Cowboy Church #265

 Hello my friends and welcome back for another service of Cowboy Church. 

 

Today's musical begins with Roy Rogers with Peace in the Valley. The hymn was written by Thomas A. Dorsey who later explained the origins of this song, “Peace in the Valley,” “It was just before Hitler sent his war chariots into Western Europe in the late 1930s. I was on a train going through southern Indiana and saw horses, cows and sheep all grazing together in this little valley. Everything seemed so peaceful. It made me question, “What’s the matter with mankind? Why can’t men live in peace?” Out of those thoughts came “Peace in the Valley.”

This is followed by Josh Turner with Great is Your Faithfulness. When Thomas Obadiah Chisolm was on a mission trip, he and his good friend William Runyan would write letters together. These letters often included poems that they would write. Chisolm was so moved by one of Runyan's poems that he would write a musical score to accompany it. This became the hymn you hear here. Great is Thy Faithfulness (retitled Great is Your Faithfulness here) was first published in 1923. This recording comes from Josh's 2018 gospel album, I Serve a Savoir.

Afterwards is The Sons of the Pioneers with their 1937 recording of Power in the Blood. This is probably my favorite version of this old gospel song, especially with how well it captures the pure joy of the lyrics. This recording was made during the time when Roy Rogers was still a member of The Sons of the Pioneers before beginning his solo career in the movies and his voice can be heard very prominently on this track. 

Then comes The Chuck Wagon Gang with When the Saints go Marching In. This recording comes from their 1960 gospel album, Perfect Joy. 

Next is George Jones with When Mama Sang a Hymn (The Angels Stopped to Listen). This song was written by Bob Warren and Danny Walls.

Afterwards is Ricky Skaggs with Sinners, You Better Get Ready. This comes from his 2009 gospel album, Songs My Dad Loved.

Today's musical selection ends with Johnny Cash singing All of God's Children Ain't Free. This song is from the 1965 album, Orange Blossom Special. In his Johnny Cash biography, The Man Called Cash, Steve Turner calls this "Cash's most folk-inspired album." This is no coincidence as John's heart was drifting heavily towards the current folk scene at this time. He had performed at the Newport Folk Festival was spending much time with Bob Dylan, was recording songs by current folk songwriters such as Peter La Farge, and was addressing politics and social commentary in his music in a way he did much less often in the 1950's. This album contained three songs written by Bob as well as some more traditional folk music. This song (written by John himself) was a protest song of the type that was popular in the folk work at this time.

Now for the 8th episode of The Lone Ranger TV show. 

Now for a message from the Reverand Billy Graham.

Psalm 103

Of David.

1 Praise the Lord, my soul;

    all my inmost being, praise his holy name.

2 Praise the Lord, my soul,

    and forget not all his benefits—

3 who forgives all your sins

    and heals all your diseases,

4 who redeems your life from the pit

    and crowns you with love and compassion,

5 who satisfies your desires with good things

    so that your youth is renewed like the eagle’s.

6 The Lord works righteousness

    and justice for all the oppressed.

7 He made known his ways to Moses,

    his deeds to the people of Israel:

8 The Lord is compassionate and gracious,

    slow to anger, abounding in love.

9 He will not always accuse,

    nor will he harbor his anger forever;

10 he does not treat us as our sins deserve

    or repay us according to our iniquities.

11 For as high as the heavens are above the earth,

    so great is his love for those who fear him;

12 as far as the east is from the west,

    so far has he removed our transgressions from us.

13 As a father has compassion on his children,

    so the Lord has compassion on those who fear him;

14 for he knows how we are formed,

    he remembers that we are dust.

15 The life of mortals is like grass,

    they flourish like a flower of the field;

16 the wind blows over it and it is gone,

    and its place remembers it no more.

17 But from everlasting to everlasting

    the Lord’s love is with those who fear him,

    and his righteousness with their children’s children—

18 with those who keep his covenant

    and remember to obey his precepts.

19 The Lord has established his throne in heaven,

    and his kingdom rules over all.

20 Praise the Lord, you his angels,

    you mighty ones who do his bidding,

    who obey his word.

21 Praise the Lord, all his heavenly hosts,

    you his servants who do his will.

22 Praise the Lord, all his works

    everywhere in his dominion.

Praise the Lord, my soul.

Thanks for joining me. Come back next week for another service of Cowboy Church. Happy trails to you until we meet again. 

Video Link: How Disney Changed the Way We View Pirates - West of Neverland

 

Video Link: Malice Returns and She's Terrifying - Causally Comics

 

Some Cartoons for Saturday Morning #277

 Hello my friends and happy Saturday morning. Once again it is time for some classic cartoons. 

