Wednesday, June 3, 2026

Movie Review: Tuner

 


Michael's Movie Grade: A+

Documentary filmmaker Daniel Roher's first fictional film is a wonderful thriller. 

In this movie, a piano tuner (Leo Woodall) with a hearing condition that makes him hear noises extra loud, discovers that this condition gives him a gift for opening safes. When a group of safe robbers discover his ability, they offer him a chance to make more money opening safes for them. At first, he isn't interested. However, when he needs the money to help his hospitalized friend (Dustin Hoffman), he feels he has no choice but to help them. 

This is a masterfully made thriller. The story starts off as a slice of life tale about piano tuners. Yet even these early scenes are very engaging due to strong characterizations, smart dialogue and some funny humor. The story slowly becomes more dramatic and tense. This build up makes it so that each suspense scene builds upon the last and becomes incredibly tense towards the end. It also makes it so that when each suspense scene comes, we are fully engrossed in the story making the tension all the more effective. 

One element that very much surprised me here was how strong the romance was. Often times the romantic scenes feel shoehorned into a movie like this. Luckily that is not the case here. The romance is actually kind of sweet and leads to some of the film's most emotionally effective scenes. 

This is not only a well-written film, but the technical filmmaking is also fantastic. For a movie that revolves around sound, the filmmakers know exactly how to use this for their advantage. There are many times that we are allowed to hear things the same way our main character does with certain sounds muffled or amplified at the right times. This puts us in the main character's shoes and has us experiencing everything with him. This use of sound is also perfectly to help create the suspense. One scene involves our main character opening a safe in a very noisy environment. Without this use of amplified and muffled sounds, this very tense scene would lose what makes it so effective. The movie also has one of the greatest uses of crosscutting I have seen in a current movie in quite a while. One scene cuts back and forth between a character playing piano and a tense situation for our main character. The timing of when these cuts as well as the emotional connection between what is happening in both places makes this a perfect example of suspense filmmaking. It also helps that the piano music we are hearing perfectly matches the emotions we should be feeling as an audience. 

While I won't give away the ending here, I will say it is perfect. It may not wrap up everything neatly, but it ends the film on its most emotionally powerful moment. This leaves you feeling the full weight of the movie's impact right when the end credits start to roll. Afterall the main goal of any work of cinema (from popcorn movies to arthouse cinema) is emotion and this is the main takeaway anyone should have from a movie.

A must watch.  
 
 

Movie Review: Masters of the Universe

 


Michael's Movie Grade: B

A really fun popcorn movie. 

This film knows exactly what it wants to be it doesn't pretend to be anything more than just a fun trip to the movies. With this the film provides exactly what audiences want to see. It is simply a lot of fun. The filmmakers know just how seriously to take the story. They know that He-Man lore can be quite goofy and have no problem joking about this (the origin of some of the characters' names is a brilliant piece of meta-humor), yet they never make the story so much of a joke that it has no emotional attachment. Much of the emotional connection comes from our main character Prince Adam. As a fish out of water in both the fantasy world of Eternia and on our world of Earth, we completely root for him. He is a perfect example of the type of movie underdog that audiences can't help but root for. When he succeeds, we want to cheer for him. When he fails, we want to see him stand back up again. With the audience already on its side, the action scenes are remarkably fun. They have a larger than life feel and are visual treats. The use of rock music on the soundtrack works perfectly here. I especially love the use of Queen's Princes of the Universe during the climatic action sequence (Queen's Brain May provides some guitar riffs for the score). The movie also works because of how great its worldbuilding is. From the prologue alone, you get a great feel for how this world works before the story even gets fully underway. Even if you have never seen anything He-Man related before, as you watch this movie you will find yourself completely immersed in this fantasy world. 

The humor can be a bit hit and miss here. Some of the jokes are laugh out loud funny, while others fall completely flat.  

This movie does suffer from some poor pacing with some sequences lasting longer than need be, while others feel rushed. The film also suffers from a fault of many movies based off a TV series. That is that there are too many characters and some feel like they are squeezed in without really adding much of anything. 

This will be a pure delight for He-Man fans and still fun for those who never have seen He-Man before. 




Tuesday, June 2, 2026

Studio Ghibli Fest 2026

 


Along with classic Disney and the old Warner Brothers cartoon studio, Studio Ghibli is one of my all-time favorite animation studios. And how can it not be? Their movies are possibly the best feature length animated films ever made. Not only this but they hold their own with any great live action movie for any era. These are true cinematic masterpieces and because of this it is always an event, when I can see a Studio Ghibli film on the big screen. Well, if you are like me, I have wonderful news for you. Studio Ghibli Fest is back once again. For those of you who are unaware, this is a series of classic Ghibli films that come back to the big screen (in most of your big movie theater chains) for a few months every year.

