Cowboy Church #280

 Hello my friends and welcome back for another service of Cowboy Church. 

Today's musical selection begins with Roy Rogers and Dale Evans with Jesus Loves the Little Children.  Jesus would state, “Truly I tell you, unless you change and become like little children, you will never enter the kingdom of heaven. Therefore, whoever takes the lowly position of this child is the greatest in the kingdom of heaven. And whoever welcomes one such child in my name welcomes me." There is no doubt that Jesus did love the little children and he loves us big children too. If we will humble ourselves and become like little children, the blessings he has for us are immeasurable. 

This is followed by the Hee Haw Gospel Quartet (Buck Owens, Roy Clark, Grandpa Jones, Gordie Tapp) with Where the Soul Never Dies. My grandparents watching reruns of the countrified variety show Hee Haw is how I was introduced to and fell in love with country music. Introduced to the show in the mid 1970's (the show premiered in 1969), the Hee Haw Gospel Quartet was a wonderful addition to the show, featuring some of the show's regulars singing classic hymns and gospel songs. 

Afterwards is Flatt and Scruggs with their 1952 recording of Preachin, Prayin, Singin.

Next comes The Charlie Daniels Band with Lay it on the Line. This song comes from the group's 1994 album, The Door. In his memoir, Never Look at the Empty Seats, Charlie Daniels wrote, "I think the most pressure I was ever under as a songwriter was when I wrote the songs for our first gospel album, The Door. It was such a special project to me. I wanted it to be much more than just another gospel album. I wanted the lyrics to have impact and hopefully speak to some of the people who, like me, had such a hard time understanding the gospel message and were falling through the cracks." (Daniels, 260) Charlie worked very hard on each song and rewrote some multiple times. The effort paid off. This fantastic 1994 album shows The Charlie Daniels Band at their best and it won them their first Dove Award.

Then comes Faron Young with My Wonderful Lord. 

Then comes The Sons of the Pioneers with their 1937 recording of Power in the Blood. Though it may be simple doctrine that we have heard since Sunday school, I hope we never forget how much power there truly is in the blood of Jesus. No matter what temptations and struggles we may face in life, Jesus' blood spilled on Calvary's cross has overcome all of it. With man something may be impossible but with God all things are possible. 

Today's musical selection ends with Lary Sparks with When the Savior Reached Down for Me.

Now for the 21st episode of TV's The Lone Ranger. 

Now for a message from the Reverand Billy Graham.

Obadiah 

Obadiah’s Vision

1 The vision of Obadiah.

This is what the Sovereign Lord says about Edom—

We have heard a message from the Lord:

    An envoy was sent to the nations to say,

“Rise, let us go against her for battle”—

2 “See, I will make you small among the nations;

    you will be utterly despised.

3 The pride of your heart has deceived you,

    you who live in the clefts of the rocks

    and make your home on the heights,

you who say to yourself,

    ‘Who can bring me down to the ground?’

4 Though you soar like the eagle

    and make your nest among the stars,

    from there I will bring you down,”

declares the Lord.

5 “If thieves came to you,

    if robbers in the night—

oh, what a disaster awaits you!—

    would they not steal only as much as they wanted?

If grape pickers came to you,

    would they not leave a few grapes?

6 But how Esau will be ransacked,

    his hidden treasures pillaged!

7 All your allies will force you to the border;

    your friends will deceive and overpower you;

those who eat your bread will set a trap for you,

    but you will not detect it.

8 “In that day,” declares the Lord,

    “will I not destroy the wise men of Edom,

    those of understanding in the mountains of Esau?

9 Your warriors, Teman, will be terrified,

    and everyone in Esau’s mountains

    will be cut down in the slaughter.

10 Because of the violence against your brother Jacob,

    you will be covered with shame;

    you will be destroyed forever.

11 On the day you stood aloof

    while strangers carried off his wealth

and foreigners entered his gates

    and cast lots for Jerusalem,

    you were like one of them.

12 You should not gloat over your brother

    in the day of his misfortune,

nor rejoice over the people of Judah

    in the day of their destruction,

nor boast so much

    in the day of their trouble.

13 You should not march through the gates of my people

    in the day of their disaster,

nor gloat over them in their calamity

    in the day of their disaster,

nor seize their wealth

    in the day of their disaster.

14 You should not wait at the crossroads

    to cut down their fugitives,

nor hand over their survivors

    in the day of their trouble.

15 “The day of the Lord is near

    for all nations.

As you have done, it will be done to you;

    your deeds will return upon your own head.

16 Just as you drank on my holy hill,

    so all the nations will drink continually;

they will drink and drink

    and be as if they had never been.

