Sunday, June 7, 2026

3 Essential Blu-ray Sets

 


If you are as into classic slapstick comedy as I am, here are three very recent Blu-ray sets that you simply must have. 


Laurel and Hardy Year Three: The Newly Restored 1929 Silents

I am definitely late to the party with recommending this Blu-ray set, yet I would be amiss if I didn't recommend this wonderful set. With this third set in this series all of the existing silent films of classic comedy team Laurel and Hardy are now available on Blu-ray. As the title suggests this set consists of every silent film (and some talkies) from Stan Laurel and Oliver Hardy's third year as a team, 1929. These films look better than they ever had before and cinephiles who have seen them a million times will be amazed how good they look. Yet, this set has much more to offer than these films alone. The special features on this set are outstanding. The commentaries by Richard W. Bann and Randy Skerdvedt are so incredibly informative that you may want to take notes while watching them. Alternative versions of the films are another highlight. I loved watching the silent versions of Unaccustomed as We Are and Berthmarks (the team's first talkies). As some of you may know not all theaters were equipped for sound in 1929 and because of this, silent versions of were made of some talkies so they could play in silent movie theaters as well. Seeing these, especially for someone who has seen both Unaccustomed as We Are and Berthmarks as many times as I have, is a pure delight and historically fascinating. Also included is a dubbed version of the silent short Double Whoopee made by Chuck McCann for TV in the 1970's, a very informative booklet and a look at shooting locations. If you are a fan of silent comedy and don't own this yet buy it as soon as you can. 


Looney Tunes Collector's Vault Volume 2

The greatest cartoons of all time are back with another Blu-ray (which came out this March). Like the previous volume, this set is broken up into two discs. The first is of Looney Tunes and Merrie Melodies cartoons that haven't been on Blu-ray, DVD or VHS before. Some of these are such gems that it is hard to believe that they haven't gotten such a release before. The second disc is made up of cartoons that haven't been released on Blu-ray before but have been released on other forms of physical media. There are so many true classics here that help remind us just how brilliant the classic Warner Brothers cartoons could be. As someone who wants to own everything Looney Tunes on physical media this is a godsend. 


Looney Tunes Cartoons: The Complete Series 

Running from 2019 to 2024, this series of new Looney Tunes cartoons came out on the streaming service HBO Max. I didn't watch much of these cartoons when they came out, but with my desire to own everything Looney Tunes, I needed to get it when it came to physical media. Available in both Blu-ray and DVD, this is a very fun set. While these cartoons may not reach the full heights of the 1930's-1960's cartoons, they are quite enjoyable. I especially enjoy the return of the wild and crazy Bob Clampett-esque Daffy. While there may be too much of an overreliance on gross out gags and some cartoons may fall flat, the majority of cartoons are well timed, well animated, well voiced and understand the characters. If you are a Looney Tunes fan like I am, I definitely recommend this Blu-ray. 





Cowboy Church #270

  Hello my friends and welcome back to another service of Cowboy Church. 


Today's musical selection begins with Roy Rogers and Dale Evans with a wonderful version of the classic hymn, How Great Thou Art. In the book, Happy Trails: Our Life Story, Roy tells of a story that had to do with this song. "I'll tell you about one time we nearly got into a real war with the promoters: at the World Championship Rodeo at Madison Square Garden in 1952. During the first rehearsal I started to practice 'How Great Thou Art,' a religious song I wanted to make the centerpiece of our musical act. There's a line in that song that goes, 'Then sings my soul my Savior God to Thee...' Someone in the front office heard the rehearsal and came to me that night to tell me I wasn't allowed to mention Christ at the rodeo. 'It might work for the kids in Houston, Texas' he told me, 'But this is New York. You can't preach to kids here.' I told him I wasn't preaching but that the Savior was a part of the song and I fully intended to sing that song in New York or anywhere else we performed. They suggested that I could change the words of the song so it didn't mention Him. I'm not one for grandstand plays but I told those fellas that if I couldn't sing 'How Great thou Art' just how it was written, Dale and I would pack up and leave town. The song stayed in the show. That year we did forty-three performances over twenty-six days and broke all Madison Square Garden attendance records."

This is followed by Ralph Stanley with Old Ship Of Zion. This comes from his 2011 gospel album, Almost Home

Afterwards is Jim and Jessie with Who Did Jesus Did. This comes from their 1966 gospel album, Sing Unto Him a New Song. 