Here is a list of what is playing this year. 



Ponyo (2008)

 Legendary filmmaker Hayao Miyazaki based this delightful children's fairytale on Hans Christian Anderson's The Little Mermaid. There is charm from start to finish in this extremely creative film. The story follows a little fish girl named Ponyo, who becomes a human when she meets a little human boy named Sosuke. Unfortunately, unbeknownst to her, her magic causes chaos when she comes to land. A pure delight for the whole family. Rated G

English Dub
Saturday, June 13 at 3:00 PM
Sunday, June 14 at 3:00 PM & 7:00 PM
Wednesday, June 17 at 7:00 PM
Japanese With English Subtitles
Monday, June 15 at 7:00 PM
Tuesday, June 16 at 7:00 PM



My Neighbor Totoro (1988) 

From legendary filmmaker Hayao Miyazaki comes one of the greatest family films of all time. In this classic two young sisters move to the country to be closer to their sick mother. In the countryside, the girls meet a magical creature that they call Totoro. This film masterfully blends whimsical fantasy with slice of life storytelling. Few films capture the feeling of childhood quite like this movie. Rated G

 English Dub
Saturday, July 11 at 3:00 PM
Sunday, July 12 at 3:00 PM & 7:00 PM
Wednesday, July 15 at 7:00 PM
Japanese With English Subtitles
Monday, July 13 at 7:00 PM
Tuesday, July 14 at 7:00 PM


Tales From Earthsea (2006)

The directorial debut for Gorō Miyazaki, this fantasy epic adapts the beloved fantasy stories by Ursula K. Le Guin. This underrated film is still exciting and a real visual treat. The movie celebrates its 20th anniversary this year. Rated PG-13

English Dub
Saturday, August 8 at 3:00 PM
Japanese With English Subtitles 
Monday, August 10 at 7:00 PM


 



Only Yesterday (1991)

One of the studio's most heartfelt and poignant films. Directed and written by Isao Takahata. In this film a 27-year-old woman travels the countryside while reminiscing about her childhood in Tokyo. This movie takes a nuanced and deeply moving look at the power of nostalgia. This is a movie that will stay with you and cause you to look at life in a different way. Rated PG

 English Dub
Sunday, August 9 at 3:00 PM & 7:00 PM
Japanese With English Subtitles
Tuesday, August 11 at 7:00 PM     


Castle in the Sky (1986)

Back in theaters for its 40th anniversary is one of Hayao Miyazaki's first masterpieces. This is one of the best action/adventure films ever made. In this movie, two kids go on an amazing adventure to the floating city of Lupita. Filled with larger-than-life settings and characters, great humor, exciting action scenes and a great use of fantasy, this is a pure treat. Rated PG

English Dub
Saturday, August 22 at 3:00 PM
Sunday, August 23 at 3:00 PM & 7:00 PM
Wednesday, August 26 at 7:00 PM
Japanese With English Subtitles 
Monday, August 24 at 7:00 PM
Tuesday, August 25 at 7:00 PM



Princess Mononoke (1997)

Back in theaters in a wonderful 4K restoration is one of Hayao Miyazaki's most complex films. With complex characters and thought-provoking themes, including man's relationship with nature, this is a powerful cinematic masterpiece that improves with each viewing. A must watch. Rated PG-13

 English Dub
Saturday, September 26 at 3:00 PM
Sunday, September 27 at 3:00 PM & 7:00 PM
Wednesday, September 30 at 7:00 PM
Japanese With English Subtitles
Monday, September 28 at 7:00 PM
Tuesday, September 29 at 7:00 PM



Spirited Away (2001)

One of the best movies of the 21st century and one of the greatest animated feature films ever made, don't miss your chance to see this masterpiece on the big screen. Taking you into a larger-than-life fantasy world, while also being a moving coming of age story, this is a real 21st century classic. Rated PG

English Dub
Saturday, October 17 at 3:00 PM
Sunday, October 18 at 3:00 PM & 7:00 PM
Wednesday, October 21 at 7:00 PM
Japanese With English Subtitles
Monday, October 19 at 7:00 PM
Tuesday, October 20 at 7:00 PM



If you wish to buy tickets, you can buy them here.






Monday, June 1, 2026

Movie Review: The Furious

 


Michael's Movie Grade: B+

An excellent action flick.

