feature films. One of the few highlights was the opening credits sequence, which was as with the previous movies is essentially a cartoon short. This sequence featured The Inspector. This character starred in a wonderful series of theatrical cartoon shorts from 1965 to 1969 for the DePatie-Freleng studio and was based off of the character of Clouseau. The DePatie-Freleng studio (which had also done the opening credits sequences for the previous two Inspector Clouseau films) is credited with creating and designing this sequence, while TVC London is credited with animating it. Fortunately for fans of these movies, Blake Edwards and Peter Sellers would later return to the Pink Panther franchise with The Return of the Pink Panther (1975). 

Today's cartoon selection ends with one of the best post golden age Looney Tunes cartoons, Little Go Beep (2000).

Resources Used

Of Mice and Magic: A History of American Animated Cartoons by Leonard Maltin.

I Tawt I Taw a Puddy Tat: Fifty Years of Sylvester and Tweety by Jerry Beck.

https://disney.fandom.com/wiki/The_Disney_Wiki

https://lantern.mediahist.org/

 

Some Cartoons For Saturday Morning #114

 Hello my friends and happy Saturday morning. Welcome back for another round of classic cartoons. 

Today's selection begins with Sylvester and Tweety in Tweet Dreams (1959). This cartoon is what is often referred to as a cheater. This means that it uses clips from earlier cartoons. The cartoons which have clips used here include Sandy Claws (1954), Tweety's Circus (1955), A Street Cat Named Sylvester (1953), Gift Wrapped (1952) and Too Hop to Handle (1956). Another cheater cartoon, Freudy Cat (1964) uses a similar premise where Sylvester visits a psychist. I have always loved the ending joke of this film. 

Next comes Disney's last Silly Symphony short, The Ugly Duckling (1939). The studio had already made this Hans Christian Anderson story into a Silly Symphony in 1931. However this version is more dramatic while the early version was more comedic. This wide different take on the source material fully justifies, the series returning to this story. Looking at this film, there is no doubt that the Silly Symphonies went out on a high note. The animation is fantastic even by Disney standards (animators include Eric Larson, Stan Quackenbush, Riley Thompson, Archie Robin, Milt Kahl and Paul Satterfeild). Comparing this to the earliest Symphonies shows how far Disney had come in the art of character animation. It is no wonder this won the "Best Cartoon" Oscar of 1939. Though originally playing in movie theatres this cartoon made a very early appearance on TV, when it played on an early variety show (May 1, 1940) celebrating the first anniversary of TV's first commercial appearance in New York. A review in Photoplay stated, "You'll choke with laughter and tears at the same time; gasp at the lovely color and settings. The Hans Christian Anderson story is followed closely except Disney improves on Anderson's very funny implication that the swan's egg in the duck's nest might lead Papa Duck to suspect his mate." A review in The Film Daily states. " Though the story only concerns the feathered folk this short is fused with real feels and pathos." 

                                                         Motion Picture Daily, 1940

Next comes a classic Fleischer Popeye cartoon, I Never Changes My Altitude (1937). When movie magazines listed this cartoon they changed the name to the grammatically correct, "I Never Change My Altitude." The following is an exhibitor's review from the Motion Picture Herald, "I Never Change My Altitude: Popeye the Sailor - These Popeye cartoons are very good for the kids. This one did not go over with the adults. Running time , eight minutes, A.J. Inks, Crystal Theatre, Ligonier, Ind. Small Town Patronage." Another exhibitor's review for the Motion Picture Harald, disagreed with this stating, " I NEVER CHANGE MY ALTITUDE: Popeye the Sailor—A good Popeye. Adults will enjoy this as much as the kids. Running time, seven minutes.— A. E. Eliasen, Rialto Theatre, Paynesville, Minn. Rural and small town patronage." 

Up next is a classic Daffy and Porky teaming, The Ducksters (1950). This cartoon features Daffy hosting a very sadistic radio game show with Porky as the contestant. Daffy is as much of a clear cut villain here as he would be in the later cartoons when he is up against Speedy Gonzales. However he is so energetic and fun to watch here that even those who hate his later more villainess roles will have fun watching this cartoon. This film would be reissued to theatres on June 18, 1961. 