Today's cartoon selection begins with one of Chuck Jones' great Bugs Bunny cartoons, Wackiki Wabbit (1943). The two castaways who try to eat Bugs in this cartoon, were caricatured to look like and were voiced by Looney Tunes and Merrie Melodies writers, Michael Maltese and Tedd Pierce. Many of Chuck's cartoons of this time had great experimentation with background art (due to the work of such artists as John McGrew, Bernyce Polifka and Gene Fleury) and that is certainly true here. The following are some exhibitor's reviews from the Motion Picture Herald. "Wackiki Wabbit: Merrie Melodies Cartoons: A 'Bugs Bunny' short that shows signs of getting him back into his once high place. If they like Bugs, they'll like this one. - W. Varrick Nevins, Ill, Alfred Co-op Theatre, Alfred, N.Y." "Wackiki Wabbit: Merrie Melodies Cartoon— This is one of the best Bugs Bunny cartoons of the season and it went over big here. - Thomas Di Lorenzo, New Paltz Theatre, New Platz, N.Y." The experimental artwork in this film drew both praise and criticism from those working in animation. The Disney layout artist Karl Van Leuven wrote in the cartoonists' union newsletter (in December 1943), "This opus is notable not for its habit-formed story, but for the imaginative experimentation of its layout and background. Particularly noteworthy was the discovery that a flat tone can carry background movement. Novel but not so successful was the use of tapa cloth patterns with overlays of stylized foliage plotches as backgrounds for action on a typical tropical isle. [producer Leon Schlesinger] is pacing the current background breakaway from the cute." Warner Brothers background artist (and future voice of the Road Runner) would remember the reaction the film had from others in the studio. "The picture culminated in a chase where two people ran off into the distance, and the background ... was so flat it came off like, here are two people shrinking into a piece of wallpaper. That created kind of an upset ... a popular outcry - what the hell is going on here? The expression 'artsy-fartsy' got used a great deal that month." 

Next comes the silent Out of the Inkwell cartoon, Koko's Quest (1927). 

Now for our good friend, Farmer Al Falfa in The Tin Can Tourist (1937). 

Up next is Mr. Magoo's film debut, Ragtime Bear (1949). The UPA studio wanted to get away from funny animals and use human characters as their stars. Yet Columbia (their distributor) had little interest in that, feeling they should stick to the funny animals that dominated much of cartoons at this time. Columbia reluctantly accepted Ragtime Bear because it did have a funny animal in it and that the animal was the titular character. Of course, after Mr. Magoo became popular Columbia never argued about a human being the star of the cartoons. Mr. Magoo as a character benefited heavily from the voice talents of Jim Backus. Jerry Hausner (voice of Magoo's nephew Waldo) commented on recording this first cartoon, "We went into the studio with two pages of dialogue. We read all of the speeches that had been written down, then [John] Hubley did something that no other animated cartoon director had ever done in my presence. He said 'Let's do it again and ad-lib around the subject. Throw in any wild thoughts you might have.' We did another version of it. Backus began to go crazy and have a good time … He invented a lot of things and brought to the cartoons a wonderful and fresh approach." About the origins of Magoo's voice, Backus would state, “Magoo’s voice was taken from the character I play in my nightclub act — the man in the club car [the train car where alcohol can be purchased]. You know, the loud-mouth traveling salesman who shows pictures of his family to everybody in the club car, belongs to all the clubs and tells dirty jokes. It was the same with Magoo in the beginning. He was a dirty old man. Half the time you couldn’t understand what he was saying, he just used to mumble.”  Director John Hubley later stated about the early version of Magoo that appeared in this film, "A great deal in the original character, the strength of him, was that he was so damn bull-headed. It wasn't just that he couldn't see very well; even if he had been able to see he still would have made dumb mistakes, cause he was such a bull-headed, opinionated old guy." This cartoon would be reissued to theaters in 1959.

Now it is time for a commercial break. 

Now for Donald Duck in Cured Duck (1945). In this short Donald tries to learn how to control his temper, which may not be that easy. The story was written by Roy Williams who would later be the big Mouseketeer on TV's Mickey Mouse Club (1955-1959). This cartoon would make its TV debut on an episode of the Disneyland TV series entitled Donald's Award (1957). 

Next we join Dimwit the dog in Flying Cups and Saucers (1949). This sci-fi themed Terry Toons cartoon was directed by Connie Rasinski. Terry Toons producer Paul Terry would state about Rasinski, "He came to work when it was Terry, Moser and Coffman. An old friend of mine named Litchfeild, who was a painter, passed away, and his wife sent this kid over to get a job, and I gave him a job. And that's Connie. Connie, who came to work for me as a kid, developed rapidly and he was with me for practically all his life. He was fat and everything he drew was chubby and round and well fed." After appearing with Terry characters like Heckle and Jeckle and Mighty Mouse, Flying Cups and Saucers was the first film in Dimwit's own starring series. 