17 But on Mount Zion will be deliverance;

    it will be holy,

    and Jacob will possess his inheritance.

18 Jacob will be a fire

    and Joseph a flame;

Esau will be stubble,

    and they will set him on fire and destroy him.

There will be no survivors

    from Esau.”

The Lord has spoken.

19 People from the Negev will occupy

    the mountains of Esau,

and people from the foothills will possess

    the land of the Philistines.

They will occupy the fields of Ephraim and Samaria,

    and Benjamin will possess Gilead.

20 This company of Israelite exiles who are in Canaan

    will possess the land as far as Zarephath;

the exiles from Jerusalem who are in Sepharad

    will possess the towns of the Negev.

21 Deliverers will go up on Mount Zion

    to govern the mountains of Esau.

    And the kingdom will be the Lord’s.

 

Thank you for joining me. Come back next week for another service of Cowboy Church. Happy trails to you until we meet again. 

Some Cartoons for Saturday Morning #290

 Hello my friends and happy Saturday morning. Once again, it is time for some classic cartoons. 

Today's cartoon selection begins with Donald Duck in Donald's Garden (1942). In this short film, Donald tries to plant a garden but unfortunately for him a pesky gopher arrives to eat all his produce. This is one of four Donald Duck cartoons spun off from an unfinished storyline called Donald's Roadside Market. In 1939, this cartoon's production was cancelled because Walt felt that the farmyard setting of that cartoon was not being utilized to its best. However, a farm setting was still a great idea for a Donald cartoon. Walt himself stated in a story meeting for Donald's Roadside Market that took place on August 8, 1939, "I think there are a hell of a lot of gags around a farm that could be very funny with the Duck." Other cartoons spun off from this proposed story were Golden Eggs (1941), Old MacDonald Duck (1941) and Honey Harvester (1949). 

Next is the Fleischer Screen Song cartoon, I Feel Like a Feather in the Breeze (1936). This cartoon stars the character of Wiffle Piffle, a character who would appear in both solo and Betty Boop cartoons. Though the animators here aren't as well known to animation buffs as the Disney and Warner Brothers animators, they do a great job and deserve to be given attention. Harold Walker animates the scene of the people walking into the restaurant including the revolving door gag. Tom Johnson animates Wiffle Piffle after he enters the restaurant to where he grabs a plate. Dave Hoffman animates the introduction of the opera singer and Wiffle Piffle getting beer for the customers. Tom Johnson animates Wiffle's little dance as he brings the beer out. Dave Hoffman animates Wiffle going through the door and coming out with sandwich. Harold Walker animates Wiffle giving the customer his sandwich as well as the chicken gag. Harold Walker animates Wiffle making the spaghetti. The title song was written by Mack Gordon and Harry Revel. Lyricist Mack Gordon also wrote lyrics for such songs as Chattanooga Choo-Choo, Did You Ever See a Dream Walking and You Make Me Feel So Young. Composer Harry Revel had worked as a composer for feature films for Paramount studio. 

Next comes another real classic, Falling Hare (1943). This cartoon features one of the few characters to get the upper hand of Bugs, the gremlin. Despite only appearing in this one short, the character has proven quite popular and has appeared in quite a few Looney Tunes spin offs. The original title for this movie was going to be Bugs Bunny and the Gremlin. However, since Disney was working on an animated feature film about Gremlins (a movie that would never be finished), the studio took the word Gremlin out of the title of this cartoon to appease the Disney studio. The following is a review from The Film Daily, "Literally and figuratively, Bugs Bunny, already a prime favorite among current cartoon characters, gets off to a flying start in the distribution season just started. The buck-toothed, long-eared clown meets up with a gremlin, and both find themselves aloft in an airplane, with Bugs or what's left of him being darn glad to get back to earth. There are plenty of laughs throughout. The tough Bunny, if this initial '43-'44 offering of his producer Leon Schlesinger, is any criterion, is in for a further rise in popularity among fans who like humor. Of course, the reel is in Technicolor. It was supervised by Robert Clampett and animated by Roderick Scribner. Warner Foster wrote the story and Carl W. Stalling handled the musical direction." This movie amounts to one of my favorite Bugs Bunny cartoons, and it is appropriately in Jerry Beck's book, The 100 Greatest Looney Tunes. 

Now for the Terry Toon short, Canadian Capers (1931). This cartoon features our good friend Farmer Al Falfa. Animators on this film include Frank Moser, Jerry Shields, Bill Tytla and Art Babbitt.  Unfortunately, this is an edited for TV version. 

Now for a commercial break.

Now for the Walter Lantz cartoon, Salt Water Daffy (1941). When this cartoon was released in 1941, the United States had not yet entered World War 2. However, most Americans could see that war was likely on their horizons. America's first peace time draft had recently been instated, making this cartoon especially timely. 

