Sunday, June 14, 2026

Cowboy Church #271

 Hello my friends and welcome back for another service of Cowboy Church.

Today's musical selection begins with Roy Rogers and Dale Evans with The Bible Tells Me So. Roy and Dale were strong Christians in their later years and their entertainment careers became simultaneous with their faith as they took every chance they could to spread the word of God. They also greatly supported others who shared the faith. One of those they supported was the Reverend Billy Graham and when the King of the Cowboys and the Queen of the West toured Great Britian they would tell their audiences to see Billy in London. They were warned not to try that when they went to Dublin, but Dale responded that Billy was the reason they came across the seas in the first place. Dale also let any naysayers know that when they had performed How Great Thou Art in Ireland, they got a standing ovation. This lead them to meeting the chaplain for the Abbey Players, a troupe of actors in Ireland. He asked them what kind of man Billy was and Dale responded, "he is the most utterly dedicated, committed Christian I have ever met in my life." The chaplain responded, "You tell Mr. Graham that I said God bless him." Dale would later write, "I will never forget the sincerity in that man's voice when he said those words." 

This is followed by Jim and Jessie with That Number That No Man Can Number. 

Afterwards is Ricky Skaggs with Seven Hillsides. This comes from his 1999 gospel album, Solider of the Cross.

This is followed by Johnny Cash singing No Earthly Good. In the notes for the Unearthed box set, John wrote, "That's a song I wrote for phony pious Christians 'You're so heavenly minded you're no earthly good.' People who are always talking about Heaven and how close we are to being there give Christianity a bad name. And it should have a good name because it's a wonderful thing. Wonderful and I don't like it, it makes me very angry, when charlatans abuse and misuse the Gospel of Jesus Christ, It's outrageous and totally uncalled for." 

Then comes Blind Willie Johnson with his 1927 recording of I Know His Blood Can Make Me Whole.

Next is Charlie Rich with Amazing Grace. This hymn was written by John Newton in 1772. It is no coincidence that John Newton wrote this hymn, as he was someone who badly needed God's grace. Looking at his life before he gave it to God, there is not much to find that is admirable and in fact some of what we see is downright horrific. He played a part in one of the darkest (if not the darkest) parts of American history. He was a slave trader. To say that slavery in the United States (and in any country at any time) was a tragedy and a horrible part of our history is an incredible understatement, and this man was a part of that horrific system. Later he even admitted that he treated the human beings that he was bringing over harshly. If there is anyone, we in our humanness would think is beyond God to reach it would be this guy. Yet God did reach him and being God completely changed him. He not only abandoned his job, but he gave his life to God's ministry and helped fight slavery every step of the way. If God could do this with him who is to say that any of us or anyone we know could possibly be out of God's power to reach. This recording comes from Charlie's 1976 gospel album, Silver Linings

Afterwards is Gene Autry with The Bible on the Table and the Flag Upon the Wall. This version of the song comes from an episode of Gene Autry's Melody Ranch radio show that aired March 5, 1949. After Walter Winchell showed his support for Gene's radio show, Gene wrote a note of thanks to Winchell. "I want you to know I appreciate everything you give me. Of course, the radio show, I'm doing is not a sophisticated program and probably a lot of the kids in the city won't enjoy it, but the thing I am trying to do more than anything else is to keep the program down to earth, and especially so the kids will like it. I want to concentrate on trying to point out the value of Americanism and what America should mean to everyone these days when there is so much communism and other isms going so strong in this country. I feel we cannot go to strong on preaching this to the people and I think the best way to do this is playing particularly to the kids and teaching them Americanism while they are young."

Today's musical selection ends with the Sons of the Pioneers with their 1948 recording of Lead Me Gently Home Father











Now for the 15th episode of The Lone Ranger TV show. 


Now for a message from the Reverand Billy Graham. 


Psalm 78
A maskil of Asaph.
1 My people, hear my teaching;
    listen to the words of my mouth.
2 I will open my mouth with a parable;
    I will utter hidden things, things from of old—
3 things we have heard and known,
    things our ancestors have told us.
4 We will not hide them from their descendants;
    we will tell the next generation
the praiseworthy deeds of the Lord,
    his power, and the wonders he has done.
5 He decreed statutes for Jacob
    and established the law in Israel,
which he commanded our ancestors
    to teach their children,
6 so the next generation would know them,
    even the children yet to be born,
    and they in turn would tell their children.
7 Then they would put their trust in God
    and would not forget his deeds
    but would keep his commands.
8 They would not be like their ancestors—
    a stubborn and rebellious generation,
whose hearts were not loyal to God,
    whose spirits were not faithful to him.