Now for an early Woody Woodpecker short, The Dizzy Acrobat (1943). In these earlier Woody films, the character is a bit cruder than fans of his later work are used to. But there is something about this sheer unabashed craziness that many cartoon fans (including myself) can't get enough of. This movie was nominated for an Academy Award; however, it lost to Disney's Der Fuehrer's Face (1943). The following is from an issue of Showman's Trade Review (dated June 5, 1943), "Walter Lantz Cartune Studios which releases through Universal, has just released 'The Dizzy Acrobat,' A Woody Woodpecker special. The cartune revolves around the circus, and Lantz had experts advising the animators so that the action and facts would be accurate.

Today's cartoon selection ends with The Simpsons in The Bart Simpson Show (1988). This is one of the shorts made for The Tracey Ullman Show before the animated family got their own TV series. It is weird to have Bart call Homer "dad" while Lisa calls him "Homer." It is also fun to see such an early version of Itchy and Scratchy.

Thanks for joining me. Come back next week for more animated treasures. Until then may all your tunes be looney and your melodies merry. 

Resources Used

Hollywood Cartoons: American Animation in its Golden Age by Michael Barrier

Of Mice and Magic: A History of the American Animated Cartoon by Leonard Maltin

https://cartoonresearch.com/index.php/remembering-classic-mr-magoo/

https://mediahistoryproject.org/

 

Movie Review: The Christophers

 

Michael's Movie Grade: A-

A fantastic new film from Steven Soderbergh.

In this film a young woman with an artistic gift is hired to complete the paintings of aging painter without him knowing. 

Like many of Soderbergh's best films this is a very intelligent and emotionally complex film, but one that is also completely accessible to a causal movie watcher. A story like this could easily either dip too far into sentimentality or become too cold and emotionally detached. The film falls into neither of these categories. Instead, it feels completely emotionally honest by digging into the complexities of the relationship between the main characters. The relationship between these characters is very antagonistic for much of the runtime, however even underneath this antagonism, there is a certain admiration and fondness that these characters have for each other. Their relationship is often defined by the mixture of these elements. Since the relationship is quite complex, the emotions that come from it are quite complex. Yet it is hard not to find yourself greatly moved by the end of the film. This also allows this to be the type of movie in which you never know what is going to happen next. Even when you think you know what direction it is heading in, the film surprises you. Yet each twist and turn makes perfect sense. Not only this but each twist reveals a new facet to our main characters, making them feel more complex and real. Of course, for such a character driven movie the casting is very important. Luckily Ian McKellen and Michaela Coel are in the main roles. Both of them are simply wonderful. They also have truly great chemistry with each other, making their complex relationship feel all the more real and relatable to us. 

A must see. 

Movie Review: Exit 8

 

Michael's Movie Grade: D-

A boring and repetitive horror movie. 

Have you ever gotten bored watching someone else play a video game? That is the exact feeling that I had as I watched this movie. While I have not played the video game that this film is based on, I got the general gist of how it works by watching this movie. It seems like a fun video game that I could see myself enjoy playing. However, it made for a boring movie. The basic premise involves characters stuck in an endless looping corridor, the most find the anomaly to move on to the "next level," if they do not find the anomaly, they must start over from the beginning. They must reach the "8th level" to exit the corridor. While this is a very clever idea for a video game, for a movie it is simply too repetitive. For the majority of the runtime, you watch what is essentially the same thing over and over. While it is mildly interesting at first, it becomes boring very quickly. The film is only a little over an hour and a half but felt longer than some three-hour movies I have watched. 

The movie tries to add to this by adding some back story about one of the main characters dealing with learning his ex-girlfriend is pregnant. However, this back story is not very well developed, and we never feel any emotional investment. Attempts to make the surreal story a commentary on his moral dilemma and fatherhood in general falls flat because it never really says much of anything. 

The "scares" here are cheap and easy, relying on the most basic of jump scares or weird imagery. Not only is none of this scary, but none of it adds anything to the story or creates any reason for us to feel engaged. Making matters worse is that these "scares" (just like much of this movie) depend on the main characters acting incredibly stupid. 

This is a prime example of how not to make a film adaption of a video game.             

Movie Review: Normal

 

Michael's Movie Grade: A-

A wonderful action-comedy. 

In this film, a man becomes the temporary sheriff for what is seemingly a peaceful small town. However, he soon discovers it has a very dark side underneath. 

Bob Odenkirk once again proves that he is a surprisingly great action star. He an unlikely action hero, yet this is just what makes him stand out so well. Even if he doesn't look or act like your typical action hero, he brings a real charisma to these roles that is perfect for an action movie. So much of this movie owes itself to Odenkirk and he delivers perfectly.

  The town however is just as much a character in this film as the one Odenkirk plays and this movie benefits from a great sense of atmosphere. The early scenes do such a great job at capturing a certain sense of small-town Americana, while also perfectly setting up the feeling of something more sinister lurking beneath. Many movies have done this small town with a dark secret storyline before, but this film does it exceptionally well.    