Next is Chris Tomlin and Thomas Rhett with God Who Listens. This comes from Chris Tomlin's 2020 album, Chris Tomlin and Friends. This album featured the Christian singer performing various songs with popular country singers. 

Then comes Emmylou Harris with Who Will Sing for Me. This comes from her 1987 acoustic gospel album, Angel Band.  

Afterwards is Blind Willie Johnson with his 1929 recording of Let Your Light Shine on Me. This is one of the earliest known recordings of this song (for which the songwriter is unknown), though country gospel singer Ernest Phipps recorded it earlier. Other artists to record this song include Leadbelly, Lonnie Donegan, Acker Bilk and His Paramount Jazz Band, The Seekers and Paul McCartney. Bob Dylan has played the song in concert, but it has never appeared on any of his albums. 

Today's musical selection ends with The Sons of the Pioneers with their 1937 recording of Power in the Blood. Though it may be simple doctrine that we have heard since Sunday school, I hope we never forget how much power there truly is in the blood of Jesus. No matter what temptations and struggles we may face in life, Jesus' blood spilled on Calvary's cross has overcome all of it. With man something may be impossible but with God all things are possible. 









Now for the 14th episode of The Lone Ranger TV show. 


Now for a message from Billy Graham.


Psalm 78
A maskil of Asaph.
1 My people, hear my teaching;
    listen to the words of my mouth.
2 I will open my mouth with a parable;
    I will utter hidden things, things from of old—
3 things we have heard and known,
    things our ancestors have told us.
4 We will not hide them from their descendants;
    we will tell the next generation
the praiseworthy deeds of the Lord,
    his power, and the wonders he has done.
5 He decreed statutes for Jacob
    and established the law in Israel,
which he commanded our ancestors
    to teach their children,
6 so the next generation would know them,
    even the children yet to be born,
    and they in turn would tell their children.
7 Then they would put their trust in God
    and would not forget his deeds
    but would keep his commands.
8 They would not be like their ancestors—
    a stubborn and rebellious generation,
whose hearts were not loyal to God,
    whose spirits were not faithful to him.

9 The men of Ephraim, though armed with bows,
    turned back on the day of battle;
10 they did not keep God’s covenant
    and refused to live by his law.
11 They forgot what he had done,
    the wonders he had shown them.
12 He did miracles in the sight of their ancestors
    in the land of Egypt, in the region of Zoan.
13 He divided the sea and led them through;
    he made the water stand up like a wall.
14 He guided them with the cloud by day
    and with light from the fire all night.
15 He split the rocks in the wilderness
    and gave them water as abundant as the seas;
16 he brought streams out of a rocky crag
    and made water flow down like rivers.

17 But they continued to sin against him,
    rebelling in the wilderness against the Most High.
18 They willfully put God to the test
    by demanding the food they craved.
19 They spoke against God;
    they said, “Can God really
    spread a table in the wilderness?
20 True, he struck the rock,
    and water gushed out,
    streams flowed abundantly,
but can he also give us bread?
    Can he supply meat for his people?”
21 When the Lord heard them, he was furious;
    his fire broke out against Jacob,
    and his wrath rose against Israel,
22 for they did not believe in God
    or trust in his deliverance.
23 Yet he gave a command to the skies above
    and opened the doors of the heavens;
24 he rained down manna for the people to eat,
    he gave them the grain of heaven.
25 Human beings ate the bread of angels;
    he sent them all the food they could eat.
26 He let loose the east wind from the heavens
    and by his power made the south wind blow.
27 He rained meat down on them like dust,
    birds like sand on the seashore.
28 He made them come down inside their camp,
    all around their tents.
29 They ate till they were gorged—
    he had given them what they craved.
30 But before they turned from what they craved,
    even while the food was still in their mouths,
31 God’s anger rose against them;
    he put to death the sturdiest among them,
    cutting down the young men of Israel.

32 In spite of all this, they kept on sinning;
    in spite of his wonders, they did not believe.
33 So he ended their days in futility
    and their years in terror.
34 Whenever God slew them, they would seek him;
    they eagerly turned to him again.
35 They remembered that God was their Rock,
    that God Most High was their Redeemer.
36 But then they would flatter him with their mouths,
    lying to him with their tongues;
37 their hearts were not loyal to him,
    they were not faithful to his covenant.
38 Yet he was merciful;
    he forgave their iniquities
    and did not destroy them.
Time after time he restrained his anger
    and did not stir up his full wrath.
39 He remembered that they were but flesh,
    a passing breeze that does not return.

