Sunday, April 6, 2025

Cowboy Church #213

 Hello my friends and welcome back for another service of Cowboy Church. 

Today's musical selection begins with Roy Rogers and Dale Evans with Whispering Hope. This beautiful hymn comes from the pen of Alice Hawthorne (the pen name for poet Septimus Winner), who is best known for her contributions to children's music with songs like, Where, Oh Where Has My Little Dog Gone? and Ten Little Indians.

This is followed by The Petersens with an original tune titled Goodness of the Lord. Katie Petersen co-wrote this song with her friend Liv Leggett, both of whom were inspired by Psalm 27. 

Afterwards is Henry Burr's 1905 recording of Saviour, Lead Me, Lest I Stray

Next is Mel Tillis with Just a Closer Walk with Thee. This old hymn's origin remains a mystery with no one knowing exactly how old it is. However, it is believed that this song must date back before the Civil War, because some personal histories have stated that there were “slaves singing as they worked in the fields a song about walking by the Lord’s side.” If this is true it shows the power of God and music as they could sing praise to the Lord even when being oppressed as part of one of the greatest injustices of American history. There is however a song published in 1885 called Closer Walk with Thee which had a very similar chorus. Just a Closer Walk's popularity grew in the 1930's with it being sung at several churches. The arrangement we know today was done by Kenneth Morris in 1940. The following is from Horace Clarence Boyer's book, How Sweet the Sound, “While traveling between Kansas City and Chicago in 1940, songwriter Kenneth Morris got off the train to stretch his legs. While standing on the platform, he overheard a porter singing some of the words to 'Just a Closer Walk with Thee'. Not thinking much about it, Morris boarded the train and went on his way. The words and melody of the song kept repeating in his head and he knew he had to learn the rest of it. At the next stop, Morris got off the train and took the next train back to the previous stop. There he managed to find the porter and Morris persuaded him to sing the song while he copied down the words. Morris soon added to the lyrics and published it in 1940.” 

Next is Johnny Cash with Dark as a Dungeon. In the liner notes for the Unearthed box set John stated, "You say it sounds like a song I should have written? I always thought that too. Merle Travis wrote that song in the '40's and I recorded it over the years two or three different times, but I never really got it the way I wanted it. But I kept on trying. I really don't know how to explain what the ingredient is that makes it a winner or a reject. It depends on the song, the performance, on a lot of things. Merle's been dead 10 or 12 years now, but I told him that I would keep trying until I get it right and I did. Hence this version here. 

Then comes Kris Kristofferson with the title track off his 1972 album, Jesus Was a Capricorn, one of the finest country albums of the 1970's. This title track is a true cowboy-hippie classic that I love. 

Now for George Jones and Tammy Wynette with their 1972 cover of the Tom T. Hall classic, Me and Jesus. This recording comes from the duo's 1972 gospel album, We Love to Sing Songs About Jesus.

Today's musical selection ends with The Sons of the Pioneers with their 1937 recording of Leaning on the Everlasting Arms. This hymn began with a man named Anthony Showalter. As a fan of gospel music and an elder in a Presbyterian church, he held many "singing schools" at various churches in the south. One day he received two letters from former students who were struggling after their wives had passed. To respond to these letters, Showalter consulted scripture. He came across Deuteronomy 33:27, "The eternal God is thy refuge, and underneath are the everlasting arms." After reading this verse lyrics for a song chorus went through his head and he wrote down, "“Leaning, leaning, safe and secure from all alarms; Leaning, leaning, leaning on the everlasting arms.” After using this in the letters to his former students he sent this chorus to his friend hymnist, Elisha Hoffman. In the letter he also wrote, “Here is the chorus for a good hymn from Deuteronomy 33:27, but I can’t come up with the verses.” Hoffman then wrote the rest of the lyrics to which Showalter put to music. The hymn was published in 1887.





























Now for a message from the reverend Billy Graham.





Now for a 1948 episode of the Abbott and Costello radio show guest starring that cowboy hero, Red Ryder. 




Be strong and courageous. Do not fear or be in dread of them, for it is the Lord your God who goes with you. He will not leave you or forsake you. Deuteronomy 31:6

The Lord is my strength and my song, and he has become my salvation; this is my God, and I will praise him, my father's God, and I will exalt him. Exodus 15:2

The LORD is my rock, my fortress and my deliverer; my God is my rock, in whom I take refuge, my shield and the horn of my salvation, my stronghold. Psalms 18:2

Ah, Sovereign LORD, you have made the heavens and the earth by your great power and outstretched arm. Nothing is too hard for you. Jeremiah 32:17

If my people, who are called by my name, will humble themselves and pray and seek my face and turn from their wicked ways, then I will hear from heaven, and I will forgive their sin and will heal their land. 2 Chronicles 7:14

Come near to God and he will come near to you. Wash your hands, you sinners, and purify your hearts, you double-minded. James 4:8

Thanks for joining me. Come back next week for another service of Cowboy Church. Happy trails to you until we meet again. 



