Still, what most people come to this film for is for its action sequences and quirky humor, both of which are so much fun here. The humor is often hilarious, and the action scenes are as over the top and bloody (and often quite clever and creative) as one could want.  

This film delivers exactly what you might want it to. 

Movie Review: ChaO

 

Michael's Movie Grade: B- 

A charming but flawed anime film.

This movie tells a love story between a human and a mermaid. It is this romance that really holds this movie together. As quirky as this movie gets, this romance remains very sweet and really touching. Not only are both these characters really likable but the relationship between these two characters feels really fleshed out. As we learn more about them (especially with a twist in the last act), the relationship becomes even more emotional. 

I am kind of split when it comes to the look of this film. There is so much imagination in every frame of this movie. The character designs are quite creative and visually pleasing. Yet at the same time the character designs clash with some being much more cartoon-y and over the top than others. Because of this many of these characters simply don't look like the belong in the same movie.  

This movie at many times tries too hard to be quirky. The humor is often simply weird for the reason of being weird. Similarly, the film is much too franticly paced.

The romance of this film is sweet, and often visually pleasing but it is also too quirky for its own good.   

Cowboy Church #264

 Hello my friend and welcome back for another service of Cowboy Church.

 Today's musical selection begins with Roy Rogers and Dale Evans with Jesus Loves the Little Children.  Jesus would state, “Truly I tell you, unless you change and become like little children, you will never enter the kingdom of heaven. Therefore, whoever takes the lowly position of this child is the greatest in the kingdom of heaven. And whoever welcomes one such child in my name welcomes me." There is no doubt that Jesus did love the little children and he loves us big children too. If we will humble ourselves and become like little children, the blessings he has for us are immeasurable. 

This is followed by The Chuck Wagon Gang with My Home Sweet Home. This comes from their 1960 gospel album, Perfect Joy.

Afterwards is Tommy Overstreet with Blessed Assurance. This hymn came about when songwriter Fanny Crosby visited composer Phoebe Palmer Knapp. Knapp played a tune for Crosby and asked what came to her mind with that tune. Crosby said, "Blessed assurance, Jesus is mine!" She then immediately followed it with more lyrics that would be in the finished song. The song was published in 1873 and first appeared in a monthly magazine for which the editors were Joseph Fairchild Knapp and Phoebe Palmer Knapp (who were husband and wife). When it later appeared in 1887's Gospel Songs, No. 5 by Ira Sankey, this we lead it to greater fame as it would be commonly sung in the revivals of Dwight L. Moody and Sankey. By 1889, the hymn commonly appeared in Methodist hymnals.  

Then comes Hank Williams and his wife Audery Williams with their 1948 recording of I Heard My Mother Praying for Me. This song was credited to being written by Audrey Williams, yet on an episode of the Mothers Best radio show a few years later, Hank Williams introduced the song saying he wrote it. Audrey was very adamant about wanting to record some religious songs with her husband and kept bringing it up to Hank until Hank finally agreed and then convinced his manager Fred Rose. Though Audrey often gets a lot of criticism for her singing voice, the truth is it is not too bad here and there two voice match quite well on this duet at least. This gospel songs the two recorded together were heavily inspired by the husband and wife evangelists that both were very familiar with.

Next is Tammy Wynette with a medley of Amazing Grace, I'll Fly Away, Will the Circle be Unbroken and I Saw the Light. 

Then comes The Sons of the Pioneers with their 1937 recording of Power in the Blood. Though it may be simple doctrine that we have heard since Sunday school, I hope we never forget how much power there truly is in the blood of Jesus. No matter what temptations and struggles we may face in life, Jesus' blood spilled on Calvary's cross has overcome all of it. With man something may be impossible but with God all things are possible. 

Today's musical selection ends with Johnny Cash performing How Great Thou Art on an episode of his TV show that aired on August 30, 1969. Here he is backed up by The Carter Family and The Statler Brothers, who were both staples of his TV show and concerts. 

Now for the 7th episode of The Lone Ranger TV show. 

Now for a message from the reverend Billy Graham. 

Psalm 146

1 Praise the Lord.

Praise the Lord, my soul.

2 I will praise the Lord all my life;

    I will sing praise to my God as long as I live.

3 Do not put your trust in princes,

    in human beings, who cannot save.

4 When their spirit departs, they return to the ground;

    on that very day their plans come to nothing.

5 Blessed are those whose help is the God of Jacob,

    whose hope is in the Lord their God.

6 He is the Maker of heaven and earth,

    the sea, and everything in them—

    he remains faithful forever.

7 He upholds the cause of the oppressed

    and gives food to the hungry.

The Lord sets prisoners free,

8     the Lord gives sight to the blind,

the Lord lifts up those who are bowed down,

    the Lord loves the righteous.