9 The men of Ephraim, though armed with bows,
    turned back on the day of battle;
10 they did not keep God’s covenant
    and refused to live by his law.
11 They forgot what he had done,
    the wonders he had shown them.
12 He did miracles in the sight of their ancestors
    in the land of Egypt, in the region of Zoan.
13 He divided the sea and led them through;
    he made the water stand up like a wall.
14 He guided them with the cloud by day
    and with light from the fire all night.
15 He split the rocks in the wilderness
    and gave them water as abundant as the seas;
16 he brought streams out of a rocky crag
    and made water flow down like rivers.

17 But they continued to sin against him,
    rebelling in the wilderness against the Most High.
18 They willfully put God to the test
    by demanding the food they craved.
19 They spoke against God;
    they said, “Can God really
    spread a table in the wilderness?
20 True, he struck the rock,
    and water gushed out,
    streams flowed abundantly,
but can he also give us bread?
    Can he supply meat for his people?”
21 When the Lord heard them, he was furious;
    his fire broke out against Jacob,
    and his wrath rose against Israel,
22 for they did not believe in God
    or trust in his deliverance.
23 Yet he gave a command to the skies above
    and opened the doors of the heavens;
24 he rained down manna for the people to eat,
    he gave them the grain of heaven.
25 Human beings ate the bread of angels;
    he sent them all the food they could eat.
26 He let loose the east wind from the heavens
    and by his power made the south wind blow.
27 He rained meat down on them like dust,
    birds like sand on the seashore.
28 He made them come down inside their camp,
    all around their tents.
29 They ate till they were gorged—
    he had given them what they craved.
30 But before they turned from what they craved,
    even while the food was still in their mouths,
31 God’s anger rose against them;
    he put to death the sturdiest among them,
    cutting down the young men of Israel.

32 In spite of all this, they kept on sinning;
    in spite of his wonders, they did not believe.
33 So he ended their days in futility
    and their years in terror.
34 Whenever God slew them, they would seek him;
    they eagerly turned to him again.
35 They remembered that God was their Rock,
    that God Most High was their Redeemer.
36 But then they would flatter him with their mouths,
    lying to him with their tongues;
37 their hearts were not loyal to him,
    they were not faithful to his covenant.
38 Yet he was merciful;
    he forgave their iniquities
    and did not destroy them.
Time after time he restrained his anger
    and did not stir up his full wrath.
39 He remembered that they were but flesh,
    a passing breeze that does not return.

40 How often they rebelled against him in the wilderness
    and grieved him in the wasteland!
41 Again and again they put God to the test;
    they vexed the Holy One of Israel.
42 They did not remember his power—
    the day he redeemed them from the oppressor,
43 the day he displayed his signs in Egypt,
    his wonders in the region of Zoan.
44 He turned their river into blood;
    they could not drink from their streams.
45 He sent swarms of flies that devoured them,
    and frogs that devastated them.
46 He gave their crops to the grasshopper,
    their produce to the locust.
47 He destroyed their vines with hail
    and their sycamore-figs with sleet.
48 He gave over their cattle to the hail,
    their livestock to bolts of lightning.
49 He unleashed against them his hot anger,
    his wrath, indignation and hostility—
    a band of destroying angels.
50 He prepared a path for his anger;
    he did not spare them from death
    but gave them over to the plague.
51 He struck down all the firstborn of Egypt,
    the firstfruits of manhood in the tents of Ham.
52 But he brought his people out like a flock;
    he led them like sheep through the wilderness.
53 He guided them safely, so they were unafraid;
    but the sea engulfed their enemies.
54 And so he brought them to the border of his holy land,
    to the hill country his right hand had taken.
55 He drove out nations before them
    and allotted their lands to them as an inheritance;
    he settled the tribes of Israel in their homes.

56 But they put God to the test
    and rebelled against the Most High;
    they did not keep his statutes.
57 Like their ancestors they were disloyal and faithless,
    as unreliable as a faulty bow.
58 They angered him with their high places;
    they aroused his jealousy with their idols.
59 When God heard them, he was furious;
    he rejected Israel completely.
60 He abandoned the tabernacle of Shiloh,
    the tent he had set up among humans.
61 He sent the ark of his might into captivity,
    his splendor into the hands of the enemy.
62 He gave his people over to the sword;
    he was furious with his inheritance.
63 Fire consumed their young men,
    and their young women had no wedding songs;
64 their priests were put to the sword,
    and their widows could not weep.