Next is first pairing of Daffy Duck and Speedy Gonzales, It's Nice to Have a Mouse Around the House (1965). The two would be paired together in 25 more cartoons.

Enjoy the Krazy Kat cartoon, Love Krazy (1932). This film is full of the type of early 1930's cartoon charm that so many of us love. 

Now to close with a song. 

Thanks for joining me. Come back next week for more animated treasures. Until then may all your tunes be looney and your melodies merry. 

Resources Used

The 100 Greatest Looney Tunes edited by Jerry Beck

Of Mice and Magic: A History of the American Animated Cartoon by Leonard Maltin.

Donald Duck: The Ultimate History by J.B. Kaufman and David Gerstein

https://mediahistoryproject.org/

 

Movie Review: Her Private Hell

 

Michael's Movie Grae: D-

An incoherent mess of an art film. 

There is no use in me giving any sort of a story summary here because the story is too big of a mess to effectively describe here. The story somehow manages to be too simplistic and incoherently complex at the same time. The result is a movie that constantly tries to prove itself as something artistic yet has nothing to actually say. So do not go into this film trying to find the deeper meaning underneath all incoherent weirdness. There simply isn't any. I love art house cinema and that is why I hate movies like this. They give artsy a bad name and make many movie goers believe art films are a bunch of pretentious slop like this. This may be Her Private Hell but that doesn't mean it has to feel like Hell for the viewers as well. There is only so much visual randomness, poorly defined characters, painfully pretentious dialogue and incoherent storytelling that one can take. This movie may be under two hours, but it felt longer than some four-hour movies I have seen. I kept waiting for it to end but kept being disappointed whenever the story continued. Even the visuals, which even some of the film's harshest critics like, are simply too much. There is too much going on visually that after a while it simply gets tiring to look at. 

A great cast (lead by the always wonderful Sophie Thatcher) and a truly wonderful musical score (by Pino Donaggio) can't even come close to saving this mess of a movie. 

MGM Short Subjects 1930-1931

 A 1930 issue of Exhibitors Hearld dedicated a large section to promotion for upcoming films for MGM. Here is part of that section, which is dedicated to the short subjects that MGM would be making a distributing (including the films from Hal Roach Studios) in 1930 and 1931. It states, "The Greatest Short Product Line Up MGM Has Ever Offered." While this is obviously just publicity, it is hard to argue with a lineup that includes Laurel and Hardy, Our Gang (AKA The Little Rascals), The Boy Friends, Charley Chase and Ub Iwerks' bizarre Flip the Frog cartoons. 

Now enjoy some shorts from 1930 and 1931.

You have seen Burton Holmes in the article. This is a name that you may not be familiar with. So here is a short video about him and his films. 

Movie Review: The Odyssey

 

Michael's Movie Grade: B+

An excellent big screen epic. 

Christopher Nolan has always been a filmmaker who has not been afraid to take chances. However, adapting The Odyssey may be one of his riskiest ventures yet. Still the result paid off with flying colors. While this may not be a fully faithful adaptation, it manages to capture the story's epic scale. This movie feels larger than life. It looks like an old school Hollywood epic in all the best ways possible. It is rare to find a modern movie that truly has this larger than life feel and that is exactly what this film does. That Nolan relies heavily on practical effects of course plays no small role in this. This alone would be reason enough to recommend it. Yet there is still much more to recommend here. The action scenes are excellent, and the best Nolan has done since Dunkirk. There is a strong emotion center here. The scene in Hades as a scene towards the end of the picture hit all the right emotional marks. What surprised me though is how well the horror scenes worked. I did not expect this movie to dip as far into the horror genre as it did and here Nolan proves himself to be an excellent horror filmmaker. The Cerci scene made me feel incredibly uncomfortable in a way that even some real horror films never have.

The casting is often excellent but sometimes misses the mark. Matt Damon is perfect as the lead, making this character feel larger than life and yet still human at the same time. Elliott Paige is fantastic in a smaller but important role. He is very much responsible for the film's most emotionally impactful moments. Anne Hathaway is great as the queen, and you forget you are watching a well-known actress. Samantha Norton is terrifying as Cerci. However, Tom Holland and Robert Patterson seem out of place here, like their characters don't belong in a period epic but instead in a modern-day story. There is nothing wrong Zendaya's performance. However, she is too recognizable as Zendaya, and the script gives her too little to actually do. Since most of the time when she is on screen, there is no opportunity for her to stretch her acting muscles, we are always aware we are looking at Zendaya instead of seeing the character. 