9 The Lord watches over the foreigner

    and sustains the fatherless and the widow,

    but he frustrates the ways of the wicked.

10 The Lord reigns forever,

    your God, O Zion, for all generations.

Praise the Lord.

Thanks for joining me. Come back next week for another service of Cowboy Church. Happy trails to you until we meet again. 

Some Cartoons for Saturday Morning #276

 Hello my friends and happy Saturday morning. Once again it is time for some classic cartoons. 

Today's cartoon selection begins with Betty Boop's Ker-Choo (1933). Like many cartoons from the Fleischer Studios at this time, this film is filled with one surreal gag after another. Animator Dave Tender remembered about working at the studio, "Dave Fleischer's theory was that every scene should have a gag; nobody should animate a scene without a gag. He would come around, every other day perhaps, and speak to the guys. He'd pick up your scene and flip it, and he'd say, 'Where's the gag in this?' ... If you couldn't think of something in a scene, you would confer with him, and you would come up with something, what they considered a gag. Whether it was a chair moving across the room or an apple in a bowl of fruit animating up and saying something and then going back in the bowl - this was a gag a surprising bit of business."

Now we join our friend Dinky Duck in Foolish Duckling (1952). This Terry Toons cartoon was directed by Mannie Davis.

 Next comes a real classic, Falling Hare (1943). This cartoon features one of the few characters to get the upper hand of Bugs, the gremlin. Despite only appearing in this one short, the character has proven quite popular and has appeared in quite a few Looney Tunes spin offs. The original title for this movie was going to be Bugs Bunny and the Gremlin. However, since Disney was working on an animated feature film about Gremlins (a movie that would never be finished), the studio took the word Gremlin out of the title of this cartoon to appease the Disney studio. The following is a review from The Film Daily, "Literally and figuratively, Bugs Bunny, already a prime favorite among current cartoon characters, gets off to a flying start in the distribution season just started. The buck-toothed, long-eared clown meets up with a gremlin and both find themselves aloft in an airplane, with Bugs or what's left of him being darn glad to get back to earth. There are plenty of laughs throughout. The tough Bunny, if this initial '43-'44 offering of his producer Leon Schlesinger, is any criterion, is in for a further rise in popularity among fans who like humor. Of course, the reel is in Technicolor. It was supervised by Robert Clampett and animated by Roderick Scribner. Warner Foster wrote the story and Carl W. Stalling handled the musical direction." This movie amounts to one of my favorite Bugs Bunny cartoons and it is appropriately in Jerry Beck's book, The 100 Greatest Looney Tunes. 

Now for Donald Duck in Dude Duck (1951). This theatrical cartoon short made its TV debut in an episode of the Disneyland TV show entitled On Vacation (1956). Decades later this cartoon would return to movie theaters alongside the animated feature film DuckTales the Movie: Treasure of the Lost Lamp (1990). 

Now it is time for a commercial break. 

Next comes a Looney Tunes cartoon starring Beans the Cat (one of the Boston beans). Though not as well known Beans made his film debut in the same cartoon as Porky, I Haven't Got a Hat (1935). That cartoon was a takeoff on the Our Gang shorts and featured a bunch of little kid characters in a talent show. The studio did not know right away, which character would be the most popular, so they all appeared starred in some Looney Tunes when the studio was looking for a new character to replace Buddy (the rather bland character that had become that series' star). While Porky would become the most popular of these characters, Beans certainly had his fans in the studio as he would star in eight of these cartoons (Porky would even be relegated to a supporting role in some of these). Hollywood Capers (1935) is a good example of one of these Beans cartoons. While it may not be as laugh out loud funny as a Tex Avery or Bob Clampett Looney Tune, this is a charming little film that always puts a smile on my face. As a character Beans certainly has more personality than his predecessor Buddy. In many ways his personality is like the early Mickey Mouse before Mickey got toned down. He is very mischievous and always on a lookout for the next big adventure. Naturally this gets him in a lot of trouble but he always manages to have quite a bit of fun along the way. A quick joke has Beans disguise himself as Oliver Hardy to sneak into the movie studio. Porky would later try to do the same (less successfully) in You Ought to be in Pictures (1940). Look in the background for a poster advertising a fight between “Punchy” Pierce and “Hurricane” Hardaway. This is referring to two of the writers of Warner Brothers cartoons at the time, Tedd Pierce and Bugs Hardaway. Also, Beans is voiced by Tommy Bond here (who played Butch in the Our Gang shorts). 

Next comes the Fleischer Stone Age cartoon, Springtime in the Rockage (1940). Though on this film and most cartoons from the Fleischer Studio, Dave Fleischer is given a director's credit, on all these cartoons, he functioned more as a general supervisor than an actual day to day director. That job often fell to the first animator you see listed on each of these cartoons, here that is Myron Waldman.    

Now for our friend Kiko the Kangaroo in Skunked Again (1936). 

