Some Cartoons for Saturday Morning #281

 Hello my friends and happy Saturday morning. Once again, it is time for some classic cartoons. 

Today's cartoon selection begins with the Terry Toons short, If Cat's Could Sing (1950). This is a very charming and fun cartoon. However, dogs being the house owners and cats being their pets feels weird. Oh well I guess if Minnie Mouse could own a cat, why not? This short film was directed by Eddie Donnelly. Producer Paul Terry said about Eddie Donnely, "Eddie Donnelly was a very hard worker. I remember we used to wash the cels and use them over again in [the 1930's], and Ed even used to that at night so he could make a little extra money. [He Started] at Fables, and he got to be a very good director. He was on par with Connie Rasinski, and Connie was the best." 

Next comes Pooch the Pup in King Klunk (1933). Pooch the Pup was one of the Walter Lantz Studio's earliest attempts at an original starring character (the studio started by making a series of cartoons with Oswald the Lucky Rabbit who was created by Walt Disney). The character didn't have the same lasting power as the later Walter Lantz character Woody Woodpecker. Pooch only lasted for 12 cartoons of which this was the 11th. This cartoon is a parody of King Kong (1933), a movie that was released the same year. 

Now for a classic early black and white Silly Symphony, The Clock Store (1931). Like many of the early Silly Symphonies, this movie doesn't have much in the way of plot but instead focuses mainly as a mood piece. This allows the Disney studio to do what they did best, with wonderful animation, beautiful artwork and an incredible sense of atmosphere. No other Hollywood cartoon studio of the time could have done a cartoon like this and make it turn out so well. This film is heavily helped by a truly wonderful group of artists. Johnny Cannon animates the lamplighter. Our first peek inside the clock store is animated by Cecil Surrey. Chuck Couch, an underrated Disney animator and also a cartoon writer for Disney, Walter Lantz and Hanna-Barbera, animates the cuckoo clocks. Harry Reeves, who would work as a Disney animator and story writer into the 1950's, animates the four alarm clocks. Hardie Gramatky animates the timepieces. Frenchy de Trémaudan animates the wristwatches and the dancing alarm clocks. Dan Tattenham animates the Swiss clock with the chimes. Albert Hunter animates the wonderful scene with the minuet figures. Ben Sharpsteen, who would later be supervising director on the Disney features Pinocchio (1940), Fantasia (1940) and Dumbo (1941), animates the grandfather and grandmother clocks. Charles Byrne animates the Dutch windmill clock. Jack King, later director for both Warner Brothers and Disney (at Disney he directed some of the finest Donald Duck cartoons), animates the Dutch dance. Rudy Zamora, who had previously been a major animator at the Fleischer Studios and would later animate on the Charlie Brown TV specials as well directing various TV cartoons for Hanna-Barbera, animates the alarm clocks fighting and the clock on the wall. Joe D'Igalo animates the crowd cheering for the fight. This film made its TV debut on an episode of The Mickey Mouse Club that aired on December 1, 1955. 

Next comes the silent era Out of the Inkwell short, Koko Smokes (1928). 

Now it is time for a commercial break. 

Now for the Mickey Mouse Works cartoon, Hansel and Gretel (1999). This short would later appear on the House of Mouse episode, House Ghosts (2003) and the direct to video movie, Mickey's House of Villains (2002). This short differs greatly from the other Mickey Mouse Works cartoons by not featuring any dialogue. The use of classical music gives it a similar feel to The Sorcerer's Apprentice (1940). The classical piece used here is the Danse Macabre by Camille Saint-Saens. 

Animation fans know director Friz Freleng as a master of timing and very few comedy cartoons have come close to the perfect comedy timing of his films. This can especially be seen in his cartoon, Yankee Doodle Daffy (1943). This in my mind is one of his funniest films and just a pure delight. Despite the title, this film does not have a parotitic theme or revolve around U.S. history. With the James Cagney feature, Yankee Doodle Dandy (1942) having come out the year before, this pun was probably just too good for the filmmakers to pass up.  As I have spoke about Friz earlier look for a portrait of him in Porky's office. A review in The Motion Picture Daily calls this film a "Pleasant little subject." The following are Exhibitor's reviews from The Motion Picture Herald. "YANKEE DOODLE DAFFY: Looney Tunes Cartoons—This studio's cartoons lately seem to be either exiciptionally good or exceptionally bad. This is downright terrible. - W. Verricks Nevins, III, Alfred Co-op Theatre, Alfred N.Y." "YANKEE DOODLE DAFFY: Looney Tunes Cartoons—Good cartoon, but where does it get its name? - Ralph Raspa, State Theatre, Rivesdale, W. Va." "YANKEE DOODLE DAFFY: Looney Tunes Cartoons - Average color cartoon. - E.M. Freiburger, Paramount Theatre, Dewey, Okla." 

Up next is the Walter Lantz produced Oswald the Lucky Rabbit cartoon, Keeper of Lions (1937). By the time this film was released Oswald had undergone a massive design change and is no longer recognizable as the same charter Walt Disney created in the 1920's.

Now let us close with a song. 

Thank you for joining me. Come back next week for more animated treasures. Until then may all your tunes be looney and your melodies merry. 

Resources Used

Walt Disney's Silly Symphonies: A Companion to the Classic Cartoon Series by Russell Merritt and J.B. Kaufman.

Of Mice and Magic: A History of American Animated Cartoons by Leonard Maltin

Looney Tunes and Merrie Melodies: A Complete Illustrated Guide to Warner Brothers Cartoons by Jerry Beck and Will Friedwald

https://lantern.mediahist.org/