65 Then the Lord awoke as from sleep,
    as a warrior wakes from the stupor of wine.
66 He beat back his enemies;
    he put them to everlasting shame.
67 Then he rejected the tents of Joseph,
    he did not choose the tribe of Ephraim;
68 but he chose the tribe of Judah,
    Mount Zion, which he loved.
69 He built his sanctuary like the heights,
    like the earth that he established forever.
70 He chose David his servant
    and took him from the sheep pens;
71 from tending the sheep he brought him
    to be the shepherd of his people Jacob,
    of Israel his inheritance.
72 And David shepherded them with integrity of heart;
    with skillful hands he led them.



Thanks for joining me come back next week for another service of Cowboy Church. Happy trails to you. 


Resources Used

Public Cowboy no. 1: The Life and Times of Gene Autry by Holly George-Warren

Happy Trails: Our Life Story by Roy Rogers and Dale Evans

Johnny Cash: Unearthed box set liner notes. 























Saturday, June 13, 2026

Video Link: The Big Store - Piano Scene - The Marx Brothers

 


Some Cartoons for Saturday Morning #284

 Hello my friends and happy Saturday morning. Once again, it is time for more classic cartoons. 

Today's cartoon selection begins with the Terry Toons short, Paint Pot Symphony (1949). The three main characters here previously appeared in the Terry Toons cartoon, A Truckload of Trouble (1949)



Now for the Scrappy cartoon, Scrappy's Toy Shop (1934). About working at the Mintz Studio (which made this film) animator Dick Huemer stated, "There was no such thing as a director per se at the Mintz studio ... not like at the Disney studio, that is. When I came to the Disney foundry, I found a whole new setup prevailing. There, a director was a director - and nothing else. He (and I, when I later became one) had an assistant director even. And two layout men. And a private secretary. What luxury! And, oh yes, a director never touched pencil to animation paper. The stories were concocted by the story department, which never did anything else but that. How different at Mintz's. Me and [Sid] Marcus and [Art] Davis were all of the above - plus being the head animators. Each of us was our own director, once the storyline had been roughly agreed upon. Gags were added as we animated. Only thing we didn't do was paint the backgrounds. It never occurred to any of us to claim the title of Herr Director - at least not in my time there. The same went for Manny Gould and Ben Harrison on Krazy Kat." These short films are much less polished than what was being made at the Disney studio but the feeling of making it up as the filmmakers went along only added to the charm.  


Next is Herman and Katnip in Mice Capades (1952). This was the first cartoon of Herman and Katnip's own cartoon series. However, the two had appeared in the Noveltoons series before this. 


Next comes  one of the most atmospheric Mickey Mouse cartoons, The Mad Doctor (1933). Differing from earlier Mickey cartoons, this film is not a pure comedy. Rather this cartoon mixes in elements of horror and suspense. The horror elements were too present for some. Because it was deemed too scary, it was actually banned from some theatres and completely banned in the UK. Much of this sense of atmosphere comes from the wonderful background art by Mique Nelson. Nelson was a brilliant background artist, who worked on many of the best Silly Symphonies as well as such Disney features as Snow White and the Seven Dwarfs (1937) and Pinocchio (1940). The director of this cartoon was Dave Hand. Dave Hand directed such classic Disney cartoons as Building a Building (1933), The Flying Mouse (1934), Who Killed Cock Robin (1935), Pluto's Judgement Day (1935), Mickey's Polo Team (1936), Thru the Mirror (1936), The Country Cousin (1936) and Magician Mickey (1937). He also served as the supervising director on two of the Disney studios most popular animated features, Snow White and the Seven Dwarfs and Bambi (1942). A working title for this film was The Mysterious Castle. This cartoon reached movie theaters on January 20, 1933. At the same time this film was in theaters, Mickey Mouse was having another adventure in a spooky castle. The Mickey Mouse daily newspaper comic strip was currently running a storyline entitled Blaggard Castle. Blaggard Castle is often considered by Disney fans to be one of the best storylines of the comic strip. This cartoon's spooky themed storyline revolves around a recent popularity of horror films. A couple years earlier Universal released Dracula (1931) and Frankenstein (1931). This caused a while slew of horror movies to hit theaters including Paramount's Dr. Jekyll and Mr. Hyde (1931), Warner Brothers' Doctor X (1932), MGM's Freaks (1932) and many more as well as all the Universal monster films to follow. As such this Mickey Mouse cartoon was simply inspired by a trend of the time.  Shockingly this cartoon's copyright was never renewed and actually fell into the public domain. This film along with The Sprit of '43 (1943) and Minnie's Yoo Hoo (1930) is one of the very few Disney shorts (not including the Alice Comedies) to fall into public domain. Video game fans will be familiar with elements of this cartoon. The second level of the game Mickey Mania: The Timeless Adventures of Mickey Mouse was based off this cartoon, and the Mad Doctor himself became a major character in both Epic Mickey games. The following is a review from Motion Picture Review (which was published by The Women's University Club of Los Angles), "Mickey is not to be outdone by the present rage for horror films - and goes to the rescue of his dog in the clutches of a 'mad doctor' in heroic and sensational fashion. It is perhaps too nightmarish for children; the fad for thrills goes to great lengths even in cartoons." 


