TCM Film Festival 2024

 

This past weekend was one of the highlights of any movie fans year, the TCM Classic Film Festival in Hollywood, CA. 

While unfortunately it is impossible to see every film at this festival (as many of them play at the same time at different theaters), I am very satisfied with the great selection (and great variety) of films I saw this year. 

I started this festival on the right foot, watching one of the greatest crime movies ever made, White Heat (1949). This film (featuring one of James Cagney's best performances) looked simply incredible on the big screen at the historic Egyptian Theater. Speaking of looking incredible on the big screen, a new restoration of the great John Ford and John Wayne western, The Searchers (1956) on 70mm film was one of the most beautiful sights I have ever seen projected on a screen. As the film started my jaw dropped at how beautiful it looked. Having an introduction by one of the great modern-day directors, Alexander Payne made this only better, especially as he mentioned that members of the Wayne family were in the audience. That was not the only great western I saw there as I also saw the very underrated and unjustly obscure pre code western, Law and Order (1932) starring Walter Houston and Harry Carey. I had not seen this movie before and to say I was impressed, would be an understatement. If you stretch the definition of a western, I also saw a great 35mm nitrate print of the really fun musical Annie Get Your Gun (1950). I also saw a great 35mm nitrate print of the underrated film noir (starring Edward G. Robinson), The Night Has a Thousand Eyes (1948). Being a huge Hitchcock fan I had to see the two Hitchcock screenings. They were of two of his greatest classics, Rear Window (1954) and North by Northwest (1959). I was also pleased to see a classic foreign picture, Fredrico Fellini's La Strada (1954), one of my favorite movies of all time. 

Naturally for someone like me the highlights of the festival were the animation and silent film screenings. On the animation side there was Disney's 101 Dalmatians (1961) and a screening of various newly restored theatrical cartoon shorts. 101 Dalmatians was made more impressive by having an interview with the great classic Disney animator Floyd Norman. In my mind he is one of the coolest guys living today. His insights into the Walt Disney animation studio at this time period where simply fascinating to listen to. The classic cartoon shorts (mostly from the Fleischer studio) were introduced by Family Guy creator, Seth MacFarlane (who does sound just like Brian Griffin), whose passion for these classic cartoons (and film history in general) could be felt throughout. He also helped fund the restorations of these films. Speaking of the restorations they looked simply incredible. 

The first of the two silent film screenings began included the Edward Evert Horton short film, Dad's Choice (1928) and the Raymond Griffith feature Paths to Paradise (1925). To see such little-known silent gems on the big screen felt like heaven to me. The laughter of the audience during the climax of the feature showed why these films should be seen with a full audience. Great accompaniment by Ben Model didn't hurt either. The other silent film screening ended the festival on a high note for me. It had two classic Buster Keaton films, the short The Goat (1921) and the feature Sherlock Jr. (1924). These films had the whole audience in hysterics. Even though I have seen these films countless times, seeing it with such an appreciative audience made me laugh myself silly too. The live accompaniment by the Mont Alto Motion Picture Orchestra was simply beautiful and helped make these 100-year-old and 103-year-old films feel completely new and fresh. 

Also adding to the fun was a wonderful panel by Arthur Marx, grandson of Groucho Marx (on his dad's side) and songwriter Gus Kahn (on his mother's side). He not only talked about both of his great grandfathers but performed many of Gus Kahn's songs asking the audience to sing along with him. It is also wonderful to talk to many of the others at the festival. There is something about old movie fans when they meet. They have a true kinship with each other that shows just why these movies are so important. 

If you have not been to the TCM Film Festival yet, it is a must for every classic movie fan.