40 How often they rebelled against him in the wilderness
    and grieved him in the wasteland!
41 Again and again they put God to the test;
    they vexed the Holy One of Israel.
42 They did not remember his power—
    the day he redeemed them from the oppressor,
43 the day he displayed his signs in Egypt,
    his wonders in the region of Zoan.
44 He turned their river into blood;
    they could not drink from their streams.
45 He sent swarms of flies that devoured them,
    and frogs that devastated them.
46 He gave their crops to the grasshopper,
    their produce to the locust.
47 He destroyed their vines with hail
    and their sycamore-figs with sleet.
48 He gave over their cattle to the hail,
    their livestock to bolts of lightning.
49 He unleashed against them his hot anger,
    his wrath, indignation and hostility—
    a band of destroying angels.
50 He prepared a path for his anger;
    he did not spare them from death
    but gave them over to the plague.
51 He struck down all the firstborn of Egypt,
    the firstfruits of manhood in the tents of Ham.
52 But he brought his people out like a flock;
    he led them like sheep through the wilderness.
53 He guided them safely, so they were unafraid;
    but the sea engulfed their enemies.
54 And so he brought them to the border of his holy land,
    to the hill country his right hand had taken.
55 He drove out nations before them
    and allotted their lands to them as an inheritance;
    he settled the tribes of Israel in their homes.

56 But they put God to the test
    and rebelled against the Most High;
    they did not keep his statutes.
57 Like their ancestors they were disloyal and faithless,
    as unreliable as a faulty bow.
58 They angered him with their high places;
    they aroused his jealousy with their idols.
59 When God heard them, he was furious;
    he rejected Israel completely.
60 He abandoned the tabernacle of Shiloh,
    the tent he had set up among humans.
61 He sent the ark of his might into captivity,
    his splendor into the hands of the enemy.
62 He gave his people over to the sword;
    he was furious with his inheritance.
63 Fire consumed their young men,
    and their young women had no wedding songs;
64 their priests were put to the sword,
    and their widows could not weep.

65 Then the Lord awoke as from sleep,
    as a warrior wakes from the stupor of wine.
66 He beat back his enemies;
    he put them to everlasting shame.
67 Then he rejected the tents of Joseph,
    he did not choose the tribe of Ephraim;
68 but he chose the tribe of Judah,
    Mount Zion, which he loved.
69 He built his sanctuary like the heights,
    like the earth that he established forever.
70 He chose David his servant
    and took him from the sheep pens;
71 from tending the sheep he brought him
    to be the shepherd of his people Jacob,
    of Israel his inheritance.
72 And David shepherded them with integrity of heart;
    with skillful hands he led them.


Thanks for joining me. Come back next week for another service of Cowboy Church. Happy trails to you until we meet again.


















Saturday, June 6, 2026

Some Cartoons for Saturday Morning #283

 Hello my friends and happy Saturday morning. Once again it is time for some classic cartoons. 


Today's cartoon selection begins with Mighty Mouse in The Sky is Falling (1947). Directed by Mannie Davis, this cartoon is a take-off on the classic story of Chicken Little. 



Up next comes the Walter Lantz produced cartoon, Mouse Trapped (1959). This short film stars the two mice Hickory and Dickory as well as the cat Doc. Originally planned as a trio, Doc would have a longer career than his rodent co-stars. The trio would appear in only three theatrical cartoons (of which this is the second). However, Doc would go on to star in six cartoons without Hickory and Dickory. Three of those six cartoons would team him with a dog named Champ. 


Now we join our good friend Scrappy in Scrappy's Television (1934). It is fascinating to see this depiction of television, well before TV would becoming the household staple it would later become. 


Next comes Donald Duck in Donald's Gold Mine (1942). This short film made its theatrical debut on  July 24, 1942. It would make its TV debut on an episode of The Mickey Mouse Club that aired on October 15, 1956. 


Now it is time for a commercial break. 