Saturday, April 5, 2025

Some Cartoons for Saturday Morning #225

 Hello my friends and happy Saturday morning. Once again it is time for some classic cartoons. 

Today's cartoon selection starts with a classic Mickey Mouse short film, The Steeple Chase (1933). This movie was originally planned as a musical, but there are no songs in the finished film. The horse Thunderbolt would inspire the Mickey Mouse comic strip character Tanglefoot. The following are a couple of exhibitor's reviews from The Motion Picture Herald. "STEEPLE CHASE: Mickey Mouse— Another good cartoon from Mickey. You'll like it. - J.A. Verchot, Opera House, Abbeville, S.C. Small Town Patronage." "STEEPLE CHASE: Mickey Mouse— Let me repeat, the biggest thing in this cartoon is the rental. Running time, 10 minutes.  - A.H. Edwards, Orpheum Theatre, Orwinsburg, Pa. Small Town and Rural Patronage." 




Next comes the Honey Halfwitch cartoon, From Nags to Witches (1966). This movie is directed by Howard Post, who also created the character. Post is better known for his comic work rather than his animation work. He created the comic strip The Dropouts and DC Comics character Anthro. He had also worked for Harvey Comics on various Casper comic books and on the Heathcliff and Care Bears comics for Marvel as well as being an editor on Looney Tunes Magazine and Tiny Toons Magazine for DC. The Honey Halfwitch films are a series of thirteen theatrically released cartoon shorts. This movie marks the 4th of these shorts. 




Now for the Terry Toons short, Shipyard Symphony (1943). Though this patriotic short was made for World War 2 America, it is still quite entertaining today due to some strong music and gags. This may actually be one of my favorite Terry Toons from this era. 






Next is Donald Duck in Honey Harvester (1949). This marks the second or third battle between Spike the bee and Donald Duck. The two had went up against each other in Inferior Decorator (1948) and a prototype for Spike bugged Donald in Window Cleaners (1940). Some of this film's story had come from an unfinished 1939 story outline entitled Donald's Roadside Market. This story outline also provided story material for the Donald Duck cartoons Donald's Garden (1942), Golden Eggs (1941) and Old MacDonald Duck (1941). This short film made its TV debut on an episode of the Disneyland TV show entitled The Donald Duck Story (1954). 






Now it is time for a commercial break. 















Now for Bugs Bunny in Super Rabbit (1943). The ending of this short film resulted in the U.S.M.C. acknowledging Bugs Bunny as an honorary marine with the title honorary Marine Master Sergeant Bugs Bunny. 




Next is Krazy Kat in The Awful Spook (1921). These silent cartoons from the Bray Studio have a much closer resemblance to the comic strip where the character originated than the later talkie Columbia cartoons. 




Now for The New Three Stooges cartoon, Lastest Gun in the West (1965). Like in all these cartoons, The Three Stooges are voiced by themselves. Curly Joe felt that the show was hurt by the fact that the live action intro and outro segments would be repeated, even when the cartoon was new. He felt this would lead people to see an opening they recognized and change the channel thinking it was a repeat.




Now to end with the greatest short film ever made. 




Thanks for joining me. Come back next week for more animated treasures. Until then may all your tunes be looney and your melodies merry.

Resources Used

 Of Mice and Magic: A History of the American Animated Cartoon by Leonard Maltin.

Donald Duck: The Ultimate History by J.B. Kaufman and David Gerstein

Walt Disney's Mickey Mouse: The Ultimate History by David Gerstein and J.B. Kaufman

The Three Stooges Scrapbook by Jeff Lenburg, Joan Howard Maurer and Greg Lenburg

https://mediahistoryproject.org/


















Friday, April 4, 2025

X-Men First Class (2011)

 



With X-Men Origins: Wolverine (2009) in the works, Fox planned to make another movie following the origins of Magento. This film would soon find itself in development hell and would eventually be cancelled. Ideas from that cancelled film would find its way into X-Men: First Class. This movie came about when producer Simon Kinberg read the comic book series, X-Men: First Class and suggested to 20th Century Fox, that they should adapt this series as the next X-Men film. 

The storyline takes place in 1962 and as the title suggests it revolves around the formation of the first group of X-Men. The bulk of the story involves the relationship between Charles Xavier and Erik Lensherr (later to become Magento) as they form this group of mutants. However, when a dark figure from Erik's past comes around, he is consumed with vengeance creating a strong rift between him and Charles. 