With so many characters, there is little time to flesh many of them out. This can make some characters feel more like plot devices than actually people (especially Robert Patterson's bully). The movie can also feature bits of clumsy dialogue that are disappointing in an adaption of a classic work of literature.  

This may not be perfect. However, it is a great movie going experience, especially if seen on a big IMAX screen. 

Aladdin: The Return of Jafar (1994)

 

Aladdin: The Return of Jafar marked the first of many direct to video movies for the Disney studio. 

In this movie, the villainous Jafar, now a genie, concocts a plan to get revenge on Aladdin and his friends.  

As well as being a sequel to Aladdin (1992), this is also essentially a feature length pilot for the Aladdin TV series, which premiered the same year. The directors (Toby Shelton, Tad Stones, Alan Zaslove) and writers even worked on that TV series. With its lower budget animation and villain of the week story, the movie itself feels more like an extended episode of a TV series than a proper sequel to a Disney classic. However, it feels like a pretty good extended TV episode. The best part of this movie is Iago's character arc. This movie takes a comedic sidekick and makes him into a much more interesting character. He at first attaches himself to Aladdin for selfish reasons but ends up actually caring for them. This is done completely convincingly, and you actually end up caring for him in an unexpected way. Also, even if the storyline is very villain of the week, Jafar as a genie is an incredibly big threat to our heroes. There are even some good suspense scenes here as we wonder just how our heroes are going to make it out alive. While obviously on a smaller budget and scale the final action scene is quite exciting.

 This movie does have its flaws though. Unlike the great and memorable Alan Menkin songs from the first film, the songs here are completely forgettable and bland. If you try to remember any of these songs a couple days after watching the film, you will forget them. On the other hand, you can go years without watching the original Aladdin and still find the songs randomly getting stuck in your head. The humor here is also significantly weaker than that of the first movie. Part of this is naturally not having Robin Willaims as the genie. Dan Castellenta (best known as the voice of Homer Simpson) does a fine job providing the voice but without the improvisation of Willaims, the character simply isn't as funny. The basic slapstick gags involving the other characters also fail to get the laughs they should. Part of Jafar's evil plan is to use an incompetent thief, who gets a hold of his lamp, to help him get revenge on Aladdin (who they both hate). Unfortunately, this character can get rather annoying at times, and his incompetence is never as funny as the writers seem to think. 

This is not a great movie by any stretch, but it is an enjoyable enough watch for Disney fans. 

Video Link: The Animator & The Dancer Who Gave Tinker Bell Her Soul - West of Neverland

 

All Quiet on the Western Front (1929)

 

Upon its release this book was hailed as the greatest novel ever written about war. All these decades later, this book may still hold that honor. 

The central figure of this novel is Paul Bäumer. This young man, who along with many of his classmates joins the Imperial German Army at the start of WW1. He learns how dehumanizing war actually is and becomes disillusioned with all he was brought up to believe. 

There are plenty of great anti-war stories written but few hit as hard as this book does. This is a book that will move you greatly and stay with you long after you finish reading. 

Much of the reason for this is the first-person narration of the story. Rather than simply telling the horrors of war, this is a deeply personal story of the effect it had on one individual. This makes the story feel all the more urgent and personal. By reading this from a first-person point of view, you see the dehumanizing effect of war firsthand. Our main character is instantly relatable being a person who is not that different from us. His normalness is at the heart of the story because at one time he is a simple relatable protagonist, while also being a stand in for all the young men who have been sent out to war and forever changed by it. This is especially shown during the scenes with Paul on leave. He returns to a world in which he once belonged and fit in. Only now, he finds himself no longer belonging or fitting into this world. By making him a bit of an everyman, you see how war changes even a normal person. 

Erich Maria Remarque had fought in WW1, and he brings much of his own experiences to the main character's narration. Many have even referred to this book as semi-autobiographical. This makes all the difference. Even to those of us who have never fought in a war, this can easily be felt. It is obvious that there is a real feeling of authenticity and raw, honest emotion throughout the whole book. Though this is technically a fiction book, it is easy to forget that fact as you read. Because of this, the book here feels startlingly and terrifyingly real in a way that most anti-war stories don't. Remarque does not tone down or hide any of the horrors of war. They are all on full display here in a way that will make this story a haunting and emotionally exhausting way. 

This is one of the all-time great literary masterpieces. 

Cowboy Church #279

 Hello my friends and welcome back for another service of Cowboy Church. 

Today's musical selection begins with Roy Rogers and Dale Evans singing a medley of Whispering Hope and Star of Hope. Whispering Hope beautiful hymn comes from the pen of Alice Hawthorne (the pen name for poet Septimus Winner), who is best known for her contributions to children's music with songs like, Where, Oh Where Has My Little Dog Gone? and Ten Little Indians. This lovely medley comes from Roy and Dale's 1973 gospel album, In the Sweet By and By. 