Next comes Cubby Bear in Croon Crazy (1933). The following is an exhibitor's review from Motion Picture Herald, "Croon Crazy: Cubby the Bear - Seldom is there a short nowadays that doesn't ring in the 'Come up and see me sometime' stuff. You wonder whether new expressions are not all washed up. Why not start something new. - Mrs. N. Monte Gill, Strand Theatre, Montpelier, Vt. General Patronage." 

Up next is a Color Rhapsody cartoon from Columbia, The Herring Murder Mystery (1943). This is the only theatrical short directed by Dun Roman, who worked as a writer on other Columbia cartoons and would later work on Jay Ward's television cartoons. A reviewer for The Exhibitor wrote, "Technicolor, drawing and animation are all good but it isn't particularly funny." 

 

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Motion Picture Herald, 1934



Today's cartoon selection ends with an oddball Disney short, Football Now and Then (1953). This cartoon was directed by Jack Kinney and it features much of the same mixture of clever satire and great cartoon slapstick as his Goofy shorts. Yet this film is much stranger than any of his Goofy cartoons. Though even a lot of major Disney fans are not familiar with this, those who know this cartoon all seem to have a fondness for it. So I hope you enjoy one of the silliest cartoons to come out of the Disney studio. 

 

Thanks for joining me come back next week for another round of animated classics. Until then may all your tunes be looney and your melodies merry. 

 

Some Cartoons For Saturday Morning #66

Hello my friends and happy Saturday Morning, once again it is time for some more classic cartoons.

Since Easter is tomorrow, what better way to start this post than with an Easter cartoon. Today's first film is a Silly Symphony called Funny Little Bunnies (1934). This cartoon does not feature much of an actual story beyond the idea of bunnies getting ready for Easter. However people at the time did not seem to mind this at all. The following is a review from The Film Daily, "This is a likely entry for the best short of 1934. While it may appear that its vogue would be more or less limited to the Easter season because its purely imaginative substance deals with the manufacture and decoration of Easter eggs and bunnies by a colorful rabbit crew, the splendor and variety of coloring and the highly diverting action lift it far above any seasonal appeal. Musical accompaniment is pleasing." The following is a review from The Motion Picture Herald, "Unusually clever, highly entertaining, especially for the youngsters but potentially equally enjoyable for adults, this number of the Walt Disney Silly Symphonies pictures in the inimitable Disney cartoon fashion the manner in which the bunnies, in their woodland workshop, carve out Easter statues of themselves, paint the Easter eggs, with various colors obtained from the end of the rainbow. In this spring season despite the fact that Easter has passed, the subject is highly appropriate and can not fail to meet with the favor of the entire audience, anytime, anywhere." The cartoon also won the gold medal for "Best Animated Film" at the Venice film festival in 1934. Still as is always the case not everyone was impressed. An exhibitors review from The Motion Picture Herald was not very positive stating about Walt Disney, "He'll never make another 'Three Little Pigs.' In 1935 this movie was part of a four week run of Disney cartoons. Here is The Film Daily talking about that, "Starting April 4, Walt Disney productions, released through Untied Artists, are being featured on the Trans-Lux Theater program for four consecutive weeks. Opening with 'The Tortoise and the Hare,' the next three programs feature the following Disney productions: 'Mickey's Man Friday,' 'Funny Little Bunnies,' and 'The Band Concert,' Disney's first Mickey Mouse subject in Technicolor." One thing I love about the color Symphonies is that they never take color for granted but instead always make sure it is used to full effect. That is definitely true of this cartoon. This movie was reissued to theaters on April 7, 1950.

 As I have mentioned before on this blog, Paul Terry considered the Heckle and Jeckle films to be the best cartoons, he produced and I wholeheartedly agree. Here is a typically good example of why these little movies are so much fun, House Busters (1952). I love how no motivation at all is needed for why Heckle and Jeckle want to wreck the house beyond that they simply enjoy doing so. Because of this we can simply get to the slapstick gags as soon as possible and have tons of fun.




