Some Cartoons for Saturday Morning #297

 Hello my friends and happy Saturday morning. Once again it is time for some classic cartoons.

Today's cartoon selection starts with a delightful short from the Disney studio, Suzie the Little Blue Coop (1952). This cartoon is a perfect example of what Disney could do better than nearly any other animation studio. It not only humanizes an inanimate object, but it makes us truly emotionally connect with this little blue car. This is a sweet and charming film that never fails to make me smile. This short film would make its TV debut on the Disneyland TV show episode, Adventures in Fantasy (1957), only five years after this film hit theaters.  

We continue with a real classic, Gold Diggers of '49 (1935). This short film was directed by the one and only Tex Avery. It was the first film, he directed for Warner Brothers and much of his famous style is already here. This cartoon does not feel like the Looney Tunes and Merrie Melodies shorts that came before it. Instead, this cartoon has a faster pace and wackier sense of humor. While there is no doubt that Tex would have timed some of these gags even faster later in his career, you can clearly see the inklings of what would become his signature style. This is also the first black and white Looney Tune to feature Porky Pig (though the character had appeared in a color Merrie Melody beforehand). This is important as Porky would soon become the main star of the black and white Looney Tunes series. Yet in this film he is a supporting character. The real star is Beans the Cat. Both of these characters had made their debut in the color Merrie Melodies short; I Haven't Got a Hat (1935). Beans would remain the star of the Looney Tunes series for short while until Porky took over the series. 

Next comes Gandy Goose in The Frog and the Princess (1944). This short film follows a typical Gandy Goose pattern with its story. Gandy falls asleep and dreams of some elaborate fantasy world. 

Now for another Terry Toons cartoon, Fanny's Wedding Day (1933). This cartoon features a human villain named Oil Can Harry, years before Mighty Mouse fought a feline villain with the same name. Many cartoon fans believe these to be the same character. This human Oil Can Harry did not only appear in this character but in a series of melodrama spoofs. 

Now it is time for a commercial break.

Now for the silent cartoon short, Koko the Knight (1927). 

The Pink Panther began his animated career appearing in the opening credits of Blake Edwards' great live action feature, The Pink Panther (1964). Blake Edwards contacted animation producers Friz Freleng and David DePatie to create an animated Pink Panther for this title sequence. They created many different panthers, but when Blake saw the various drawings, he immediately knew which one he wanted in his film. The title sequence was a smash hit, and the character was spun off into a series of theatrical cartoon shorts (at a time when those were on their way out). Today we will look at the first and possibly best of these cartoons, The Pink Phink (1964). This cartoon set a template for many more shorts to come. The basic storyline involves a formula that would be often used. The Pink Panther wants to turn everything pink much to the annoyance of a little man (who may look a little like Friz). The gags come fast and furious and the design work is lovely. All in all, this cartoon was a delight and the best way to start this series possible.

Now for the Terry Toons cartoon, Jesse and James (1931). 

Now to close with a song. 

Thanks for joining me. Come back next week for more animated treasures. Until then may all your tunes be looney and your melodies merry. 

Resources Used

Pink Panther: The Ultimate Guide to the Coolest Cat in Town! by Jerry Beck

Of Mice and Magic: A History of the American Animated Cartoon by Leonard Maltin.

  

Movie Review: Shaun the Sheep: The Beast of Mossy Bottom

 

Michael's Movie Grade: A-

A delightful new Shaun the Sheep movie. 

 In this third Shaun feature film, Shaun is disappointed when the pumpkins he has been growing for him and the other sheep to crave are accidentally destroyed before Halloween. He takes to creating science experiments to make a new batch of pumpkins grow extra quickly. At the same time the farmer wants to ask the pretty vet out to the Halloween Hoedown but is nervous because of his receding hairline. Unfortunately for both Shaun and the farmer, these two stories collide. 