This is followed by Jim and Jesse with If We Forget God.

Then comes Porter Wagoner and the Blackwood Brothers with The Family Who Prays (Never Shall Part). This cover of a Louvin Brothers classic comes from Porter Wagoner and the Blackwoods Brothers' 1966 gospel album, The Grand Old Gospel.

Country music has often focused more on the singers and the lyrics than anything else. That is why it is surprising that someone like Chet Atkins could make it as big as he did in Nashville. Chet Atkins was a guitarist rather than a singer and most of his output was purely instrumental. Yet his talent on the guitar can hardly be denied and he rightfully earned the nickname, "Mr. Guitar." His playing is a soulful and expressive as the voices of any of the great country singers. In 1962 Chet put out what I view as one of his finest albums, Chet Atkins Plays Back Home Hymns. This album is made up of instrumental versions of classic gospel songs. In this Cowboy Church post I have included his lovely version of Amazing Grace from this album. 

Afterwards is The Louvin Brothers with O Who Shall Be Able to Stand. This self-penned song comes from the duo's 1963 gospel album, Keep Your Eyes on Jesus. 

Now for the Hee Haw Gospel Quartet (Roy Clark, Buck Owens, Grandpa Jones, Kenny Price) with Keep on the Firing Line. Though they countryfied variety show first aired in 1969, the Hee Haw Gospel Quartet first appeared on the show in the late 1970's. Featuring regular members of the cast, this gospel group was one of the show's highlights for decades. 

Today's musical selection ends with The Sons of the Pioneers with Leaning on the Everlasting Arms. This hymn began with a man named Anthony Showalter. As a fan of gospel music and an elder in a Presbyterian church, he held many "singing schools" at various churches in the south. One day he received two letters from former students who were struggling after their wives had passed. To respond to these letters, Showalter consulted scripture. He came across Deuteronomy 33:27, "The eternal God is thy refuge, and underneath are the everlasting arms." After reading this verse lyrics for a song chorus went through his head and he wrote down, "“Leaning, leaning, safe and secure from all alarms; Leaning, leaning, leaning on the everlasting arms.” After using this in the letters to his former students he sent this chorus to his friend hymnist, Elisha Hoffman. In the letter he also wrote, “Here is the chorus for a good hymn from Deuteronomy 33:27, but I can’t come up with the verses.” Hoffman then wrote the rest of the lyrics to which Showalter put to music. The hymn was published in 1887. Tim Spencer sings lead on this recording. 

Now for the 20th episode of The Lone Ranger TV series. 

Now for a message from the Reverand Billy Graham.

The Book of Philemon

1 Paul, a prisoner of Christ Jesus, and Timothy our brother,

To Philemon our dear friend and fellow worker— 2 also to Apphia our sister and Archippus our fellow soldier—and to the church that meets in your home:

3 Grace and peace to you from God our Father and the Lord Jesus Christ.

Thanksgiving and Prayer

4 I always thank my God as I remember you in my prayers, 5 because I hear about your love for all his holy people and your faith in the Lord Jesus. 6 I pray that your partnership with us in the faith may be effective in deepening your understanding of every good thing we share for the sake of Christ. 7 Your love has given me great joy and encouragement, because you, brother, have refreshed the hearts of the Lord’s people.

Paul’s Plea for Onesimus

8 Therefore, although in Christ I could be bold and order you to do what you ought to do, 9 yet I prefer to appeal to you on the basis of love. It is as none other than Paul—an old man and now also a prisoner of Christ Jesus— 10 that I appeal to you for my son Onesimus, who became my son while I was in chains. 11 Formerly he was useless to you, but now he has become useful both to you and to me.

12 I am sending him—who is my very heart—back to you. 13 I would have liked to keep him with me so that he could take your place in helping me while I am in chains for the gospel. 14 But I did not want to do anything without your consent, so that any favor you do would not seem forced but would be voluntary. 15 Perhaps the reason he was separated from you for a little while was that you might have him back forever— 16 no longer as a slave, but better than a slave, as a dear brother. He is very dear to me but even dearer to you, both as a fellow man and as a brother in the Lord.

17 So if you consider me a partner, welcome him as you would welcome me. 18 If he has done you any wrong or owes you anything, charge it to me. 19 I, Paul, am writing this with my own hand. I will pay it back—not to mention that you owe me your very self. 20 I do wish, brother, that I may have some benefit from you in the Lord; refresh my heart in Christ. 21 Confident of your obedience, I write to you, knowing that you will do even more than I ask.