Next we join Sylvester and Tweety in The Jet Cage (1962). Though this film gives Milt Franklin credit for the music, much of the music was done by William Lava. This is because Milt Franklin died of a heart attack before finishing the musical score and had to be replaced by William Lava. About the Sylvester and Tweety cartoons, director Friz Freleng stated, "Tweety doesn't do anything. He can't even put a hat on because his arms are too short. And he's got such a bug head. The comedy comes out of Sylvester and his determination, his stubbornness to get the bird no matter what happens to him. Still everybody says 'Oh I love that Tweety.' Audiences are funny. They never love the characters that really get the laughs."


Now for The New 3 Stooges cartoon, Three Jacks and a Beanstalk (1965). The Stooges voice themselves in this TV cartoon. 


Now for one of the rare instances of very dark satire in one of Walt Disney's Silly Symphonies, Who Killed Cock Robbin? (1935). This film shows cartoon birds at the mercy of an unjust legal system. Satire, dark humor, celebrity caricatures and slapstick abound. The most significant of the celebrity caricatures is Jenny Wren, a caricature of Mae West. Most of her animation here is handled fantastically by Ham Luske and her voice comes from Martha Wentworth who does a really good impression. This character would later appear in the Silly Symphony Toby Tortoise Returns (1936). Two of Walt's future Nine Old Men animate on this film, Eric Larson and Clyde Geronimi. Eric animates the scene where Cock Robbin falls and the cops rushing in. Clyde animates the scenes involving the blackbirds and the cops, Legs Sparrow with the cops and then going into the witness box, and the cops' raiding the area. For the year of 1935 the National Board of Review named this as one of the Ten Best American Films (not just cartoons but films as a whole). According to JB Kaufman and Russell Merrit's excellent book, Walt Disney's Silly Symphonies: A Companion to the Classic Cartoon Series, the idea for making this film had been around the Disney studio as early as October 1933 but work truly began in March 1934. Wilfred Jackson was originally going to be the cartoon's director, but he was replaced with Ben Sharpsteen, who was replaced with Dave Hand, who actually directed the cartoon. Dave Hand would later be the supervising director for the Disney feature films, Snow White and the Seven Dwarfs (1937) and Bambi (1942). My fellow Alfred Hitchcock fans will recognize that a clip from this cartoon was later used in Hitch's classic movie, Sabotage (1936). The following is a review from The Film Daily, "Ye olde master, Walt Disney, has produced another cartoon which makes a swell approach to the entertainment values he provided in 'Three Little Pigs.' It's class A stuff, effectively done in color. A mysterious shadowy figure 'kills' the fabled Cock Robbin, who, by the by, is the sweetie of a May Western type of bird. Then come the Keystonian cops, also birds, and later the trial. Finally, a birdy version of Dan Cupid admits to having shot Robin, but May brings him to with a Big Kiss. Catchy music helps enliven the proceedings." The following is from a 1935 issue of Modern Screen Magazine and was a letter sent in by a reader. "A short time ago I took my five-year-old son with me to a local theatre. When a colored cartoon was shown, he was immensely pleased, as were several other children near us. The cartoon was 'Who Killed Cock Robin?' I may be wrong but I'm under the impression that those pictures are primarily to amuse children. If that is true than it failed. I heard several half-grown boys snickering as 'Jenny Wren' a parody of Mae West, with a high bust, wiggling hips and a sexy voice, flirted with the judge and later indulged in a kiss with Cock Robin. The smaller children merely looked puzzled and disappointed with the whole thing. Please have more cartoons like 'The Three Little Pigs,' 'Water Babies,' etc., unless of course, I'm wrong and those comedies are for grown-ups and not for little children. - Mrs. E. DeLamater, Charleston, S.C."   


Now to close with a song.


Thanks for joining me. Come back next week for more animated treasures until then may all your tunes be looney and your melodies merry. 

Resources Used

I Tawt I Taw a Puddy Tat: Fifty Years of Sylvester and Tweety by Jerry Beck

Donald Duck: The Ultimate History by J.B. Kaufman and David Gerstein

https://mediahistoryproject.org/































 




Wednesday, June 3, 2026

Movie Review: Tuner

 


Michael's Movie Grade: A+

Documentary filmmaker Daniel Roher's first fictional film is a wonderful thriller. 