Now it is time for a commercial break. 





 Next we join Sylvester and Tweety in Tweet Zoo (1957). Director Friz Freleng once said about Tweety, "I made him look more like a charming baby, with a bigger head and big blue eyes. He's a canary because we say he's a canary … He doesn't look like a canary. We didn't have time to develop characters. When you see Yosemite Sam, you know he's a villain, when you see Tweety, the audience is sympathetic." 


Now for the Walter Lantz produced cartoon, Nellie, The Indian Chief's Daughter (1938). This is part of a brief running series of Nellie cartoons made by the Lantz studio. 


Now for the Terry Toons short, The Kitten Sitter (1947).


Let us close with a song. 


Thank you for joining me. Come back next week for more animated treasures. Until then may all your tunes be looney and your melodies merry. 

Resources Used

Walt Disney's Mickey Mouse: The Ultimate History by J.B. Kaufman and David Gerstein. 

I Tawt I Taw a Puddy Tat: Fifty Years of Sylvester and Tweety by Jerry Beck.

Of Mice and Magic: A History of American Animated Cartoons by Leonard Maltin





















 






Thursday, June 11, 2026

Movie Review: Disclosure Day

 


Michael's Movie Grade: A-

Steven Speilberg fully in his element. ''

Spielberg returns to one of his most successful themes here, that of humans meeting extra-terrestrials. It may be hard to think of how in today's day and age, anyone (even Spielberg) could create something new or original out of such a premise but Spielberg and screenwriter David Koepp (writer on the Spielberg films, Jurassic Park (1993), The Lost World: Jurassic Park (1997), War of the Worlds (2005) and Indiana Jones and the Kingdom of the Crystal Skull (2008)) do just that. Instead of focusing on the aliens themselves, this film is more concerned with the humans. In fact, we only see the aliens briefly here and mostly in "archival footage," rather than the present day. What this movie really looks into is how people would react if conclusive proof that aliens were rea suddenly came to light. With so many conspiracy theories of the government hiding information about aliens from us, this is a fascinating concept to truly explore. It raises truly great and thought-provoking questions as to how such information would affect our entire understanding of the world. I especially loved how this movie looked at whether or not people's belief in God would be challenged by such a discovery. Taking a look at human nature, this film avoids the pure pessimism that would overtake the movie in the hands of many filmmakers. Rather this is a movie that is willing to see both the good and bad in people. The movie also explores the idea of whether the truth should be told regardless of possible consequences, a question that has no easy answer.

Being directed by Spielberg this movie also of course features top-notch filmmaking throughout. The action scenes are truly wonderful here, full of the great excitement and fun that only the director of the Indiana Jones movies could bring us. The larger-than-life scenes of fantasy storytelling are also incredible here. They capture some of the same sense of joy, wonder and awe that we had when we first watched E.T. Even with some obvious and unconvincing CGI, these scenes feel like a return to the Spielberg that helped so many of us fall in love with movies. Of course, John Williams' (who has worked on most of the great director's masterpieces) musical score helps bring this sense of magic as well. 

The characters may not always be incredibly complex, but they do their jobs quite well. The main characters are not only likable, but they are also relatable to the point where we find ourselves very this sci-fi fantasy through their eyes, making it all the more real. Great performances by Emily Blunt and Josh O'Connor help a great deal in this department.  

A must see for fans of classic Spielberg.      

Movie Trailer: Gatto

 


Movie Trailer: Heart of the Beast

 


Movie Trailer: Moana