Now to close with a song. 

Thanks for joining me. Come back next week for more animated treasures. Until then may all your tunes be looney and your melodies merry. 

Resources Used

Hollywood Cartoons: American Animation in it's Golden Age by Michael Barrier

Of Mice and Magic: A History of the American Animated Cartoon by Leonard Maltin

100 Greatest Looney Tunes edited by Jerry Beck

https://mediahistoryproject.org/

 

Movie Review: Newborn

 

Michael's Movie Grade: B

A good but flawed thriller. 

In this film, a man who is falsely accused of a crime gets out after spending 7 years in solitary confinement. However, he comes out very mentally unstable and his wife and son find themselves in danger. 

This is a very well-made thriller. Director/writer Nate Parker has a great talent for creating masterful suspense scenes. These scenes are perfectly shot and paced. The filmmakers get the maximum amount of tension that they possibly can out any of these scenes. Meanwhile the film offers up many smart and clever twists that keep us guessing what will happen next. David Oyelowo's great performance truly glues us to the screen giving us a real emotional connection. The nightmare sequences are shocking and disturbing to watch in the best way. 

However, the movie definitely has it flaws. It is so trapped in genre conventions (even greatly resembling Kubrick's The Shining (1980) at many points) that it never truly explores the deeper themes it brings up. Because of this the film doesn't say much at all. The ending is also very flawed, feeling too convenient for a film like this. 

This is a well-made and intense movie, but it is kept from being a great film by its reluctance to truly explore its deeper themes.  

Movie Review: Beast

 

Michael's Movie Grade: C+

A well-made but overly familiar sports film. 

In this film an ex-fighter who has been out of the ring for ten years agrees to go back and do one more fight when he has another child on the way and needs the money. 

If the storyline sound familiar to you that is because there is nothing here that has not been done a million times before. Everything about this movie feels very familiar to the point that when watching it you forget you haven't actually seen it before. 

That doesn't mean the film is bad though. There is quite a bit to recommend it. The fighting scenes are incredibly well done getting across the brutality of the sport without ever going overboard with the gore. These scenes are also very well filmed and paced. While not complex, the main character is likable, and you want to see him win. The villain on the other hand is the type that you love to hiss which makes us root for our main character even more. Daniel MacPherson is fantastic as the main character bringing some real charisma to a very simple character. The story unfolds at a fast pace and is never once boring.

The main problem with this film though is that the supporting characters are as bland as they can be. Most of these characters feel more like plot points than actual characters. Their existence here is simply little more than tools to move the story forward. This unfortunately can cut into the emotional impact of certain scenes. When characters feel so artificial, plot points that center on them also feel artificial. Of these supporting characters, the fighter's old trainer fares the best since he is played Russell Crowe. However, even a great actor can only do so much with such a bland character. 

This isn't a bad movie, but you will probably forget all about it a few weeks after you see it. 

 

Movie Review: The Yeti

 

Michael's Movie Grade: C+

An enjoyable but forgettable monster flick. 

In this movie, a team goes out to search for a group of explorers that have gone missing. Unfortunately, they also come across a killer yeti. 

There is some good fun to be had here. The characters, while not complex, do their jobs. We like the characters we are supposed to like and hate the ones we are supposed to hate. The cast does a great job adding to what are very simple characters with some pretty good performances. There is a real sense of atmosphere that gives this film a fun adventurous feel. Some of the suspense scenes are quite well done, actually creating some good tension. 

Like many movie monsters, the yeti is more frightening when he is kept offscreen than when we actually see him. When we actually see him fully onscreen, he is frankly less scary than the animatronic on the Matterhorn Bobsled ride at Disneyland. 

Mostly though the problem with this movie is that most everything about it is just okay and nothing more. When a storyline is this familiar, it needs to do at least one thing very well to stay in your mind. But since everything is done decently and nothing more, it becomes hard for you to remember it long after you watch it. 

This is one of those movies that you will enjoy while you are watching but completely forget about not long after you watch it. 

Video Link: Jean-Luc Godard Interview with Dick Cavett (1980)

 

Jobyna Ralston From the Tennessee Hills

 Jobyna Ralston is a name that should be familiar to many fans of silent comedy. She was the leading lady in seven of Harold Lloyd's classic feature length movies (including The Freshman (1925), Why Worry (1923) and The Kid Brother (1927)). While her work with Harold is her greatest claim to fame, she had a much more varied career than this. She even had a decent role in the first movie to win Best Picture, Wings (1927). She worked with another legendary screen comedian with Max Linder in The Three Must-Get-Theres (1922). Jobyna was directed by Frank Capra in The Power of the Press (1928). She even worked in early talkies with such films as The College Coquette (1929) and Sheer Luck (1931). 