In this movie, a piano tuner (Leo Woodall) with a hearing condition that makes him hear noises extra loud, discovers that this condition gives him a gift for opening safes. When a group of safe robbers discover his ability, they offer him a chance to make more money opening safes for them. At first, he isn't interested. However, when he needs the money to help his hospitalized friend (Dustin Hoffman), he feels he has no choice but to help them. 

This is a masterfully made thriller. The story starts off as a slice of life tale about piano tuners. Yet even these early scenes are very engaging due to strong characterizations, smart dialogue and some funny humor. The story slowly becomes more dramatic and tense. This build up makes it so that each suspense scene builds upon the last and becomes incredibly tense towards the end. It also makes it so that when each suspense scene comes, we are fully engrossed in the story making the tension all the more effective. 

One element that very much surprised me here was how strong the romance was. Often times the romantic scenes feel shoehorned into a movie like this. Luckily that is not the case here. The romance is actually kind of sweet and leads to some of the film's most emotionally effective scenes. 

This is not only a well-written film, but the technical filmmaking is also fantastic. For a movie that revolves around sound, the filmmakers know exactly how to use this for their advantage. There are many times that we are allowed to hear things the same way our main character does with certain sounds muffled or amplified at the right times. This puts us in the main character's shoes and has us experiencing everything with him. This use of sound is also perfectly to help create the suspense. One scene involves our main character opening a safe in a very noisy environment. Without this use of amplified and muffled sounds, this very tense scene would lose what makes it so effective. The movie also has one of the greatest uses of crosscutting I have seen in a current movie in quite a while. One scene cuts back and forth between a character playing piano and a tense situation for our main character. The timing of when these cuts as well as the emotional connection between what is happening in both places makes this a perfect example of suspense filmmaking. It also helps that the piano music we are hearing perfectly matches the emotions we should be feeling as an audience. 

While I won't give away the ending here, I will say it is perfect. It may not wrap up everything neatly, but it ends the film on its most emotionally powerful moment. This leaves you feeling the full weight of the movie's impact right when the end credits start to roll. Afterall the main goal of any work of cinema (from popcorn movies to arthouse cinema) is emotion and this is the main takeaway anyone should have from a movie.

A must watch.  
 
 

Movie Review: Masters of the Universe

 


Michael's Movie Grade: B

A really fun popcorn movie. 

This film knows exactly what it wants to be it doesn't pretend to be anything more than just a fun trip to the movies. With this the film provides exactly what audiences want to see. It is simply a lot of fun. The filmmakers know just how seriously to take the story. They know that He-Man lore can be quite goofy and have no problem joking about this (the origin of some of the characters' names is a brilliant piece of meta-humor), yet they never make the story so much of a joke that it has no emotional attachment. Much of the emotional connection comes from our main character Prince Adam. As a fish out of water in both the fantasy world of Eternia and on our world of Earth, we completely root for him. He is a perfect example of the type of movie underdog that audiences can't help but root for. When he succeeds, we want to cheer for him. When he fails, we want to see him stand back up again. With the audience already on its side, the action scenes are remarkably fun. They have a larger than life feel and are visual treats. The use of rock music on the soundtrack works perfectly here. I especially love the use of Queen's Princes of the Universe during the climatic action sequence (Queen's Brain May provides some guitar riffs for the score). The movie also works because of how great its worldbuilding is. From the prologue alone, you get a great feel for how this world works before the story even gets fully underway. Even if you have never seen anything He-Man related before, as you watch this movie you will find yourself completely immersed in this fantasy world. 

The humor can be a bit hit and miss here. Some of the jokes are laugh out loud funny, while others fall completely flat.  

This movie does suffer from some poor pacing with some sequences lasting longer than need be, while others feel rushed. The film also suffers from a fault of many movies based off a TV series. That is that there are too many characters and some feel like they are squeezed in without really adding much of anything. 

This will be a pure delight for He-Man fans and still fun for those who never have seen He-Man before. 




Tuesday, June 2, 2026

Studio Ghibli Fest 2026

 


Along with classic Disney and the old Warner Brothers cartoon studio, Studio Ghibli is one of my all-time favorite animation studios. And how can it not be? Their movies are possibly the best feature length animated films ever made. Not only this but they hold their own with any great live action movie for any era. These are true cinematic masterpieces and because of this it is always an event, when I can see a Studio Ghibli film on the big screen. Well, if you are like me, I have wonderful news for you. Studio Ghibli Fest is back once again. For those of you who are unaware, this is a series of classic Ghibli films that come back to the big screen (in most of your big movie theater chains) for a few months every year.