This film's basic storyline about a man setting out to find and take down the people who kidnapped his young daughter will be quite familiar to pretty much anyone who watches movies. And it is also true that you will know exactly where this movie is going at many times. However as familiar as this movie is in many ways, it still exceptionally well done. 

The action scenes are phenomenal. Perfectly blending martial arts films with a John Wick level of destruction and violence, these scenes are a joy to watch. They feel larger than life at many times and each new action scene seems to build upon and top the last. In the style of the best action movies, the action is not just violent but also quite creative. This creativity and playfulness run throughout and no action scene ever repeats the ones before it. The fight chorography is perfect, and every action scene is perfectly shot as well. Any real action fan will love this movie. 

The characters may not be complex, but they do their jobs very well. We care about the characters we are supposed to care about and hate the characters we are supposed to hate. Because of this we actively root for our heroes and hiss our villains throughout. 

The story while familiar unfolds at a fast pace and is never once boring. 

A treat for action fans. 

Silent Film of the Month: What Women Did for Me (1927)

 


Run Time: 20 minutes. Studio: Hal Roach Studios. Director: James Parrott. Titles: Reed Heustis.  Producer: Hal Roach. Main Cast: Charley Chase, Lupe Velez, Eric Mayne, May Wallace, Gale Henry. Cinematographer: Len Powers. Editor: Richard C. Currier.

Though never achieving the same popularity as Charlie Chaplin, Buster Keaton, Harold Lloyd or Laurel and Hardy, Charley Chase is a fan favorite among many classic comedy lovers. Though his talkies are often delightful comedic treats, I often times find Charley's silent films to be his best work (I am also a fan of the Three Stooges shorts he would direct later). Some of his silent films are true comedy classics that deserve the same masterpiece status as the work of the best silent comedians. I have written about some of my favorite of his silent shorts on this blog before and this month I would like to call attention to another. What Women Did for Me is a classic that deserves to be better known. 

In this short film, a botany professor, who is terrified of women finds himself teaching at an all-girls college. This proves to be too much for him to handle and when he decides to take a little getaway, his female students follow him. 

This is a true comedy classic and one of my favorite Charley Chase shorts. The film moves at a fast pace and offers gag after gag. There is not a single gag that falls flat here and the comedic energy makes it a joy to watch. What also helps is that the gags build upon each other. There is a real structure to each gag that makes each one funnier than the last. This type of structure is one of the hardest things for filmmakers to do when making a comedy. However here it feels so natural and easy. Charley is great in the main role, perfectly getting over the sense of being terrified of women without making the reactions too over the top to be believable. His female co-stars however often steal the show, getting just as many laughs, if not more, than Charley himself. In most comedies these young women would just be pretty faces, while the comedy is left to the male star. Yet each of these young women were very talented comedians in their own right. However, what makes this film a must watch is the ending. True to the format of making each gag funnier than the last, this ending is laugh out loud funny and truly brilliant in how it subverts our expatiations. 

One reason this film will stand out to current movie buffs is that it features one of the earliest film appearances by Lupe Velez. Sadly, for many Velez's life and career have been overshadowed by her tragic death. She was found dead on the toilet after having an overdose with a suicide note nearby. Many believe that she killed herself because she was about to have a child out of wedlock. However, her movie career is well worth remembering. She appeared in such classic films as The Gaucho (1927), Where East Is East (1929), The Squaw Man (1931), Palooka (1934) and Stardust (1937). In the 1940's she starred in the very popular B-movie series of Mexican Spitfire films. These films work almost solely because of her larger-than-life personality and charisma. Comedy lovers may also know her for playing against Laurel and Hardy in a delightful scene in the movie Hollywood Party (1934).

Gale Henry, though forgotten today had quite a comedy career herself. She was the first woman to headline a series of short comedies. She spent much of the 1910's starring in comedies by independent producer Pat Powers and Universal's Joker comedies. In early 1915 she co-starred (with Max Asher) in a series of 11 one-reelers for Pat Powers entitled Lady Baffles and Detective Duck. By the mid-1920's she was mostly working in supporting roles for comedies starring other comedians. These films include the Charley Chase short, Mighty Like a Moose (1926) and the Laurel and Hardy comedy, Love 'em and Weep (1927).