Like many silent film stars she had a career on stage before acting in movies. At the age of 21 she made her Broadway debut with Two Little Girls in Blue (May 03, 1921 - Aug 27, 1921). (Source for dates: https://www.ibdb.com/broadway-cast-staff/jobyna-ralston-424259).

Here is an article about Jobyna Ralston from an issue of Motion Picture Classic (dated May 1926). If you have trouble reading the following pages, click on them and use your touch screen to zoom in. If you don't have a touch screen, click here. 

Now enjoy Shoot Straight (1923), a short silent comedy featuring Jobyna.

Here is one of the silent features where Jobyna was the leading lady for Harold Lloyd, Hot Water (1924). 

Movie Review: A Great Awakening

 

Michael's Movie Grade: A-

A superb historical drama. 

This movie tells the true story of the friendship between Benjamin Franklin and the preacher George Whitefield. This unlikely friendship between a deeply devout Christian and a man who has always been critical of religion and skeptical of God's existence is the heart of the film. The way these two very different men come to care for and respect each other is quite touching. Through this movie, you even get to see how the two clearly influenced one another. The way this relationship folds out and develops makes it so that we are fully capable of seeing what each saw in each other. Though they do argue about their theological and moral differences even in these scenes you can see how much they love each other. John Paul Sneed and Jonathan Blair's performances add very much to this. John Paul Sneed is one of the best Benjamin Franklins I have ever seen in a movie. He is so incredibly convincing that sometimes you almost forgot that he is not the real historical figure. George Whitefield is a very difficult character for any actor. To play this character you must be loud and boisterous (while never being over the top), while also being gentle and tender. That Jonathan Blair pulls this off perfectly is no small feat. This is a truly incredibly performance. The two actors also have fantastic chemistry with each other. They work extremely well together whether in scenes where they are gently ribbing each other or in the powerful scene later on when they are having a particularly heated argument. The film's concluding scene could have come off as a forced sermon but because of how we have seen this relationship unfold it feels like an earned emotional moment. 

Despite some poor special effects in one scene, this is a very handsome movie filled with the type of beautiful period look that audiences have grown to expect from this type of film. 

This is a truly great film that I hope finds a big audience.  

Filming Beau Geste

 After a recent restoration, screenings at the TCM and Cinecon Classic Film Festivals and a Blu-ray release, the silent version of Beau Geste (1926) has been receiving much attention lately. Because of this many are discovering what a good movie it is. That makes it the perfect time to share this vintage article with you.  

This article is from a June 1926 issue of Motion Picture Classic. If you have any trouble reading the following pages, click on them and use your touch screen to zoom in. If you don't have a touch screen, click here.

How the Keystone Kops Happened

 Have you ever wondered just "How the Keystone Kops Happened?" Well, you might want to keep wondering as there is probably not a whole lot of truth to the following article. If you have read the book, CHASE! A Tribute to the Keystone Cops (which is an essential read for any silent comedy fan), you know that the exact origin of the Kops is not very easy to pinpoint and is definitely more complex than is presented here. That the author of this article was in charge of publicity for the Keystone Studio casts an even greater sense of doubt over this article as this is obviously the story that Mack Sennett (the head of the Keystone Studio) wanted you to read. Still this is a very entertaining and fun read that should delight fans of silent comedy. 

This following article is from an issue of Motion Picture Classic dated June 1926. If you have any trouble reading, click on the pages below and use your touch screen to zoom in. If you don't have a touch screen, click here. 

Here is a delightful film featuring the Kops, A Hash House Fraud (1915).

Cowboy Church #263 - Easter Service

 Hello, my friends and happy Easter. Welcome to a special Easter service of Cowboy Church. 

Today's musical selection begins with Roy Rogers and Dale Evans with Easter is a Loving Time. This comes from a 1955 Little Golden Record. The king of the cowboys and the queen of the west are backed up here by The Sandpipers and Mitch Miller and His Orchestra. 

This is followed by The Chuck Wagon Gang with Kneel at the Cross. . This song was written by Charles Moody. Though Moody's work was hardly confined to gospel music (he was a part of a popular secular band called The Georgia Yellowhammers), he did write many gospel songs (another being, Drifting Too Far From the Shore). This song was written in 1924 and has become a southern gospel standard. This recording comes from The Chuck Wagon Gang's 1960 gospel album, Perfect Joy. 

Afterwards is The Sons of the Pioneers with their 1948 recording of The Old Rugged Cross.  This song dates back to 1913 and was written by evangelist, George Bennard. Actually, the first verse was written in 1912. It was written while Bennard was a part of a series of revival meetings in Albion, Michigan. He was worried about the complete disregard for the gospel around him and wrote this verse as a repose. Of writing it Bennard said, "I seemed to have a vision ... I saw the Christ and the cross inseparable." The song wouldn't be completed for several months, when he was leading meetings at a local church in Pokagan, Michigan. He played it for Rev. Leroy (the sponsoring pastor) and his wife, Ruby Bostwick, both of whom found themselves moved to tears. It was then incorporated into a service at that church on June 7, 1913. The song has the same effect today as it must have back then.

