When one thinks of film comedy Ingmar Bergman is usually not the first director who comes to your mind. However he actually made some comedians over his career including The Devil's Eye (1960), Secrets of a Woman (1952) and All These Women (1964). However probably the best of his comedies is Smiles of a Summer Night.
Around the time Bergman started making Smiles of a Summer Night, he was in fact very depressed. After a lot of stress making some of his previous movies, he knew he had to make a film just for fun and that film ended up being Smiles of a Summer Night. He would later say at this time he had just two options, "write Smiles of a Summer Night, or kill myself." Fortunately he choose the first option. Bergman would also later say "I thought it was time for a box-office success, and though everyone disagreed with me, I was convinced that this picture would succeed."
This film was heavily by the famous Shakespeare play, A Midsummer Night's Dream. One person who definitely realized that connection was Woody Allen, who would incorporate much of this Bergman film into his 1982 movie, A Midsummer Night's Sex Comedy.
Fredrick (played by Gunnar Bjornstrand) is married to a young woman named Anne (played by Ulla Jacobsson). Despite being married for two years and sharing a bed Anne is still a virgin and this makes Fredrick quite nervous. Fredrick asks a woman who he used to have an affair with, Desiree a beautiful actress (played by Eva Dahlbeck). Desiree still has feels for Fredrick though she is currently the mistress of a solider named Count Malcom (played by Jarl Kulle). Meanwhile Fredrick's son Henrik (played by Bjorn Bjelvenstam) has devoted himself to God but finds himself quite tempted by the family's maid Petra (played by Harriet Andersson).
This is a sex comedy that is very frank about sex (shockingly so for a 1955 Swedish movie). However, it never delves into cheap or easy vulgarity. Rather than this, the humor in the film remains very smart, sophisticated and charming even with its highly sexual nature. The humor also remains very funny throughout. Often making one laugh out loud. The humor is not the only great thing about this film as the performances are all fantastic and Gunnar Fischer's cinematography is quite lovely to look at. This all comes together to create a film that is smart, sexy, funny and just all around fantastic.
The film was huge success all over the world. Because the film earned so much money Svensk Filmindustri, the studio Bergman was working for would give Bergman strong control over his future films. The studio was so happy with this film they submitted it to the Cannes Film Festival. However, Bergman was unaware of that it was even submitted until one day while sitting reading the newspaper he saw that the film was a huge success there.
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