Here is a list of what is playing this year. 



Ponyo (2008)

 Legendary filmmaker Hayao Miyazaki based this delightful children's fairytale on Hans Christian Anderson's The Little Mermaid. There is charm from start to finish in this extremely creative film. The story follows a little fish girl named Ponyo, who becomes a human when she meets a little human boy named Sosuke. Unfortunately, unbeknownst to her, her magic causes chaos when she comes to land. A pure delight for the whole family. Rated G

English Dub
Saturday, June 13 at 3:00 PM
Sunday, June 14 at 3:00 PM & 7:00 PM
Wednesday, June 17 at 7:00 PM
Japanese With English Subtitles
Monday, June 15 at 7:00 PM
Tuesday, June 16 at 7:00 PM



My Neighbor Totoro (1988) 

From legendary filmmaker Hayao Miyazaki comes one of the greatest family films of all time. In this classic two young sisters move to the country to be closer to their sick mother. In the countryside, the girls meet a magical creature that they call Totoro. This film masterfully blends whimsical fantasy with slice of life storytelling. Few films capture the feeling of childhood quite like this movie. Rated G

 English Dub
Saturday, July 11 at 3:00 PM
Sunday, July 12 at 3:00 PM & 7:00 PM
Wednesday, July 15 at 7:00 PM
Japanese With English Subtitles
Monday, July 13 at 7:00 PM
Tuesday, July 14 at 7:00 PM


Tales From Earthsea (2006)

The directorial debut for Gorō Miyazaki, this fantasy epic adapts the beloved fantasy stories by Ursula K. Le Guin. This underrated film is still exciting and a real visual treat. The movie celebrates its 20th anniversary this year. Rated PG-13

English Dub
Saturday, August 8 at 3:00 PM
Japanese With English Subtitles 
Monday, August 10 at 7:00 PM


 



Only Yesterday (1991)

One of the studio's most heartfelt and poignant films. Directed and written by Isao Takahata. In this film a 27-year-old woman travels the countryside while reminiscing about her childhood in Tokyo. This movie takes a nuanced and deeply moving look at the power of nostalgia. This is a movie that will stay with you and cause you to look at life in a different way. Rated PG

 English Dub
Sunday, August 9 at 3:00 PM & 7:00 PM
Japanese With English Subtitles
Tuesday, August 11 at 7:00 PM     


Castle in the Sky (1986)

Back in theaters for its 40th anniversary is one of Hayao Miyazaki's first masterpieces. This is one of the best action/adventure films ever made. In this movie, two kids go on an amazing adventure to the floating city of Lupita. Filled with larger-than-life settings and characters, great humor, exciting action scenes and a great use of fantasy, this is a pure treat. Rated PG

English Dub
Saturday, August 22 at 3:00 PM
Sunday, August 23 at 3:00 PM & 7:00 PM
Wednesday, August 26 at 7:00 PM
Japanese With English Subtitles 
Monday, August 24 at 7:00 PM
Tuesday, August 25 at 7:00 PM



Princess Mononoke (1997)

Back in theaters in a wonderful 4K restoration is one of Hayao Miyazaki's most complex films. With complex characters and thought-provoking themes, including man's relationship with nature, this is a powerful cinematic masterpiece that improves with each viewing. A must watch. Rated PG-13

 English Dub
Saturday, September 26 at 3:00 PM
Sunday, September 27 at 3:00 PM & 7:00 PM
Wednesday, September 30 at 7:00 PM
Japanese With English Subtitles
Monday, September 28 at 7:00 PM
Tuesday, September 29 at 7:00 PM



Spirited Away (2001)

One of the best movies of the 21st century and one of the greatest animated feature films ever made, don't miss your chance to see this masterpiece on the big screen. Taking you into a larger-than-life fantasy world, while also being a moving coming of age story, this is a real 21st century classic. Rated PG

English Dub
Saturday, October 17 at 3:00 PM
Sunday, October 18 at 3:00 PM & 7:00 PM
Wednesday, October 21 at 7:00 PM
Japanese With English Subtitles
Monday, October 19 at 7:00 PM
Tuesday, October 20 at 7:00 PM



If you wish to buy tickets, you can buy them here.