Then comes Gene Autry performing Peter Cottontail in a scene from the movie, Hills of Utah (1951). This song was written by Steve Nelson and Jack Rollins, the team that wrote the Christmas classic Frosty the Snowman. Because of Gene Autry's success with such Christmas songs as Here Comes Santa Claus and Rudolph the Red Nosed Reindeer, the songwriting duo decided that Gene Autry was the best singer to introduce a song about a holiday figure. When Gene recorded the song, it went up to #3 on the Country Charts. Naturally the song would have to appear in a Gene Autry movie. 

Next is Curtis Grimes with Because He Lives. Though this song in many was feels like an old hymn it is actually much more recent than you might think. The song was written by Gloria and William J. Gaither and won an award for being the Gospel Song of the Year for 1974. In an interview the couple stated how this song came to be, “‘Because he lives’ was written in the midst of social upheaval, threats of war, and betrayals of national and personal trust. It was into this world at such a time that we were bringing our third little baby. Assassinations, drug traffic, and war monopolized the headlines. It was in the midst of this kind of uncertainty that the assurance of the Lordship of the risen Christ blew across our troubled minds like a cooling breeze in the parched desert. Holding our tiny son in our arms we were able to write: How sweet to hold our newborn baby, and feel the pride, and joy he gives; But greater still the calm assurance, this child can face uncertain day because He lives.’”

To remind us why we truly celebrate Easter, Johnny Cash will then sing He's Alive from his 1979 album, A Believer Sings the Truth. This song tells of the story of Peter and how the crucifixion and resurrection of Jesus affected him. This song brings us a message of hope in the most hopeless of times. When Jesus was crucified, things seemed as dark and hopeless as they get, yet he raised from the dead and brought great joy and forgiveness to all who accept him as their lord and savior. If he can overcome the grave, how much more can he overcoming anything we might be worrying about right now.  This wonderful recording comes from John's 1979 album; A Believer Sings the Truth. This was a double length gospel album and Columbia Records felt that such an album from John could never be successful. However, Columbia allowed John to release the album on its own and it was successful earning a spot in the Country Top 50. A shorter version of the album called I Believe would be released in 1984, which would feature a select few songs from the double album. A Believer Sings the Truth would not find its way to CD until 2012.

Now we rejoin Gene Autry for another Easter tune, Sonny the Bunny. This comes from an episode of Gene's Melody Ranch radio show that first aired March 31, 1951. Gene is backed here by Carl Cotner’s Orchestra.

Today's musical selection ends with Cowboy Copas with his 1955 recording of The Stone Was Rolled Away.

Now for an Easter message from Billy Graham. 

Now for an Easter episode of The Great Gildersleeve radio show.

Matthew 28

Jesus Has Risen

28 After the Sabbath, at dawn on the first day of the week, Mary Magdalene and the other Mary went to look at the tomb.

2 There was a violent earthquake, for an angel of the Lord came down from heaven and, going to the tomb, rolled back the stone and sat on it. 3 His appearance was like lightning, and his clothes were white as snow. 4 The guards were so afraid of him that they shook and became like dead men.

5 The angel said to the women, “Do not be afraid, for I know that you are looking for Jesus, who was crucified. 6 He is not here; he has risen, just as he said. Come and see the place where he lay. 7 Then go quickly and tell his disciples: ‘He has risen from the dead and is going ahead of you into Galilee. There you will see him.’ Now I have told you.”

8 So the women hurried away from the tomb, afraid yet filled with joy, and ran to tell his disciples. 9 Suddenly Jesus met them. “Greetings,” he said. They came to him, clasped his feet and worshiped him. 10 Then Jesus said to them, “Do not be afraid. Go and tell my brothers to go to Galilee; there they will see me.”

The Guards’ Report

11 While the women were on their way, some of the guards went into the city and reported to the chief priests everything that had happened. 12 When the chief priests had met with the elders and devised a plan, they gave the soldiers a large sum of money, 13 telling them, “You are to say, ‘His disciples came during the night and stole him away while we were asleep.’ 14 If this report gets to the governor, we will satisfy him and keep you out of trouble.” 15 So the soldiers took the money and did as they were instructed. And this story has been widely circulated among the Jews to this very day.

The Great Commission

16 Then the eleven disciples went to Galilee, to the mountain where Jesus had told them to go. 17 When they saw him, they worshiped him; but some doubted. 18 Then Jesus came to them and said, “All authority in heaven and on earth has been given to me. 19 Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit, 20 and teaching them to obey everything I have commanded you. And surely, I am with you always, to the very end of the age.”

 

Thanks for joining me. Come back next week for another service of Cowboy Church. Happy Trails to you until we meet again.