After X-Men: The Last Stand (2006) and X-Men Origins: Wolverine, showed the franchise starting to falter, this movie shows it again reaching the heights of the first two films. There is a lot to love about this movie. All the characters both old and new are great, with each of them feeling fleshed out and real to us (an impressive feat for a film with this many characters). Each gets their own arc here and each arc is given the proper time to develop. Though there are action scenes here, it is these characters and their arcs which are at the forefront. The 1960's setting is also perfectly utilized. This is not one of those movies where a time period is employed as a setting but only superficially so. Instead, the time period is integrated into every part of this story, which is just as much about Cold War America as it is about superheroes. With Cold War America as its setting, this movie helps explore the themes of prejudice and the replacement theory in a very intelligent and smart way. 

This film does have a few flaws though. The special effects are often times not that great and can't hold a candle to those in other superhero movies from the same time period (Captain America: The First Avenger (2011) and Thor (2011) came out the same year). This can get a little distracting at times, especially during the action scenes. Meanwhile some of the action scenes seem underwhelming and not have the weight or scale that they should have. 

This movie also benefits from a very strong cast. James McAvoy is wonderful as a young Charles Xavier (a role he would reprise in X-Men: Days of Future Past (2014), X-Men Apocalypse (2016) and Dark Pheonix (2019). Michael Fassbender is equally wonderful as Magento. a role that he seemed to completely understand. Kevin Bacon does a very good job as the film's villain, providing a character that may have a point but still comes off as completely evil. Jennifer Lawrence's career was just on the cusp of taking off with this film. The year before she had starred in Debra Granik's Winter's Bone for which she had won an award for best actress at the Stockholm International Film Festival and the Independent Spirit Awards. The year after this movie she would receive the role she is best known for as Katniss in The Hunger Games (2012) as well as Silver Linings Playbook (2012) for which she would win an Oscar for Best Actress at only 22 years old. She is wonderful in this X-Men role, showing how great of an actress she is even this early in her career. She would reprise her role as Mystique here in X-Men: Days of Future Past (2014), X-Men Apocalypse (2016) and Dark Pheonix (2019). Zoë Kravitz is great as Angel makes one wish this character would also be brought back for more X-Men movies. However superhero fans will know her for playing Catwoman in The Lego Batman Movie (2017) and The Batman (2022). Nicolas Hoult is quite good as Beast, though no one can top Kelsey Grammer in the role. He would later reprise the role in X-Men: Days of Future Past (2014), X-Men Apocalypse (2016) and Dark Pheonix (2019). Hugh Jackman's cameo as Wolverine is laugh out loud funny and the best use of an F-bomb in a PG-13 film. 

Though the producers originally did not want Matthew Vaughn as the director, because he had briefly started working on X-Men: The Last Stand (2006) before backing out of that film, after seeing Vaughn's satirical superhero film Kick Ass (2010), Kinberg approached Vaughn to direct First Class. Discovering that this film was both a prequel and a soft reboot of the franchise, Vaughn became interested in this movie because of the greater freedom it offered him.  

Upon its release this movie earned $55.1 million on its first three days. While this was less than the last movie had earned on its opening days, it was slightly more than the first film. Critics gave this film mostly positive reviews. While the critics admitted that the movie had flaws, they praised the casting and intelligent social commentary. 



 

Movie Review: Bob Trevino Likes It

 



Michael's Movie Grade: A-

A wonderful dramedy. 

For this movie director/writer Tracie Laymon reached into true events in her own life to bring us this story of a young woman with no friends and a selfish father who doesn't give her the love and affection she needs finding a deep friendship with a man she meets online with the same name as her dad. In lesser hands such a story might have come off as too sentimental and emotionally manipulative. However, Tracie Laymon's personal connection with the story makes it anything but that. This movie and its characters feel completely real to us. We care deeply about the main character. It is easy to feel a real connection to her and anyone who has ever struggled with self-worth can see themselves in her. It is not long into the movie that we simply want to jump in the screen and give her a big hug. Because of this we personally feel hurt when dad disowns her and feel the same joy that she does when she meets this new friend. 
the friendship at the heart of this movie is also completely believable and natural. We truly feel the platonic love between these two characters, and this leads to some genuine tearjerker moments. The performances of Barbie Ferreira and John Leguizamo are truly fantastic and make this movie feel all the more real. There is also a real chemistry between these actors allowing us to feel the friendship between them in every scene. The humor is not as abundant as one might expect from such a dramedy, but it is legitimately funny with some real laugh out loud moments.

A wonderful movie.    

Movie Review: A Minecraft Movie

 



Michael's Movie Grade: D+

A visually appealing but otherwise bland video game adaption. 

For a movie that has a message about the importance of creativity, there is very little to be found here. This is a very paint by the numbers film. The storyline simply follows a format with little personality or passion. There are times when it feels like the filmmakers have as little interest in these characters and their arcs as I did. These characters are as simplistic and bland as possible, and the character arcs feel like the filmmakers simply going through the motions. There is not one reason to care about any of these characters. The humor in this movie often times misses more than it hits. In fact, with the constant barrage of jokes, I only chuckled a couple of times and I never laughed out loud. The world building is very minimal here and this fantasy world never once felt real. 