Director James Parrott was the brother of Charley Chase. As well as his directing career he had starred in 75 silent short comedies (as well as supporting Harold Lloyd in some films) for Hal Roach Studios (for which this film was made). In some of these films he was credited as Paul Parrott and some of these shorts have been mistakenly identified as early credits for Charley Chase. However, he had success behind the camera. He began directing in 1924 and would direct 89 films from 1924 to 1935. He is probably best known today for the Laurel and Hardy shorts he directed. Those include some of the duo's best films including Two Tars (1928), Habeas Corpus (1928), Blotto (1930), Pardon Us (1931), Helpmates (1932) and the comedy team's most famous film, The Music Box (1932) (you know the one where they push the piano up the flight of stairs). Outside of Hal Roach Studios, he also worked as an uncredited writer on a true comedy classic, Duck Soup (1933) with the Marx Brothers. Born on August 2, 1897, in Baltimore, Maryland, James passed away at the age of 42 on May 10, 1939. His death was reported as a heart attack. 

Motion Picture News, 1927

 

Two more Hal Roach regulars who worked on this film were cinematographer Len Powers and editor Richard C. Currier.

 Len Powers was born on December 12, 1892, in Rodney Iowa. Before his time in the movies, Powers had been a professional boxer. He began his film career in 1914 at the Reliance studios. Two pre-Roach credits for Powers included Blue Blood and Red (1916) directed by Raoul Walsh and Headin' South (1918) starring Douglas Fairbanks and directed by Allan Dawn. The first film he worked on for the Hal Roach Studio was the Our Gang (AKA Little Rascals) short, Young Sherlocks (1922). As well as working as a cameraman, Powers also directed or co-directed 14 of Roach's Dippy Doo-Dad shorts. These live action shorts featured animals in human type roles. Because of this, he was assigned to film the rooster that crows in the Pathe logo. After his time with Roach, he would work at Universal in the early 1940's. By the end of the 1940's he would be a camera operator on Johnny Mack Brown B-westerns. His last known credit is for shooting stills for the Best Picture winner, Around the World in Eighty Days (1956). He passed away on January 25, 1965, from a heart attack.  

Richard Currier was born on August 26, 1892, in Denver, Colorado. He began editing films in 1911 for the Selig Company. He started working for Hal Roach around 1921 under Thomas J. Crizer, head of the studio's editorial department. Crizer left in 1925 and Currier was promoted to the new head of the editorial department. Currier received sole editorial credit for on every Hal Roach film from then until mid-1933. However, he was the first to acknowledge that his role was more as a supervisor than anything else. Later in the 1930's he would work at Paramount on films featuring W.C. Feilds as well as Burns and Allen. He would go on to work on such TV shows as The Adventures of Wild Bill Hickok and The Whistler. He would run his own Hollywood editorial service until his retirement. He died on December 14, 1984 at the ripe old age of 92. 

Motion Picture News, 1925



You can watch this film below on YouTube in quite poor picture quality. To see it in better quality get the Blu-ray set Charley Chase at Hal Roach: The Late Silents: 1927. You won't regret it. 


Resources Used

Laurel and Hardy: The Magic Behind the Movies by Randy Skredvedt

A-Z of Silent Film Comedy by Glen Mitchell











Sunday, May 31, 2026

Silent Films on TCM for June 2026

 




Hello my friends. Since I know some of you, like me, love both silent films and TCM, here is a list of silent films that will be on TCM this June. 

Sunday June 7th

Our Dancing Daughters (1928) Director: Harry Beaumont. Starring Joan Crawford and Johnny Mack Brown. 9:30pm Pacific. 12:30am Eastern. 

Sunday June 14th 

A Modern Musketeer (1917) Director: Allan Dwan. Starring Douglas Fairbanks and Marjorie Daw. 9:15pm Pacific. 12:15am Eastern. 

Tuesday June 16th

The Crowd (1928) Director: King Vidor. Starring James Murray and Eleanor Boardman. 12:30am Pacific. 3:30am Eastern. 

Thursday June 18th 

The Phantom of the Opera (1925) Director: Rupert Julian. Starring Lon Chaney and Mary Philbin. 6:30pm Pacific. 9:30pm Eastern

Friday June 19th

The Lodger: A Story of the London Fog (1927) Director: Alfred Hitchcock. Starring Ivor Novello and June Tripp. 3:00am Pacific. 6am Eastern

Sunday June 21st

Downhill (1927) Director: Alfred Hitchcock. Starring Ivor Novello and Ben Webster. 9pm Pacific. 12am Eastern. 

Sunday June 28th 

The Iron Mask (1929) Director: Allan Dwan. Starring Douglas Fairbanks and Belle Bennett. 9pm Pacific. 12am Eastern. 

Cowboy Church #269

 Hello my friends and welcome back for another service of Cowboy Church. 