While it may not have the moving emotional moments of the first Shaun movie (the scene with all the sheep singing Feels Like Summer to little Timmy is both funny and touching), this movie makes up for it by simply being a lot of fun. The storyline is at once simple and delightfully clever. There is so much creativity going on here that it is hard not to appreciate it. Not only is the story very clever but the gags are quite clever as well. I saw this in a theater with no kids and most of the audience was laughing at quite a few of the jokes. This whole film is full of the gentle but clever slapstick that fans from this franchise already love. Every gag involving little Timmy put a smile on my face immediately. However, even funnier are the pop culture references. The references to Thriller and Psycho specially made me laugh out loud. Though this movie may not tug at your heart strings like the first film, you still care about the characters. This makes you still have an emotional connection to what is a very silly story. There is one scene where I felt very sorry for Shaun and wanted to give him a big hug. 

For those of you unfamiliar with the franchise, there is no spoken dialogue here, though all the characters do make sounds when they "speak." Because of the lack of dialogue music is of course very important. This is the first time Natalie Holt has done the music for Shaun, and she is a perfect fit. She knows just when to be playful with the music and when to play it straight. And when she does get playful, she never overdoes it. The music also helps add a fun Halloween-y atmosphere to this film, while still fitting the lighthearted tone. 

A shear delight. 

Movie Review: Practical Magic 2

 

Michael's Movie Grade: C

An okay belated sequel. 

For those of you unfamiliar with the first movie, a family of witches has a curse where when any female members fall in love, the person they fall for dies a premature death. In this sequel Sally tries to hide that they are witches and have a curse from her daughters. When one of her daughters gets a boyfriend though it looks like things might be too late. 

This movie works best when it focuses on the Owens sisters from the first film. These two are still a delight to spend time with. The bickering and interplay between them are easily the highlight of the movie. Whether funny or sweet it is great to simply watch these two characters share the screen. The wonderful chemistry between Sandra Bullock and Nicole Kidman only adds to the enjoyment here. Other returning characters are also fun to see again and get their time to shine. 

However, this film falls into the same trap that so many sequels to movies multiple decades earlier do. That is that the new characters are simply boring. We do not care about the daughters or the boyfriend or even Sally's new love interest. These new characters are devoid of any personality whatsoever. This proves to be a major flaw because the emotional center is focused on these new characters. The emotional center is in fact focused on one of the daughters and her boyfriend. Not only are these two characters completely bland but they hardly get enough screentime together for us to have any investment in their relationship. 

Though the movie can be fun, since the emotional center focuses on such underdeveloped characters we don't actually care about what happens. 

Cowboy Church #286

 Hello my friends and welcome back for another service of Cowboy Church. 

Today's musical selection begins with Roy Rogers and Dale Evans singing, It is No Secret. This song was written by cowboy singer and actor Stuart Hamblen. Before turning to God, this man's life could hardly be considered Godly. He often drank and fought, and this often landed him in jail. When in 1949 Hamblin went to a Billy Graham crusade, he turned his life over to God. The drinking and fighting were put behind him and his whole life changing. One day he was talking about this change to his good friend John Wayne (yes that John Wayne) and that it was no secret what God had done for him. John Wayne said, that he should write a song with those lyrics.  Stuart Hamblen had also had a brief movie career and appeared in the Roy Rogers movie, The Arizona Kid (1939).

This is followed by Jim and Jesse's 1960 recording of Destination in Heaven.  

Afterwards is The Chuck Wagon Gang with their 1948 recording of Echoes from the Burning Bush. The Chuck Wagon Gang which in their original incarnation consisted of D.P. Carter, his Son, Jim (Ernest) Carter and his daughters, Rose (Lola) Carter Karnes and Anna (Effie) Carter Gordon Davis. The group recorded mostly old gospel songs. Incredibly the group is still around today (though with completely new members). Because of another country music family with the same last name, they have been referred to as "the other Carter Family."   