While right now we can not take trips around the world in real life, we can travel to the rest of the world via cartoons. So let's join Cubby Bear and take a World Flight (1933). If this film feels more like one of the early Looney Tunes with Bosko than most Cubby Bear cartoons that is due to the fact that the film is directed by Hugh Harmon and Rudolf Ising who made those cartoons. It must be remembered that this movie was made in 1933 well before the horrors that Adolf Hitler would inflict on this world would be fully known to the filmmakers. Seeing  Hitler cheer on Cubby is still more than a little uncomfortable today. A review in The Film Daily stated, "Nothing new or particularly clever about this one." The following is a review from The Motion Picture Herald, "When Cubby Bear, the Aesop's Fables animated hero, attempts his world flight, and the plane indulges in those antics that only an animated cartoon artist can conduct, the result is a lightly musing cartoon, especially enjoyable for the youngsters. Incorporated are caricatures of the Four Marx Brothers, Chevalier and other cleverly done but no longer new." Notice how the newsboy at the beginning looks more than a little like Bosko. Phileas Fogg would be amazed at just how quickly Cubby can make it around the world.






Next Goofy learns For Whom the Bull Toils (1953).




With Easter tomorrow I feel it is right that this blog post should end with more Easter cartoon fun. So here is the TV Special, Daffy Duck's Easter Show (1980, also known as Daffy Duck's Easter Egg-citement).




Come back next week for more animated goodness. Peace, love and cartoons.

-Michael J. Ruhland

Some Cartoons For Saturday Morning #58

Hello my friends and happy Saturday. Once again that means it is time for some classic cartoons. 

Today's cartoon selection begins with a 1965 cartoon from The Peter Potamus Show. This episode is titled Pre-Hysterical Pete.

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Next is one of the best Cubby Bear cartoons, Goode Knight (1934). Though Cubby Bear may be a thinly disguised Mickey Mouse ripoff I have no trouble admitting that I find his cartoons a lot of fun. Much of this is due to the fact that I am a fan of the over the top rubber hose animation of the 1930's and these films are fully of that. This is about as cartoony as a cartoon can get and I love it.

Here is an excellent Donald Duck short, Sleepy Time Donald (1947).



Next comes a Newsreel parody from our good friend Scrappy. This cartoon Scrappy's News Flashes (1937) is one of the better later Scrappy cartoons with lots of silly fun from start to finish. The ending is a treat for all my fellow old movie fans as it is full of caricatures of some of the most popular stars of the day. An exhibitor's review from The Motion Picture Herald stated "You will have to take your hats off for this series of cartoons as they are excellent." The following is a review from the Motion  Picture Daily, "A repletion of the cartoon idea produced by this company last year, but not as clever. It burlesques a prominent newsreel even going as far as to even play the opening bars of music which identify the reel. The news and novelties seem strained for their comic effect and will depend on a questionable humorous reaction." This review is perhaps referring to the Krazy Kat cartoon, Krazy's Newsreel (1936), which was made by the same studio. If you think of another cartoon this could be referring to let me know.

While the main segments of the Garfield and Friends (1988-1995) were original cartoons, the show also featured what were called Garfield quickies. These very short segments were simply Garfield comic strips but animated.

One of the earliest animated TV series and the first in color was Colonel Bleep (1957-1960). With simply designed character and animation as limited as can be, extravagant is a term that can never be used to describe this show. The stories are just as simplistic as the animation (some sources say Joseph Barbera worked as one of this show's writers in the early days). Chuck Jones may have referred to Hanna-Barbera cartoons as illustrated radio, but this series fit that description better than any other cartoon series. If you close your eyes, you can follow the story just as well as if you were listening to a radio show. While this may be clearly a kid's show in a way a Hanna-Barbera or Jay Ward show wasn't, I admit to this being a bit of a guilty pleasure for me and perhaps it is for you too.


 

Motion Picture Herald, 1931

Let's close with a song.

-Michael J. Ruhland