Michael's Christmas Movie Guide: A Christmas Carol (1951)

 

One of the greatest movies ever made. 

This movie is a quite faithful adaption of Charles Dickens' classic novel. You all know the story, Scrooge (Alastair Sim) is a greedy covetous old man. He has grown cold hearted and has no sympathy for anyone else's misfortune. One night he is visited by the ghost of his former partner Jacob Marley (Michael Hordern), who warns him to change his ways before it is too late. He also tells Scrooge he will be visited by three more ghosts. These ghosts show Scrooge, Christmases of his past, present and future, so that Scrooge can see the error of his ways.

There have been more film adaptions of A Christmas Carol than I care to count. Some perfectly fine adaptions have fallen through the cracks simply because while being good movies, they don't stand out among the many adaptions. So, what makes this film so special that it stands as easily the best of these adaptions? This is not an easy question to answer, but for the most part it comes down to excellent filmmaking and an incredible performance by Alastair Sim.

For many movie fans, Alastair Sim is Scrooge. His performance embodies everything this character should be. Though many great actors have played Scrooge, none have captured the vulnerable and abundantly human side of Scrooge as well as Sim. He can make you feel deeply for the character even when he is at his most despicable. His performance is possibly the only performance of the character that can move me to near tears. You feel sadness when he feels sadness and joy when he feels joy. Yet all this is done without sacrificing the darker and unlikable parts of this famous character. As strange as it might seem today, there was in outcry against Sim playing the character when it was announced. He was a popular actor in Britian at this time but was known mainly for comic roles. Few thought he had the dramatic chops to portray such a character. In fact, George Minter, managing director of Renown Pictures (which made the movie), wrote an article in the magazine, Picturegoer to explain the choice to those who didn't understand. Yet many movie fans cannot read Charles Dickens' classic story without picturing  Alastair Sim in their heads. 

What this movie also does better than any other film adaption is to capture the balance of darkness and joy that are present in Dickens' classic story. This is a movie that can be equal parts sad, scary and joyous. Yet in no way does this ever feel forced. It goes from each of these emotions in a way that feels perfectly natural and real. Director Brian Desmond Hurst and writer Noel Langley, create the most emotional and powerful film version of this classic story. 

The look of this film is perfect as well, and it is hard to imagine this film without the work of Art Director, Ralph W. Brinton and Cinematographer, C.M. Pennington-Richards. Much of the art direction was heavily based off of John Leech's original illustration for the book. According to the audio commentary on the DVD version, one of Charles Dickens's Grand Daughters visited the set, and said it looked just the book installations to life (Another visitor mentioned was one of my favorite actresses, Bette Davis, who was a big fan of Alistair Sim).

This film has two titles, in Britain, where it was made, it was called Scrooge, however in the U.S. it was called A Christmas Carol. Its U.S. Premiere was meant to take place at New York's Radio City Music Hall at Christmas time; however, the theater management was not happy with the film as they felt it was too dark and grim, and therefore not good entertainment for a family audience. The much more lighthearted 1938 MGM version did premiere there by the way. The film's actual U.S. Premiere was at the Guild Theater on Halloween Night. It did not do very well in the U.S. but was a huge hit in its home country of Britain. Despite this it would still as the years went by grow into being considered a classic in the U.S. as well.

The editor for this film was Clive Donner, who would later direct the 1984 film version of A Christmas Carol, that starred George C. Scott. Two of the actors in this film, Alistair Sim and Michael Hordern would reprise their roles as Scrooge and Marley for the 1971 animated version, directed by Richard Williams (best remembered as the animation director for Who Framed Roger Rabbit).

Resources Used
http://www.tcm.com/tcmdb/title/70899/A-Christmas-Carol/articles.html
DVD audio commentary by Marcus Hearn and George Cole
DVD introduction by Leonard Maltin
Christmas in the Movies by Jeremy Arnold 

Movie Review: The Personal History of David Copperfield

 

Michael's Movie Grade: A+

Spending six months with not being able to go to a movie (except for drive-in movies), I feel blessed that I can resume my movie going experience with this absolutely brilliant film. 

One factor that makes this a perfect film to resume my movie going is that it is visually beautiful and perfectly suited to a big screen. The places David visits just as vivid and breathtaking here as they do in our minds when we read Charles Dickens' great novel. Adding to this is the great cinematic techniques being used to tell the story. One of the best is how memories or stories we are being told appear projected on a screen behind the characters. Writing about this may make it sound like a distracting gimmick. However it comes off as the perfect way to tell the story. It reminds us in a way that we are watching a movie, but without the characters actually breaking the fourth wall. Cinema has a feeling of magic and whimsy to it (theatres having been closed for months only heightens this) and to show these scenes as movies within a movie only heightens the magic and whimsy of this story.  

Charles Dickens is one of my favorite fictional authors and this movie does incredible justice to one of his finest works. Naturally the whole book can't be shown in this film, but yet the movie never feels like an abridged version of the book or like anything is missing. It feels instead like a full and complete story. One of Charles Dickens' greatest strengths was his whimsical sense of humor and how well he could mesh that humor with his social commentary. This movie captures that very well. It has a great offbeat sense of humor, yet it never distracts from the drama and social commentary. In other words this movie is just as entertaining as it is brilliant. All of this is helped by an incredible cast that play their parts to perfection.

Oh my gosh! This film was such an incredible reintroduction to the movies and I feel in love with movies all over again watching it. If you have not seen a movie in an indoor theatre over the past 6 months, do yourself a favor and see this first and fall in love with the movies all over again. 

-Michael J. Ruhland