Today's musical selection begins with Roy Rogers and Dale Evans singing The Lord is Counting on You. This song is directed heavily at the duo's younger fans and is about the importance of Sunday school. This is appropriate because Roy had long been an advocate for Sunday School. In the early 1940's the rules for the Roy Rogers Riders Club included "love god and go to Sunday school regularly." This rule is especially interesting considering that it was before Roy gave his life fully to the Lord. After that of course his support for Sunday school grew even stronger. One time when he and Dale where taking part in a rodeo at Madison Garden, Roy spoke to his audience, "I heard some kid say it is sissy stuff to go to Sunday school. Don't you believe him. Sunday school is for he-men."

This is followed by Dailey and Vincent with Don't You Want to Go to Heaven

Afterwards is Porter Wagoner and the Blackwood Brothers Quartet with I'm Going That Way. This comes from their 1968 gospel album, In Gospel Country

Next is Ralph Stanley and the Clinch Mountain Boys with Shouting on the Hills of Glory. This comes from the 1973 bluegrass gospel album, Ralph Stanley and the Clinch Mountain Boys Sing Gospel Echoes of the Stanley Brothers

 Willie Nelson is of course everybody's favorite hippie-cowboy and up next is a very hippie-cowboy style song, The Troublemaker. This song points out that Jesus didn't simply fit the way many people try to conform him to be in their minds to fit their political and personal views and that hatred of those we don't agree with is something very unchristian. Though this song is in many ways very much of its time, there are ways in which it is still relevant to us today as we remember that Jesus Christ himself was countercultural. 

Next is The Sons of the Pioneers with their 1948 recording of The Touch of God's Hand. This song was written by one of the group's founding members (and one of my favorite songwriters), Bob Nolan.

Then comes Jim and Jessie with It's a Lonesome Road. This comes from their 1968 gospel album, The Lonesome Road

Today's musical selection ends with Johnny Cash and June Carter Cash (backed by The Carter Family and The Statler Brothers) with No Need to Worry. This version of the song comes from a televised 1971 concert in Denmark with Johnny Cash, The Carter Family, The Statler Brothers and Carl Perkins. 










Now for the 13th episode of The Lone Ranger TV series. 


The Exhibitor, 1956


Now for a message from the reverend Billy Graham. 


Psalm 118
1 Give thanks to the Lord, for he is good;
    his love endures forever.

2 Let Israel say:
    “His love endures forever.”
3 Let the house of Aaron say:
    “His love endures forever.”
4 Let those who fear the Lord say:
    “His love endures forever.”

5 When hard pressed, I cried to the Lord;
    he brought me into a spacious place.
6 The Lord is with me; I will not be afraid.
    What can mere mortals do to me?
7 The Lord is with me; he is my helper.
    I look in triumph on my enemies.

8 It is better to take refuge in the Lord
    than to trust in humans.
9 It is better to take refuge in the Lord
    than to trust in princes.
10 All the nations surrounded me,
    but in the name of the Lord I cut them down.
11 They surrounded me on every side,
    but in the name of the Lord I cut them down.
12 They swarmed around me like bees,
    but they were consumed as quickly as burning thorns;
    in the name of the Lord I cut them down.
13 I was pushed back and about to fall,
    but the Lord helped me.
14 The Lord is my strength and my defense;
    he has become my salvation.

15 Shouts of joy and victory
    resound in the tents of the righteous:
“The Lord’s right hand has done mighty things!
16     The Lord’s right hand is lifted high;
    the Lord’s right hand has done mighty things!”
17 I will not die but live,
    and will proclaim what the Lord has done.
18 The Lord has chastened me severely,
    but he has not given me over to death.
19 Open for me the gates of the righteous;
    I will enter and give thanks to the Lord.
20 This is the gate of the Lord
    through which the righteous may enter.
21 I will give you thanks, for you answered me;
    you have become my salvation.

22 The stone the builders rejected
    has become the cornerstone;
23 the Lord has done this,
    and it is marvelous in our eyes.
24 The Lord has done it this very day;
    let us rejoice today and be glad.

25 Lord, save us!
    Lord, grant us success!

26 Blessed is he who comes in the name of the Lord.
    From the house of the Lord we bless you.
27 The Lord is God,
    and he has made his light shine on us.
With boughs in hand, join in the festal procession
    up to the horns of the altar.

28 You are my God, and I will praise you;
    you are my God, and I will exalt you.

29 Give thanks to the Lord, for he is good;
    his love endures forever.

Thanks for joining me. Come back next week for another service of Cowboy Church. Happy trails to you until we meet again. 


Resources Used

Angel Unaware by Dale Evans Rogers 

The Life of Roy Rogers by Charles River Editors