22 And one thing more: Prepare a guest room for me, because I hope to be restored to you in answer to your prayers.

23 Epaphras, my fellow prisoner in Christ Jesus, sends you greetings. 24 And so do Mark, Aristarchus, Demas and Luke, my fellow workers.

25 The grace of the Lord Jesus Christ be with your spirit.

Thank you for joining me. Come back for another service of Cowboy Church. Happy trails to you until we meet again. 

Super Mario Brothers Wonder (2023)

 

A wonderful 2D Mario game.

After the great Super Mario Odyssey, it was hard to image where the video game franchise could possibly go for a follow up. Somehow it was followed up by a game that was just as good, if not better. 

The basic story of this Mario game is very simple. Bowser gets a hold of a magical wonder flower, that turns him into a powerful fortress. Mario and his friends (old and new), team up together to stop the evil Bowser. 

There is so much fun to have with this game. Most every Mario 2D platformer has been a lot of fun (even if some are even better than others), yet this manages to stand as one of the best. The main complaint about other fairly recent 2D Mario games was their familiarity. As much fun as The New Super Mario Bros. games were, there is nothing in them that was new to the franchise. This game however is full of creativity. The levels themselves are imaginatively designed and tons of fun. Nearly every level also has a Wonder Flower which when touched changes the level or gameplay in some way. Each of these ways are incredibly creative and keep most every level feeling fresh and new. There are also badges you can collect. Like in the Paper Mario games, each of these badges gives you a different ability. However, you can only choose one badge to wear at a time. Adding this to a Mario platformer is a great idea and adds a bit of fun strategy to the game. There are also some new power ups (including one that makes you an elephant) that are very creative yet feel right at home with the classic powerups. Beyond the new additions here, this game also has lots of good old-fashioned platforming. 

One thing that doesn't work here however are the Search Party levels. Advertised as puzzle levels, they really are anything but. In each of these levels there are hidden tokens around a small stage, and you have to find them all. This would be a great idea, if this game actually provided puzzles for you to solve to find each token. This is not the case here. You just jump around randomly until by chance you find something. This is not fun and can honestly get rather annoying. Luckily there are only four of these levels. The boss battles can also get repetitive as you simply fight Bowser Jr. over and over in similar fights. However, Mario fans have grown to accept things like this. 

A modern Mario classic. 

Some Cartoons for Saturday Morning #289

 Hello my friends and happy Saturday morning. Once again, it is time for some classic cartoons. 

Today's cartoon selection begins with the classic Disney short, Donald's Camera (1941). Bob Carlson animated much of the footage of the woodpecker. Studio publicity stated that Bob Carlson was an avid birder, making this a perfect casting choice. A review from an issue of The Film Daily (Dated October 24, 1941) called this "One of the best." The same review went on to say, "Packed with laughs this Disney Donald Duck short hits the mark for hilarious entertainment." This short film made its TV debut on an episode of The Mickey Mouse Club that aired on November 22, 1956.

Next comes the Fleischer Screen Song cartoon, Show Me the Way to Go Home (1932). The title song was written in 1925 by the songwriting duo, Jimmy Campbell and Reg Connelly. Other songs by the duo include If I Had You, Goodnight Sweetheart and Try a Little Tenderness (which they co-wrote with Harry M. Woods).

Now we join our friend Scrappy in The Pooch Parade (1940).

Next is the Columbia cartoon, The Merry Mouse Cafe (1941).

Now it is time for a commercial break. 

I love of the cartoons of Chuck Jones from any period but there is something special about his films from 1942 and 1943. At this time, he was fully getting away from his slower paced cuter output of the late 1930's but had not yet gotten to the style of films he would make in the 1950's that everybody is familiar with today. So, what we get from output during these two years are cartoons that experiment with what you can do in an animated short. It doesn't hurt that he worked with such experimental artists as layout man John McGrew. Chuck gave McGrew plenty of freedom and what John accomplished in these movies is nothing short of amazing. This is especially shown in The Case of the Missing Hare (1942), where experimentation is seen in every moment. Just watch the abstract backgrounds that show a mixture of two colors at a time, but the colors change when there is a strong action in the foreground. This is something someone may not notice on their first watch, but it is something they can feel. A review in The Film Daily stated, "Here is another hilarious, the Leon Schlesinger creation that keeps growing in comic strength with every new release." I think anyone watching this cartoon today will recognize that the antagonist is not Elmer Fudd, but one reviewer from The Exhibitor didn't as in his review he stated "...this has Elmer, as a magician..."  A review from the same magazine less than a month later stated, "Elmer isn't in this." The latter is right. A review in Variety called this "One of the better Bugs Bunny subjects."