Then comes Johnny Cash and Merle Haggard with Sing Me Back Home on a 1969 episode of TV's The Johnny Cash Show. This song was written by Merle and was based off a true story that happened while he was in San Quentin State Prison for attempted robbery. It was the title track of his 1968 album. 

Next is Ralph Stanley with Children Go Where I Send Thee. This comes from his 1975 gospel album, Let Me Rest On A Peaceful Mountain.

Next is The Sons of the Pioneers with their 1937 recording of The Touch of God's Hand. This song was written by one of the group's founding members (and one of my favorite songwriters), Bob Nolan. Bob also provides lead vocals on this song. This is also one of the earliest Sons of the Pioneers recordings with bass player Pat Brady, who replaced Roy Rogers, when Roy followed a movie career. Brady would later play Roy's sidekick on TV. 

Today's musical selection ends with Porter Wagoner with a live recording of I Thought of God. This comes from his 1964 live album, In Person. 

Now for a message from the Reverand Martin Luther King Jr. 

Now for the 27th episode of TV's The Lone Ranger. 

Psalm 72

Of Solomon.

1 Endow the king with your justice, O God,

    the royal son with your righteousness.

2 May he judge your people in righteousness,

    your afflicted ones with justice.

3 May the mountains bring prosperity to the people,

    the hills the fruit of righteousness.

4 May he defend the afflicted among the people

    and save the children of the needy;

    may he crush the oppressor.

5 May he endure as long as the sun,

    as long as the moon, through all generations.

6 May he be like rain falling on a mown field,

    like showers watering the earth.

7 In his days may the righteous flourish

    and prosperity abound till the moon is no more.

8 May he rule from sea to sea

    and from the River to the ends of the earth.

9 May the desert tribes bow before him

    and his enemies lick the dust.

10 May the kings of Tarshish and of distant shores

    bring tribute to him.

May the kings of Sheba and Seba

    present him gifts.

11 May all kings bow down to him

    and all nations serve him.

12 For he will deliver the needy who cry out,

    the afflicted who have no one to help.

13 He will take pity on the weak and the needy

    and save the needy from death.

14 He will rescue them from oppression and violence,

    for precious is their blood in his sight.

15 Long may he live!

    May gold from Sheba be given him.

May people ever pray for him

    and bless him all day long.

16 May grain abound throughout the land;

    on the tops of the hills may it sway.

May the crops flourish like Lebanon

    and thrive like the grass of the field.

17 May his name endure forever;

    may it continue as long as the sun.

Then all nations will be blessed through him,

    and they will call him blessed.

18 Praise be to the Lord God, the God of Israel,

    who alone does marvelous deeds.

19 Praise be to his glorious name forever;

    may the whole earth be filled with his glory.

Amen and Amen.

20 This concludes the prayers of David son of Jesse.

Thanks for joining me. Come back next week for another service of Cowboy Church. Happy trails to you until we meet again. 

Video Link: How Disney's Reign of Dragons Started with This Oddball - West of Neverland

 

Video Link: The Legend Who Quietly Built Disney’s Golden Age - West of Neverland

 

Some Cartoons For Saturday Morning #296

 Hello my friends and happy Saturday morning. Once again it is time for some classic cartoons. 

Today's cartoon selection begins with a classic Frank Tashlin Porky Pig cartoon, Porky's Railroad (1937). This is one of the many cartoons of this time that used the formula of Porky being placed in a different job. In fact, earlier the same year Tashlin had directed a very similar Porky Pig cartoon, called Porky's Building (1937). That film like this one featured Porky up against a rival for his job. This cartoon opens up using of Tashlin's favorite types of gags that of words appearing on the screen to introduce the action. Often times he would do this in the form of a "disclaimer", but here he simply introduces the two trains. Also notice the ship that Porky picks up is the SS Leon named after the cartoon's producer Leon Schlesinger.