As much as I didn't like this film, it had a few aspects that made me wish I enjoyed it more. One is that visuals looked wonderful. Like The Super Mario Bros. Movie (2023) before it, the visuals make this film look like a video game come to life. Another is Jack Black. He obviously had the time of his life making this movie and it shows every second he is on screen. The other reason is that I really like how this film is not afraid to get really silly and absurdist with its humor. There is a certain playfulness to the humor that I admired here but unfortunately despite this the gags themselves weren't funny. 

While not as awful as the worst video game adaptions, I couldn't help but wish this was much better. 

Wednesday, April 2, 2025

Red Skeleton: TCM's Star of the Month

 



As a fan of classic film comedy, I am always very happy when TCM has a comedian as their star of the month. For this month, the star of the month is none other than Red Skelton. Starting every Monday at 5pm Pacific, 8pm Eastern, TCM will be playing a block of Red Skelton movies. 

Though many know Red best for his work on radio and TV, he had a very impressive film career as well. Like many classic movie comedians, though he was in some great films most of his filmography is made up of programmers that simply provide a fun way to spend an hour and a half. However not every movie needs to be Casablanca and sometimes a fun vintage programmer is exactly what I want to watch, and I plan on watching as much of Red Skelton as I can. 

Below is a list of the Red Skelton movies that will be playing.

Monday April 7th

Whistling in the Dark (1941) Director: S. Sylvan Simon. 5pm Pacific. 8pm Eastern

Whistling in Dixie (1942) Director: S. Sylvan Simon. 6:30pm Pacific. 9:30pm Eastern

Whistling in Brooklyn (1943) Director: S. Sylvan Simon. 8pm Pacific. 11pm Eastern

Maisie Gets Her Man (1942) Director: Roy Del Ruth. 9:45pm Pacific. 12:45am Eastern. 

Panama Hattie (1942) Director: Norman Z. McLeod. 11:30pm Pacific. 2:30am Eastern

Monday April 14th

Ship Ahoy (1942) Director: Edward Buzzell. 5pm Pacific. 8pm Eastern.

I Dood It (1943) Director: Vincente Minnelli. 7pm Pacific. 9pm Eastern. 

Du Barry Was a Lady (1943) Director: Roy Del Ruth. 9pm Pacific. 12am Eastern.

Merton of the Movies (1947) Director: Robert Alton. 11pm Pacific. 2am Eastern. 

Monday April 21st

Bathing Beauty (1944) Director: George Sidney. 5pm Pacific. 8pm Eastern.

Neptune's Daughter (1949) Director: Edward Buzzell. 7pm Pacific. 10pm Eastern.

Texas Carnival (1951) Director: Charles Walters. 8:45pm Pacific. 11:45pm Eastern. 

Three Little Words (1950) Director: Richard Thrope. 10:15pm Pacific. 1:15am Eastern.

Tuesday April 22nd

A Southern Yankee (1948) Directors: Edward Sedgwick and S. Sylvan Simon. 12:15am Pacific. 3:15am Eastern.

Watch the Birdie (1951) Director: Jack Donahue. 2am Pacific. 5am Eastern. 

Monday April 28th

The Fuller Brush Man (1948) Director: S. Sylvan Simon. 5pm Pacific. 8pm Eastern.

The Yellow Cab Man (1950) Director: Jack Donohue. 6:45pm Pacific. 9:45pm Eastern

Excuse My Dust (1951) Director: Roy Rowland. 8:30pm Pacific. 11:30pm Eastern








 





 

Movie Review: A Working Man

 



Michael's Movie Grade: C+

An enjoyable if formulaic action flick. 

The storyline here does its job and little more. You side with and care about the main character, who comes off as very likable. At the same time the villains are the lowest sort of despicable scum you can imagine. This may be all the storyline really offers but frankly no one is watching for the story and for better or worse this is exactly the type of film you think it is going to be with no surprises. This being said there is quite a bit of dumb fun throughout this movie. The action scenes are quite exciting being well filmed, choregraphed and paced. Also, with how horrible this movie makes the villains, there is a cathartic charm to watching them be killed. While the villains seem like over the top cliché movie villains, sadly people like this exist and seeing them get their just desserts supplies the audience with a certain wish fulfillment. Also helping this film is Jason Statham as the lead character. He has proven himself to be a good action star, who can elevate any action film, and he definitely elevates this one.   

All this being said, the film is so similar to many other action movies that it is hard for it to stand out. Instead, it just simply blends in with so many similar action films that overtime you will forget you have watched it. 

This is far from a great movie but there is enough dumb fun to make it a fun trip to the movies.