Now for the Color Rhapsody cartoon, Ye Olde Swap Shoppe (1940). The following is a 1940 review from The Exhibitor. "A pretty good little entry in the color cartoon handicap. 'Ye Olde Swap Shoppe' lacks that certain something that would give it ranking with the top subjects. Three little mice frolic in and on various doo-dads in the barter shop. Good. (1511). L.S. M." 

Next, we join Daffy Duck in Scrap Happy Daffy (1943). This short film marks Daffy Duck's last appearance in a black and white cartoon. It is also simply a delightful film. The short is directed by Frank Tashlin, who would go on to direct many live-action feature films. His Looney Tunes are some of the most cinematic and feature wonderful filmmaking. The use of editing and montage here are excellent and holds up quite well to many of the great live action films of the time. Yet this is also simply a very funny cartoon, including one of the funniest fade-out/fade-ins in the history of cartoons. This cartoon appears in Jerry Beck's book, The 100 Greatest Looney Tunes.

Now to close with a song. 

Thanks for joining me. Come back next week for more animated treasures. Until then may all your tunes be looney and your melodies merry. 

Resources Used

The 100 Greatest Looney Tunes edited by Jerry Beck

Of Mice and Magic: A History of the American Animated Cartoon by Leonard Maltin.

Donald Duck: The Ultimate History by J.B. Kaufman and David Gerstein

https://mediahistoryproject.org/

Video Link: The Wild Genius Who Broke the Disney Mold - West of Neverland

 

Video Link: The Tragic History of Disney's Lost Rabbit - West of Neverland

 

Movie Review: Moana

 

Michael's Movie Grade: D+

Why does this exist?

What always comes to my mind with these live action remakes is does anyone actually rewatch them? I can't picture anyone buying the Blu-ray for this movie or even choosing to watch this on Disney+. The 2016 Moana still exists and why would anyone pick this over that wonderful animated treasure. This is a near shot for shot, line for line remake of the original. It is the same movie but without the charm and magic of the original. 

Despite being a "live action" remake, a good deal of this movie is CGI. All the non-human characters are CGI and most of the environments are as well. This CGI looks incredibly fake. When you see these live action actors sharing the screen with the CGI characters and environments, they do not mesh together at all. Because of this the film never quite feels real to us in the same way that the fully animated one did. The worst offenders are Hei-Hei the chicken and Pua the pig. The idea of cartoony animal comic reliefs works perfectly in an animated film but much less so in a live action one. It doesn't help Hei-Hei and Pua are given extremely cartoony designs here (again something that works in an animated film but not a live action one). These characters simply cannot believably inhabit the same space as the live action actors. Because of this, whenever one of these characters appeared on screen, I was completely taken out of the movie. 

Though Dwayne Johnson was perfectly cast as the voice of the animated Maui, he does not make a good live action one. The most obvious reason for this is not his fault. The wig and bodysuit he is wearing just simply looks silly on him. He looks like he is wearing a cheap Halloween costume. Like with the CGI characters, this just simply takes you out of the story. Also not helping is Maui's living tattoos. Every time they move, you have a close up of them and you don't get to see the rest of the character. In the animated version it is easy to believe this character has living tattoos. In this live action version, the cinematic trickery is so obvious that any sense of magic or fun is strikingly absent. Instead, we are just again taken out of the story every time one of these scenes appears. Meanwhile Dwayne Johnson’s performance simply feels phoned in most of the time. For much of the film, you feel like you are watching Dwayne Johnson instead of watching Maui. 

There is still some enjoyment to be found here. Afterall, the basic story is still good, the songs are still fun and Catherine Laga'aia is a great live action Moana. Still, this is not enough reason to watch a movie that is still simply just a weaker version of a great movie that already exists. 

This is just another lackluster remake. Come on Disney, you are so much better than this. 

P.S. I think Disney made a big miscalculation by remaking a movie that is only 10 years old and had a sequel only 2 years ago. Though people love Moana, it is not old enough for anyone to have nostalgia for it. And nostalgia is the main factor in the popularity of previous live action Disney remakes. Without the nostalgia and with the original fresh in the mind of movie goers, there is no appeal to this kind of shot for shot remake. 

Oswald The Lucky Rabbit: The Search for the Lost Disney Cartoons (2017)

 

If you are a fan of Disney, cartoons and/or silent film, then this book is for you. 