Now for a lesser-known cartoon from the Fleischer Studio, Zero the Hound (1941). This is part of the studio's Animated Antics series. This series lasted from 1940 to 1941 and included 11 cartoons. Some of these cartoons starred miscellaneous characters while others featured characters from the studio's feature film, Gulliver's Travels (1939).  

Next, we go out west with our friend Gandy Goose with Wide Open Spaces (1950). This was nearing the end of the Gandy series. He would only have three more theatrical cartoons after this.

Now for a true Mickey Mouse classic, Thru the Mirror (1936). Well before the Disney Studios feature length adaption of Alice in Wonderland (1951), this short film adapts Lewis Carrol's Alice Through the Looking Glass. It is a very loose adaption, but it captures the spirit better than most feature length versions of Carrol's Alice books do. I have always loved Disney cartoons that or not afraid to be silly. This is one of the perfect examples of that. One of the highlights is a sequence with Mickey do a Fred Astaire type dance which was animated by Dick Lundy, who specialized in dancing animation. Dick Lundy would later direct some great cartoons for Walter Lantz and MGM. Elements of this short would play a major role in the video game Epic Mickey.

Now it is time for a commercial break. 

Next is Oswald the Lucky Rabbit in The Toy Shoppe (1934). Like many Oswald films of this era, the rabbit becomes a supporting character in his own cartoon. 

Next is the Terry Toons cartoon, Sage Struck (1951). This is the first of only two cartoons to star the forgotten character Half Pint. 

Up next comes an early example of Disney's Silly Symphonies cartoons with The Bird Store (1932). This short film is similar to many of the Silly Symphonies of the time period. The movie starts out with simply a bunch of cute little gags involving a bird store and then a villain enters and many of the characters team up to stop this villain. The cartoon is directed by Wilfred Jackson, who would later co-direct such Disney features as Cinderella (1950), Alice in Wonderland (1951), Peter Pan (1953) and Lady and the Tramp (1955). The movie also features an all-star cast of Disney animators. David Hand, who would later be the supervising director for such Disney features as Snow White and the Seven Dwarfs (1937) and Bambi (1942), animates the opening scene. Future Donald Duck director, Jack King animated the lovebirds, the canaries being excited and the baby being returned to its parents. Frenchy de Tremaudan, who worked as an uncredited animator on many of Disney best short films, animates the bird sharpening its beak and the parrot with the cash register. Johnny Cannon animated the jalopy birds and the canaries pecking at the cat. Clyde Geronimi, who would be a co-director on Cinderella (1950), Alice in Wonderland (1951), Peter Pan (1953) and Lady and the Tramp (1955) and the supervising director for Sleeping Beauty (1959), animates the horn birds and the cat in the cage. Norm Ferguson, whose animation would later help define the character of Pluto, animates the parrot with both the mirror and the typewriter. Future Woody Woodpecker and Barney Bear director Dick Lundy animates the whooping birds and the cat stalking the canaries. Future Hanna-Barbera director, Rudy Zamora animates the Marx Birds. Future Looney Tunes and Van Beuren director, Tom Palmer animates the baby canary taking on a singing lesson. Albert Hunter animates the birds watching with excitement. Master Mickey Mouse animator, Les Clark animates the baby canary running from the cat and the scene with the dogs. Ben Sharpsteen, who would later be the supervising director for such Disney features as Pinocchio (1940), Fantasia (1940) and Dumbo (1941), heads a whole crew of animators including Chuck Couch, Marvin Woodward, Hardie Gramatky, Harry Reeves and Dick Williams. 

Let us close with a song. 

Thanks for joining me. Come back next week for more animated treasures. Until then may all your tunes be looney and your melodies merry. 

Resources Used

Walt Disney's Silly Symphonies: A Companion to the Classic Cartoon Series by Russell Merritt and J.B. Kaufman 

Of Mice and Magic: A History of the American Animated Cartoon by Leonard Maltin.

Walt Disney's Mickey Mouse: The Ultimate History by J.B. Kaufman and David Gerstein