After a delightful introduction by the great film historian (and one of my heroes) J.B. Kaufman, this book delves into the history of Walt Disney's career leading up to and including Oswald. Much of this will be familiar to many Disney lovers but it is still very well written and sets the stage up beautifully for those who are reading this as their first Disney history book. The highlight of the book though is the film by film look at Oswald's Walt Disney directed cartoons. Each surviving film receives a full in-depth story summary as well as the history of how these films (many of which used to be missing) were found, recovered and restored. There is even information on how these silent films were given new scores and why certain music was chosen for these scores. Author David A. Bossert here provides something completely different than what can be seen in most film history books. You can find many books that talk about the behind the making of classic silent films or give critical insight into these films. However, there are so few books about the art of film preservation. This makes this a very unique read that deserves to be read by any true cinephile. Not only is this a topic that is not often covered in film books, but the discussion of it is very well written and in depth. For the lost films, Bossert provides us with original scripts and artwork as well as some reviews from the time period. This allows us to get a great glimpse at these lost films, providing us with the closest thing we can get to actually watching them.

All in all, this is essential reading for any Oswald fan. 

Cowboy Church #278

 Hello my friends and welcome back for another service of Cowboy Church.

Today's musical selection begins with Roy Rogers and Dale Evans singing Sweet Hour of Prayer on their 1957 album of the same name. This hymn was written by William Walford. Walford was a wood craver who had little to no formal education. However what he did have was a very close relationship with God. Those who knew him said that he knew the bible by heart and this man was even asked to share sermons at his church. One day around  1845 Pastor Thomas Salmon visited William Walford. Walford asked Salmon to write down a poem he had in his head. Salmon was so amazed by this poem that he right away sought to get it published. After Walford's death, William Bradbury wrote music for this poem and the hymn as we know it first appeared in the 1859 hymnal, Church Melodies. Bradbury had also composed music for such hymns as Just as I Am and He Leadeth Me. 

This is followed by Jim and Jessie with Lord I'm Coming Home. This recording comes from their 1964 gospel album, The Old Country Church. 

Afterwards is Ricky Skaggs with Can't Shake Jesus. This comes from his 2010 album, Mosaic. 

Up next is Kris Kristofferson with In the News from his 2006 album, This Old Road. As a Christian, nothing makes me sadder than those who try to use the bible to justify their own hatreds, prejudices and wars. 

Then comes the Louvin Brothers with There's No Excuse. This comes from the duo's 1956 gospel album, Nearer My God To Thee. 

This is followed by The Sons of the Pioneers with their 1937 recording of Power in the Blood. Though it may be simple doctrine that we have heard since Sunday school, I hope we never forget how much power there truly is in the blood of Jesus. No matter what temptations and struggles we may face in life, Jesus' blood spilled on Calvary's cross has overcome all of it. With man something may be impossible but with God all things are possible. 

We continue with The Monroe Brothers with My Time Will Come Someday. 

Today's musical selection ends with Johnny Cash with I'm a Newborn Man. This song was written by John and his wife June. It came from John's 1979 double length gospel album; A Believer Sings the Truth. Columbia Records did not have much faith in how a double length gospel album would sell and did not want to release this album. However, John (with Columbia's blessing) would release the album under his own Cachet label. In 1982 Columbia would reissue the album on the Columbia label. In 1984 Columbia would release a much shorter version of the album as I Believe. 

Now for the 19th episode of The Lone Ranger TV show. 

Now for a message from S.M. Lockridge. 

Psalm 86

A prayer of David.

1 Hear me, Lord, and answer me,

    for I am poor and needy.

2 Guard my life, for I am faithful to you;

    save your servant who trusts in you.

You are my God; 3 have mercy on me, Lord,

    for I call to you all day long.

4 Bring joy to your servant, Lord,

    for I put my trust in you.

5 You, Lord, are forgiving and good,

    abounding in love to all who call to you.

6 Hear my prayer, Lord;

    listen to my cry for mercy.

7 When I am in distress, I call to you,

    because you answer me.

8 Among the gods there is none like you, Lord;

    no deeds can compare with yours.

9 All the nations you have made

    will come and worship before you, Lord;

    they will bring glory to your name.

10 For you are great and do marvelous deeds;

    you alone are God.

11 Teach me your way, Lord,

    that I may rely on your faithfulness;

give me an undivided heart,

    that I may fear your name.

12 I will praise you, Lord my God, with all my heart;

    I will glorify your name forever.

13 For great is your love toward me;

    you have delivered me from the depths,

    from the realm of the dead.

14 Arrogant foes are attacking me, O God;

    ruthless people are trying to kill me—

    they have no regard for you.

15 But you, Lord, are a compassionate and gracious God,

    slow to anger, abounding in love and faithfulness.

16 Turn to me and have mercy on me;

    show your strength in behalf of your servant;

save me, because I serve you

    just as my mother did.

17 Give me a sign of your goodness,

    that my enemies may see it and be put to shame,

    for you, Lord, have helped me and comforted me.

Thanks for joining me. Come back next week for another service of Cowboy Church. Happy trails to you until we meet again.